>>24529681 (OP)To me the beauty of the language is as thrilling as listening to beautiful music, although in a somewhat different and more cerebral, challenging way at times. It’s also as irrational (or suprarational) an enjoyment as we get from listening to music.
I think it has some of the greatest poetry of the English language possible in it, and to do this he had to create a uniquely challenging, dense, ultra-allusive, sometimes almost schizoid style for it, but that was what reached the maximum poetry. Ordinary English wouldn’t do.
My favorites, stylistically, are the first three chapters following Dedalus, or the Telemachiad if you want to use the scholarly term based on the parallels to Homer’s Odyssey. Others dislike them more or find them too challenging, and Dedalus too morose and cerebral a character to be in the head of (as opposed to Bloom or Molly), but it’s exactly this character which afforded Joyce the greatest opportunity to display his beautiful style, blending literary, poetic, theological and philosophical influences and musings.
It’s also pretty funny. There’s a great comic spirit to it, and also some interest value in the ultra-voyeurism, how much detail he crams in about one day in the lives of a few characters and what’s going on in their heads.