>>49962889
Thanks!
Yeah my workflow is the completely opposite of yours, pic related is something of a summary of how I work when I make simple character drawings.
Lineart and fine details are the last things I think about so my top priority is to get the color harmony and composition in the right places, with a sketch of what I'm going to do and a thin wash of color(first and second step) then I just start doing pretty much everything in on layer and I make changes as I see them fit.
I used to work like that, painting under lines and using many layers, and while the results were "clean" it was very tedious and kind of takes away the fun of painting, if I wanted to make one change I had to browse through the many layers I had, so I went for a more direct "drive by cable" as time went on and layers became more of a convenience than a necessity, as if I wanted to experiment and make a huge change to the picture I could add it, see if I like it and merge it down.
As a result my works look rough and loose, especially the strokes, but I like that too, it makes it more expressive I guess? The brain can fill in details that are not there, you just need to lead the illusion and this is not an easy task either, so I guess acrylics would go well with this approach.
