>>24700073
There is hardly any dialogue in Notes from the Underground. It’s an incredibly easy read, you should have sped through it in an afternoon.
As for melodramatic, yes that is the point. Dosto is not trying to depict entirely realistic human reactions, he’s using characters to embody philosophical trends that he saw as destructive. Not quite caricatures, more like characters in an opera: blended elements of plausible human behavior with overdramatic outbursts.
His novels are more allegory than microcosm of reality: if you have no interest in his perspective, then you have no business reading it. You won’t get anything out of it.