>>126779350 (OP)In part, ugly muddy production caused by the cumulative results of clinging to a digital facsimile of a warm analogue rock sound + early streaming era mastering stripping the tonality and the energy out of a lot of post-2006 releases (and the loudness war was already making things shittier before that) and making the songs sound more same-y than they already were. By the time it got round to the second wave of b-listers like Pigeon Detectives, landfill indie was like a miniature british precursor to our current global slop era. Contrast with Dan Carey's work on Schlagenheim