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Thread 127272800

321 posts 110 images /mu/
<3 No.127272800 >>127275642 >>127276804 >>127286812 >>127291158 >>127298537
/classical/
Sergei Prokofiev Edition

https://www.youtube.com/watch?v=HeH-330FJf4

This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.

>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen

Previous: >>127256700
Anonymous No.127272818
lol sir gay
Anonymous No.127272842
Listen to Rachmaninoff

https://www.youtube.com/watch?v=ML41ThvX7XQ&list=OLAK5uy_npvvZjmvU1s58Uk8p-OB66dy-bMhGWKz0&index=3
Anonymous No.127272867
now playing

Liszt's Années de pèlerinage II, S. 161: IV. Sonetto 47 del Petrarca
https://www.youtube.com/watch?v=_qqKf3pM-ag&list=OLAK5uy_my0dL6Yv_wDPNxppRfxGULpqSTIX6Z4_E&index=13

https://www.youtube.com/playlist?list=OLAK5uy_my0dL6Yv_wDPNxppRfxGULpqSTIX6Z4_E

>In November 2011 I heard Bertrand Chamayou for the first time during the Lucerne Piano Festival, where his recital in the Lukaskirche featured an ample selection from Liszt’s Années de Pèlerinage. I was frankly bowled over by the young French pianist’s staggering technique, commanding artistry, wide color palette, and controlled concentration. These qualities consistently inform his Naïve recording of the complete cycle, which may well become a version of reference alongside Muza Rubackyté’s out-of-print Lyrinx edition. ---- Jed Distler, 10/10

I'd always thought this Annees cycle was great yet short of excellent because of Chamayou's straightforward, limpid approach, as I generally prefer my Liszt with more color and overt poeticism, but this morning it's really hitting the spot, proving to be an exciting and virtuosic rendition of one of the great masterpieces of solo piano repertoire.
Anonymous No.127272869 >>127272886 >>127272891
Who are some composers melodically similar to Wagner? It occurred to me that I don't actually have any classification in my head for what distinguishes Wagner's melodic sensibility. I don't mean his harmony or orchestration, but the melodies themselves. Who influenced him, who inspired him to write melodies like he did? Is Wagner a melodic chameleon with no distinctive style here?
Anonymous No.127272886 >>127273545
>>127272869
Bruckner and Mahler
Anonymous No.127272891
>>127272869
Bellini and Gluck (according to AI). Beethoven, Weber etc. obviously.
Anonymous No.127272900 >>127272924 >>127294703
whos more underrated, Martinu or Turina?
Anonymous No.127272924 >>127272966
>>127272900
neither. both are properly rated third-tier composers.
Anonymous No.127272966 >>127272972 >>127273133
>>127272924
deeply lowbrow take tbphwy
but its fine, theres a lot of people like you whose knowledge only extends as far as their gas station 100 Classical Hits CD
Anonymous No.127272972
>>127272966
>their gas station 100 Classical Hits CD
But that's how I discovered and fell in love with Martinu!
Anonymous No.127273089 >>127273369 >>127273461 >>127273769 >>127273799
best recording of Goldberg Variations on Organ?
Anonymous No.127273133
>>127272966
you seem to think that third-tier means bad. it doesn't. martinu is a decent composer, and i think he is generally rated as such. he was never great however, and certainly no genius. i have plenty of martinu in my collection and i would describe most of as merely pleasant.
Anonymous No.127273153 >>127273187 >>127273369
best Goldberg Variations on Synth Guitar?
Anonymous No.127273187
>>127273153
>>>/mu/
Anonymous No.127273344 >>127273369 >>127273430
>When Bach was introduced to the piano, he hated it
Anonymous No.127273369 >>127273404
>>127273089
>>127273153
>>127273344
this is a scarlatti thread, gb2rebbit if you want to talk about bach.
Anonymous No.127273404 >>127278699
>>127273369
So post Scarlatti.
Anonymous No.127273430 >>127273479
>>127273344
Source: my ass

Piano exists because of Bach. And in its early stages it was indeed shitty, perhaps as bad as clavichord or harpsichord, in dynamic range at least.
Anonymous No.127273461
>>127273089
Middelschulte
Anonymous No.127273479 >>127273715 >>127279134 >>127284493 >>127285429
>>127273430
No, he is right. Bach criticized Silbermann’s pianos. Silbermann tried to rectify flaws. Bach granted his approval, to save their friendship, and never voluntarily played one again.
Anonymous No.127273545
>>127272886
Bruckner's melodies seem just about the opposite of Wagner's.
Anonymous No.127273554
now playing

start of Haydn: Symphony No. 93 in D Major, Hob. I:93
https://www.youtube.com/watch?v=dPAUplGTorc&list=OLAK5uy_nEme9tK5uZsf-qelqnKGTbn3tA69wS4I0&index=2

start of Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise"
https://www.youtube.com/watch?v=FOg20IFN49E&list=OLAK5uy_nEme9tK5uZsf-qelqnKGTbn3tA69wS4I0&index=6

start of Haydn: Symphony No. 95 in C Minor, Hob. I:95
https://www.youtube.com/watch?v=dgvDe5lHvnY&list=OLAK5uy_nEme9tK5uZsf-qelqnKGTbn3tA69wS4I0&index=10

start of Haydn: Symphony No. 96 in D Major, Hob. I:96, "Miracle"
https://www.youtube.com/watch?v=bO8nl8KzYW8&list=OLAK5uy_nEme9tK5uZsf-qelqnKGTbn3tA69wS4I0&index=13

https://www.youtube.com/playlist?list=OLAK5uy_nEme9tK5uZsf-qelqnKGTbn3tA69wS4I0
Anonymous No.127273715 >>127273806 >>127273815 >>127273821
>>127273479
>never voluntarily played one again.
Source: trust me bro
Anonymous No.127273769
>>127273089
https://www.youtube.com/watch?v=mzJR7MY5WiM&list=OLAK5uy_k-d0REes8NzUn_AJfkiu9qw9P4Fzm0_l4&index=6
Anonymous No.127273799
>>127273089
The Piano was invented after Bach’s death, by guy
Anonymous No.127273806 >>127273815 >>127273849
>>127273715
The Piano was invented after Bach’s death, my guy; hard to play something that doesn’t exist yet.
Anonymous No.127273815 >>127273849
>>127273715
>>127273806
Bach did not compose for piano even though it was available in his day.
Anonymous No.127273821 >>127273849
>>127273715
The musician, a guide for pianoforte students. 6 grades - Page 35
Anonymous No.127273849 >>127273870
>>127273806
Bach himself owned piano. The piano you know is different, sounds different, but is the same old piano that Bach used to play.
>>127273815
Bach did not specify what he composed for, he composed for "Klavier", as in, any keyboard instrument, including the piano. So yes, Bach composed for piano.
>>127273821
Clearly historically illiterate.
Anonymous No.127273870 >>127274121 >>127284493
>>127273849
Bach hated pianofortes. His favorite “Klavier” was the Clavichord.
Anonymous No.127273910
i had the displeasure of watching ryan's daughter whose only redeeming quality was beet's prevalence throughout the movie. it is my formal opinion that the infidelity expressed in the film deserved worse treatment. i hate women.
Anonymous No.127273925 >>127273946 >>127273952
Can you actually appreciate Wagner and Das Rheingold if you don’t speak German? I feel like I’m wasting my time.
Anonymous No.127273946
>>127273925
i feel the same way when listening to opera from other composers, except it isn't the language barrier that concerns me, but rather the fact that they are not and can never match up to the quality that wagner himself attained.
Anonymous No.127273952
>>127273925
Yes, obviously. Just read along with a bilingual libretto.
Anonymous No.127274063
Wagner fucked Liszt or something?
Anonymous No.127274097
most of Bach's """keyboard""" works were written for the superior Xylophone, the "klavier" thing was mistranslated.
Anonymous No.127274110 >>127274116 >>127274135
>top rated recording
>Performer: John Butt
no thanks
Anonymous No.127274116 >>127274124
>>127274110
what's wrong with John Butt
Anonymous No.127274121 >>127279087
>>127273870
No one knows that.
Anonymous No.127274124 >>127274135
>>127274116
not that anon (nta) but anyone who dares have vulgarities within their name ought be shunned from society
Anonymous No.127274135
>>127274110
>>127274124
don't sleep on the conductor Yondani Butt
Anonymous No.127274324
Is young Lenny the handsomest classic musician of the 20th century?
Anonymous No.127274348
Haydn

https://youtu.be/2qXB7e-ZU28
Anonymous No.127274390 >>127274609
how true is it on a scale from not true to five that beethoven studied under haydn?
Anonymous No.127274609 >>127274673 >>127274680
>>127274390
Literally true in that Beethoven took lessons from him.
Anonymous No.127274673
>>127274609
Not just some lessons, he was his pupil.
Anonymous No.127274680 >>127274700
>>127274609
okay, normally when someone seeks to prove the affirmative in a case citations are provided. although it isn't uncommon to see the contrary occur on the internet it is all the same worth noting. moreover, i did not receive a satisfactory response that was measured against the scale set out in my initial question; not true to five true indicates that there are 6 possible responses.
Anonymous No.127274700
>>127274680
Not looking up an easily verifiable fact for you, man. If you want a robot to go search the internet for you and use your made up truthiness scale then ask ChatGPT.
Anonymous No.127274858
For me, it's Shostakovich's 24 Preludes and Fugues
https://www.youtube.com/watch?v=RRAtde-IPfw&list=OLAK5uy_mta00bfdpXP7wiTm7HnXmiN3hn-sjqEmI&index=34
Anonymous No.127274928 >>127274964 >>127274974
best recording of Da Bussy's complete piano works?
Anonymous No.127274947
now playing

start of Brahms: Piano Concerto No. 1 in D Minor, Op. 15
https://www.youtube.com/watch?v=TgoRedjMEiw&list=OLAK5uy_l62ZYbmCD5-Tn5il1Du0jwis53vAEwE98&index=2

start of Brahms: Piano Concerto No. 2 in B-Flat Major, Op. 83
https://www.youtube.com/watch?v=CsxKsm_b9k0&list=OLAK5uy_l62ZYbmCD5-Tn5il1Du0jwis53vAEwE98&index=4

https://www.youtube.com/playlist?list=OLAK5uy_l62ZYbmCD5-Tn5il1Du0jwis53vAEwE98

I've heard this recording is better than Hough's later and more well-known release of the same works with Mark Wigglesworth, so time to finally give them a try since he is one of the better famous pianists of our era, and his set of Brahms' late piano pieces is one of the very best available.
Anonymous No.127274964
>>127274928
There's so many and all different, appealing to various, even divergent tastes, so you're best looking up the most acclaimed and notable sets and sampling them and comparing on your own to make a decision which best suits your own preferences.
Anonymous No.127274974 >>127275748
>>127274928
just get warners complete works box set and be done with it
Anonymous No.127275536 >>127275579 >>127294703
fuck I can't stop listening to Bach's WTC. nothing else is really hitting the spot in the same way right now
Anonymous No.127275579
>>127275536
Listen to Shosta's prelude and fugues
Anonymous No.127275642
>>127272800 (OP)
Fool. Ne3 is a checkmate in 8
Anonymous No.127275748 >>127276260
>>127274974
>warners complete works
is that better than the DG one?
Anonymous No.127275822 >>127279114
St Matthew Passion Sunday
https://www.youtube.com/watch?v=djMqjExVAog&list=OLAK5uy_mFEo1rkGb4W7O4nFZrki4zOH-6KCzuT6c&index=1
Anonymous No.127275934 >>127276326 >>127276335 >>127276397 >>127276471 >>127284371
Sometimes Rach is so good I can't imagine listening to anything else. This doesn't happen with any other composer, except Chopin and Brahms. He spellbinds you like nothing else.
https://www.youtube.com/watch?v=k4Ld20K-7GU&list=OLAK5uy_nTiMehnmBZUucoRELO8hrG_9g0wLT__2c&index=1

This is also Hurwitz's favorite recording of the 3rd concerto. Closest to what Rachmaninoff intended apparently, and does its form and structure 'justice' in his own words. Exciting, first time listening to Edo de Waart!
Anonymous No.127276112
>>127272088
he specifically disliked a few aspects of it, told the creator who then had those aspects changed, then went on to sell those revised pianos himself
yeah, I'm sure the first man who sold the instrument secretly hated them. makes sense.
you're purposefully spreading misinformation. kill yourself. people who spread lies don't deserve to enjoy the real world.
Anonymous No.127276260
>>127275748
i believe the consensus agrees that it is the best, however, warner classics has a lot of money to spend on advertising, much more than dg could ever hope to obtain, so it is my honest and most educated opinion that the consensus could very well be the result of that which i alluded to earlier. it should be noted that art et son studios is responsible for remastering the warner debussy anthology and that their engineering is in most instances great. now if you would a word on consensus what does it mean for public opinion to be driven to conclusions just because it has mass appeal? is this not one of the most dangerous, if not the most dangerous, attacks on our individual freedom as a people? how much of my decisions are based on this big money effort in altering my attitudes and thus behavior? what can we do about it?
Anonymous No.127276326 >>127276397
>>127275934
Don't you like Prokofiev too? His piano concertos have the same type of romantic intensity that only the russians had at the time
Anonymous No.127276335 >>127276397 >>127276485 >>127276627
>>127275934
"Rachmaninoff is music for teenagers." - Alfred Brendel
Anonymous No.127276340
Bach

https://youtu.be/2RLY1-r46Ao?list=RD2RLY1-r46Ao&t=438
Anonymous No.127276397 >>127284371
>>127275934
Probably the best Rach 3 I've ever heard. So fast, yet precise, expressive, dynamic, rich and slow actually feels slow.
>>127276326
Love Prokofiev to death, obviously. Going to listen to Toradze/Gergiev concerto cycle now.
>>127276335
I guess I'm eternally young and healthy enough to appreciate greatest beauty the world has to offer, I like that!
Anonymous No.127276471
>>127275934
Can't ever go wrong with a Kocsis performance.
Anonymous No.127276485 >>127276500
>>127276335
Brendel, RIP, seems like the kinda guy who was born at the age of 50.
Anonymous No.127276500 >>127276637
>>127276485
>kinda guy who was born at the age of 50
...with no remarkable talent or taste.
Anonymous No.127276627
>>127276335
damn I didn't know Brendel was cool like that
Anonymous No.127276637
>>127276500
Actually he was pretty talented at playing the piano
Anonymous No.127276695 >>127276704
Who did Beethoven steal Moonlight Sonata from?
Anonymous No.127276704
>>127276695
He might have been influenced by Mozart, he didn't steal it.
Anonymous No.127276804 >>127276831 >>127276868
>>127272800 (OP)
Prokofiev
Anonymous No.127276814 >>127276831 >>127276868
Anonymous No.127276831 >>127276873 >>127276895
>>127276804
>>127276814
what the fuck is this
Anonymous No.127276868 >>127277022
>>127276804
>>127276814
Post link instead of the artwork bud
Anonymous No.127276873
>>127276831
That's what I said. I hope this 1448 is just a coincidence
Anonymous No.127276895
>>127276831
Nvm my guy I confused it with 1488
Anonymous No.127277022
>>127276868
You've had the artwork, that's enough for just now friendo
Anonymous No.127278699 >>127278780
>>127273404
Either listen to the entire 555 or fuck off. Start with Scott Ross's cycle obviously.
Anonymous No.127278780
>>127278699
>All 555 sonatas
Anonymous No.127279087
>>127274121
Not an argument.
Anonymous No.127279114
>>127275822
>Every Sunday is Easter.
Anonymous No.127279134
>>127273479
That's toxic history we need to change it to make it seem like bach instantly loved the piano
Anonymous No.127279512 >>127279550
Bach
https://www.youtube.com/watch?v=8NhDAepqo5w
Anonymous No.127279550 >>127283125
>>127279512
The instrument Bach tells Pianists not to be jealous of
Anonymous No.127279590 >>127279730
Hello friends
https://www.youtube.com/watch?v=rQC9vxMvDU4
Anonymous No.127279639
https://www.youtube.com/watch?v=OPzOiwK-sss
>Suzuki
Anonymous No.127279730
>>127279590
Hi Dave
Anonymous No.127281237
Alan Hovhaness - Symphony No. 21 (Symphony Etchmiadzin),

https://www.youtube.com/watch?v=bkDQyqsZB2s&list=RDbkDQyqsZB2s&start_radio=1
Anonymous No.127281462
https://www.youtube.com/watch?v=wioHyRSWAdY&list=OLAK5uy_mbxSUmHa88SmT_RmFCWka4McmH12tpqdM&index=1
Anonymous No.127283125
>>127279550
lol
Anonymous No.127283166 >>127283364 >>127289088
Recs for classical that goes hard like Mars and Allegro Con Fueco?
Anonymous No.127283364 >>127286607
>>127283166
Strauss' Ein Heldenleben and Thus Spoke Zarathustra and various tone poems, Stravinsky's Rite of Spring, Liszt's Faust Symphony, Saint-Saens Symphony No. 3 'Organ'
Anonymous No.127283775
favorite recording(s) of Ravel's Miroirs, M. 43?
Anonymous No.127284186
>As for the Beethoven, as soon as I heard the opening 'thwack, thwack, thwack, thwack' of leather mallets on the timpani, I knew this performance was a loser. It's another misguided HIP job, with a reticent, vibrato-less, barely audible soloist and an undersized orchestra(too few string players). The fashion now is to play Beethoven's op. 61 as though it's a piece of chamber music...which doesn't work.

savage, and 'misguided HIP job' is hilarious
Anonymous No.127284216
A neat video of the violinist Gil Shaham comparing Brahms' and Beethoven's violin concertos
https://www.youtube.com/watch?v=vwiEA2yQ4Qk

and accompanying article
https://www.violinist.com/blog/laurie/20211/28623

>You don't need to read any history to sense the connection between the Beethoven and Brahms violins concertos -- it's right there in the music. This idea led to a wonderful conversation with violinist Gil Shaham, who releases his new recording of Beethoven and Brahms on March 12. In the video below, Gil demonstrates nearly a dozen places where the two concertos mirror one another, playing on a c.1719 Strad from Rare Violins In Consortium Artists and Benefactors Collaborative.

...

>The history of this connection - between Beethoven, Joachim and Brahms - is actually quite interesting. When Gil talks about why he decided to record both the Beethoven and Brahms violins concertos together on one album, he points to one historical moment: March 11, 1848, the fateful day when Johannes Brahms, just 14 years old, watched Joseph Joachim perform the Beethoven Violin Concerto at a concert in Hamburg. "Apparently, this concert changed his life," Shaham said, citing the historical research by Styra Avins, who wrote the program notes for his new album and who also wrote the 1998 book Johannes Brahms: Life and Letters.

>Fast-forward to the 44-year-old Brahms, who had just started composing his own violin concerto. He turned, of course, to Joachim, who was by then a close friend. They talked about technical considerations, playability, etc., and Joachim wrote a cadenza which is still used today by violinists, including Gil in this recording. Brahms dedicated the work to Joachim -- who actually opened the premiere performance concert by playing the Beethoven Violin Concerto!

Fascinating stuff. Imagine that, thirty years later having the same performer premiere and contribute on your own violin concerto.
Anonymous No.127284279
now playing

start of Beethoven: Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost"
https://www.youtube.com/watch?v=e6QSai1KGz8&list=OLAK5uy_nYbILp9L6xtc5LqdzrFm3NkCWUTzgxIew&index=2

start of Beethoven: Piano Trio No. 7 in B-Flat Major, Op. 97 "Archduke"
https://www.youtube.com/watch?v=SaZzCTBG248&list=OLAK5uy_nYbILp9L6xtc5LqdzrFm3NkCWUTzgxIew&index=4

https://www.youtube.com/playlist?list=OLAK5uy_nYbILp9L6xtc5LqdzrFm3NkCWUTzgxIew

I've been in quite the Beethoven mood this past month. It's difficult finding modern recordings of Beethoven's piano trios which satisfy my personal tastes because it seems performing them in a period-appropriate, HIP approach is the dominant fashion. I'm not outright avoiding those recordings, and indeed I've added a couple to my backlog to be listened to as some point (eg. Immerseel/Beths/Bylsma), but it's not currently my preferred choice, and certainly not what I want every recording to sound like. Anyway, hopefully this is good.
Anonymous No.127284305 >>127286693
now playing

start of Beethoven: Violin Sonata No. 5 in F Major, Op. 24 "Spring"
https://www.youtube.com/watch?v=jz5vpRYEY8o&list=OLAK5uy_lSf7yFXPx-SqasWcffj8ZqWMQYvoPLCuk&index=14

start of Beethoven: Violin Sonata No. 10 in G Major, Op. 96 "The Cockrow"
https://www.youtube.com/watch?v=bFl11Pc8oA0&list=OLAK5uy_lSf7yFXPx-SqasWcffj8ZqWMQYvoPLCuk&index=18

start of Beethoven: Violin Sonata No. 6 in A Major, Op. 30 No. 1
https://www.youtube.com/watch?v=UcNXmYaD0iw&list=OLAK5uy_lSf7yFXPx-SqasWcffj8ZqWMQYvoPLCuk&index=21

https://www.youtube.com/playlist?list=OLAK5uy_lSf7yFXPx-SqasWcffj8ZqWMQYvoPLCuk

>This is as fine a set of Beethoven violin sonatas as has ever been recorded. It has everything: excitement, character, explosive contrasts, subtle shadings, and the long cantabile line that Beethoven demands--and it's superbly recorded as well. Isabelle Faust and Alexander Melnikov form a true partnership, playing off of each other and imbuing the music with a genuine, conversational quality that's very fetching. ---- David Hurwitz, 10/10
Anonymous No.127284371 >>127284764 >>127284787
Previn!

https://www.youtube.com/watch?v=AfrniVMJX70&list=OLAK5uy_nG3SfkeFOcJIFJJLRzzbrqVwoF2A99zH8&index=1

>>127275934
>>127276397
What do you think of this set
Anonymous No.127284493
Amusing and interesting article about Schiff discussing playing Bach on the piano

https://www.theguardian.com/music/2015/aug/06/andras-schiff-bachs-goldberg-variations-dance-devil

>>127273479
>>127273870
Anonymous No.127284764
>>127284371
Ashkenazy/Previn is pretty good, nothing against it. But not my favorite, mainly for tempo choices, but also lack of dynamics and imperfect the sound of orchestra, relative to e.g. Slatkin/Simon.
Anonymous No.127284787 >>127286289
>>127284371
Ashkenazy/Previn is pretty good, nothing against it. But not my favorite, mainly for tempo choices, but also lack of dynamics and the imperfect sound of orchestra, relative to e.g. Slatkin/Simon.
Anonymous No.127285429 >>127285801
>>127273479
>Bach granted his approval, to [headcanon]
Anonymous No.127285796
some Prokofiev in honor of the edition
https://www.youtube.com/watch?v=2659MXUPP4c&list=OLAK5uy_mJRD9XI7b_huElPoSDFzF5dmqOUfrEIBI&index=1
Anonymous No.127285801
>>127285429
The story that Bach granted approval to the piano afterwards is the real head-canon; there is no primary source attesting to that, only that he pawned one to a Polish kipchak at Silbermann’s behest.
Anonymous No.127286085
What recording does this score video use? I really like the articulations and tempi used in this performance. The suggested recording from a reply of a comment asking the same doesn't seem to match.

https://www.youtube.com/watch?v=b9YmR5zFyLE
Anonymous No.127286134 >>127287870
>bach
>piano
>atheism
Oh. My. Fucking. God.
Anonymous No.127286157 >>127286180
a Piano is a harpsichord, just a much much better harpsichord.
Anonymous No.127286180 >>127286249
>>127286157
Piano has completely different mechanism of producing sound, haprischord plucks strings, pianos strike strings with hammer, they're not the sams.
Anonymous No.127286210
let's try out Fazil Say's Beethoven piano sonatas cycle, here's a sampling

No 8, Pathetique
https://www.youtube.com/watch?v=nNS2wsE3k-o&list=OLAK5uy_leivrAoqWaA5D9TQ6OfHBP_c7v6Li-FcA&index=28

No 15, Pastoral
https://www.youtube.com/watch?v=u4tWD5cHLdA&list=OLAK5uy_leivrAoqWaA5D9TQ6OfHBP_c7v6Li-FcA&index=57

No 17, Tempest
https://www.youtube.com/watch?v=KXDa2wtddxk&list=OLAK5uy_leivrAoqWaA5D9TQ6OfHBP_c7v6Li-FcA&index=64

No 24, A Thérèse
https://www.youtube.com/watch?v=HmQTtNog-vA&list=OLAK5uy_leivrAoqWaA5D9TQ6OfHBP_c7v6Li-FcA&index=82
Anonymous No.127286249
>>127286180
yeah i know, a much much better mechanism, who is Sam?
Anonymous No.127286289 >>127287920
>>127284787
what are your favorite recordings of the Concertos, Slatkin?
Anonymous No.127286384 >>127287023
>Certainly agree that Angela Hewitt is a star in the firmament as regards Bach's keyboard works and thank you for this review. She in particular also has popularised the Orgelbuchlein Chorale, "Alle menschen Mussen Sterben" as an encore , bravely treating a song of resignation to death as a lullaby for a general audience. It translates well to the pianoforte.

interesting

https://www.youtube.com/watch?v=IN2G6-fxqBc
Anonymous No.127286548
huh, there's actually plenty of emotion, color, and personality in Schiff's Decca WTC, it's nothing like his dreadful and dry ECM WTC and ECM Bach at all.

https://www.youtube.com/watch?v=vIPXYK5bR_g&list=OLAK5uy_nOj9ZI9kc8GX4qzMtGz_HJyI9gq6kHbrE&index=6
Anonymous No.127286607 >>127286618 >>127286625
>>127283364
> Saint-Saens Symphony No. 3 'Organ'
Don’t be fooled by this one my geezer
Anonymous No.127286618
>>127286607
That's the best piece there.
Anonymous No.127286625 >>127289930
>>127286607
https://www.youtube.com/watch?v=XWPB3pjX_UU

You don't think it's aggressive and exciting and thrilling?
Anonymous No.127286693 >>127286704
>>127284305
They sound like what they are - a smart businessman, working on commission, trying to fill up three quarters of an hour with whatever can pass for music, to get a large paycheck for doing so.
Anonymous No.127286704
>>127286693
Melnikov and Faust or Beethoven? And strange you feel that way, even if you don't care for their performances, they're two musicians at the top of their game who can hardly be accused of phoning it in. Wait, are you trolling me rn? pls dont
Anonymous No.127286812 >>127286863 >>127286888
>>127272800 (OP)
Are there any concertos for triangle?
Anonymous No.127286863
>>127286812
No but there’s plenty for squares
Anonymous No.127286888
>>127286812
https://www.youtube.com/watch?v=OrfXp3g38yo
Anonymous No.127286891
any solo Triangle works?
Anonymous No.127287023
>>127286384
https://www.youtube.com/watch?v=UI1k4xWC2pA
kurtag did it better
Anonymous No.127287584
now playing

start of Dvořák: Symphony No. 6 in D Major, Op. 60, B. 112
https://www.youtube.com/watch?v=HEf3it8cJt4&list=OLAK5uy_kSK2NFPnxuKtS48iBHnBiar7DGNJkt-wM&index=30

start of Dvořák: Symphony No. 7 in D Minor, Op. 70, B. 141
https://www.youtube.com/watch?v=jCyvLzq-OQU&list=OLAK5uy_kSK2NFPnxuKtS48iBHnBiar7DGNJkt-wM&index=34

start of Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163
https://www.youtube.com/watch?v=8rgtOXSrU3I&list=OLAK5uy_kSK2NFPnxuKtS48iBHnBiar7DGNJkt-wM&index=38

https://www.youtube.com/playlist?list=OLAK5uy_kSK2NFPnxuKtS48iBHnBiar7DGNJkt-wM
Anonymous No.127287683 >>127287695 >>127287718
>If you love Ian Bostridge in German lied, you can stop reading here. Go out, buy the disc, and enjoy. But I, and the handful of other people in this world not immune to this tenor’s misadventures in the genre, will continue to bear the burden of membership in the isolated minority who need painkillers to get through this disc. Bostridge doesn’t so much sing Die Schöne Müllerin as deconstruct it to conform to a Freudian subtext. In the course of his adventure into Schubert’s mind via the score of Die Schöne Müllerin, Bostridge subjects the words of the poems and the musical phrases to crooning, teasing, stretching, approximations of pitch, artificial tempo extremes, whispers, scoops, vocal tremors, quavers, and swells, and myriad other violations of musicality such as seasickness-inducing tempo extremes. As if that isn’t enough, even the combined efforts of the CIA and UN inspection teams would be hard pressed to find any example of legato. This CD is a comprehensive catalogue of pretentious mannerisms and artificiality.
Anonymous No.127287695 >>127287718
>>127287683
>The back of the jewel box pretty much lets you know what you’re in for: it’s a photo of Bostridge and pianist Mitsuko Uchida standing alongside each other, the pianist’s hands folded at the waist, eyes closed, a serene smile on her lips, simulating spiritual repose. He towers above in fashionable black, leans toward her, arms crossed, eyes closed in an aspect of otherworldly saintliness. They’re bearers of Spiritual Art, Keepers of the Sanctified Flame. It makes me long for those unabashedly semi-porn covers of girl violinists’ cleavages.
Anonymous No.127287718
>>127287683
>>127287695
lmao

the description on the second post is too good, it really couldn't be written better than that
Anonymous No.127287870
>>127286134
Bach was acutally a piano
Anonymous No.127287907 >>127288318
it's a Faure's Nocturnes kinda day
https://www.youtube.com/watch?v=FTydwTRzugI&list=OLAK5uy_m9oL7db083mA78uh8mhRpuqisHM6bggVk&index=6
Anonymous No.127287920
>>127286289
Slatkin/Simon and Litton/Hough for 1st, 2nd, 4th, and Kocsis for 3rd. I actually haven't listened to Kocsis other concertos so I might change my mind when I do, but yeah Slatkin and Litton are absolutely the best.
Anonymous No.127288127
Man, nothing is sounding good today. Maybe I should take a break from classical music for a bit.

inb4
>sibelius
>makela
>that's your problem

yeah yeah, I'm only pressing play on it now, so nice try.
Anonymous No.127288201 >>127288318
What are some musics like Gympedos and Gnossiens by Erik Satie?
Anonymous No.127288318
>>127288201
I would peep the other French composers with solo piano music, like Poulenc, Faure (>>127287907), Debussy, certain Ravel. Grieg's Lyric Pieces would probably be up your alley.
Anonymous No.127289088
>>127283166
Don't be put off by the Gay in the title

https://www.youtube.com/watch?v=vAA918JlNyo&list=RDvAA918JlNyo&start_radio=1&ab_channel=Bat%C3%BBldeM.

r
https://www.youtube.com/watch?v=Ce3OERuCY0E&list=RDCe3OERuCY0E&start_radio=1&ab_channel=PeterChen2.0

Hekla
https://www.youtube.com/watch?v=-AQ24wuylqI&list=RD-AQ24wuylqI&start_radio=1&ab_channel=lexlex

Don't be put off by the Gey in the title
https://www.youtube.com/watch?v=IsbELUEQsFQ&list=RDIsbELUEQsFQ&start_radio=1&ab_channel=IcelandSymphonyOrchestra-Topic
Anonymous No.127289575
I don’t know what Philip Glass is up to these days but he should definitely consider making an album of orchestral versions of Aphex Twin songs.

https://youtu.be/PL4DHLVgO7Q
Anonymous No.127289899 >>127290264 >>127290722 >>127290806 >>127290806 >>127291039
best Bruckner 8?
preferably with the rhythm in the adagio played very clearly, so no lush "wall-of-sound" type recordings, but rather transparent ones.
Anonymous No.127289930
>>127286625
>aggressive
Like Michael Cera telling you to back off his girlfriend
Anonymous No.127290264 >>127290651
>>127289899
>but rather transparent ones.
I think the usual recommendation here is Boulez/Vienna then. For me, I'd say Blomstedt/Gewandhaus.

Boulez adagio
https://www.youtube.com/watch?v=0kFqR7QApRg&list=OLAK5uy_mb3oPotZ-3cYlT8ZKojT5H5mCo7FPzoeU&index=3

Blomstedt adagio
https://www.youtube.com/watch?v=XzVDyj-pztM&list=OLAK5uy_lfO0D9nEkr5K3Y2guLjYSdcJG2JqDLlyE&index=31
Anonymous No.127290651 >>127290712
>>127290264
>29 minute long adagio
uh thanks but I'll have to pass lol
boulez is alright but still not how I'd do it. I always felt this rhythm needed more of a "waltz"-y pulse than most conductors give it
Anonymous No.127290673 >>127290678
best Rachmaninov symphony cycle? fatass says Slatkin/Detroit
Anonymous No.127290678 >>127290702
>>127290673
You are mentally ill.
Anonymous No.127290687 >>127290711 >>127290712 >>127290836
why bother trying to pick around with Bruckner when you can just do Jochum for the whole set?
Anonymous No.127290702
>>127290678
yeah
Anonymous No.127290711
>>127290687
https://www.youtube.com/watch?v=K-7n-gXtal8
you can find recordings like this one
Anonymous No.127290712
>>127290651
Maybe you're one of those who this cycle was made for then
https://www.youtube.com/watch?v=aIX2CYJJ6MA&list=OLAK5uy_kMTyc_NFLrEvt_EAEdN17Su8SOUPG58mE&index=3

>>127290687
Jochum's fine but really isn't the end-all-be-all. Bruckner's music just lends itself to interpretation -- every conductor does it differently, so why not enjoy the wonderful music in multiple shades and colors?
Anonymous No.127290722
>>127289899
try Janowski
Anonymous No.127290806 >>127290864
>>127289899
>>127289899
Roger Norrington
Anonymous No.127290836
>>127290687
Jochum is only my favorite with the 6th, where he ties with Poschner. the rest all have better alternatives to my liking.
Anonymous No.127290861
now playing

start of Schubert: Violin Sonata in A Major "Duo", Op. 162, D. 574
https://www.youtube.com/watch?v=7i6r-ierCZE&list=OLAK5uy_nhZvjf-FnlZs6iQb3m-DCUA_Y5jXPV9Sw&index=2

start of Schubert: Fantasy in C Major, Op. 159, D. 934
https://www.youtube.com/watch?v=U-k1HsNWfvY&list=OLAK5uy_nhZvjf-FnlZs6iQb3m-DCUA_Y5jXPV9Sw&index=6

start of Schubert: Fantasia in F Minor for Piano Duet, Op. 103, D. 940
https://www.youtube.com/watch?v=bESMyuGr0cU&list=OLAK5uy_nhZvjf-FnlZs6iQb3m-DCUA_Y5jXPV9Sw&index=9

https://www.youtube.com/playlist?list=OLAK5uy_nhZvjf-FnlZs6iQb3m-DCUA_Y5jXPV9Sw
Anonymous No.127290864 >>127290885
>>127290806
lol
Anonymous No.127290872 >>127290897
does Bruckner count as Classical or Romantic?
Anonymous No.127290885
>>127290864
:^)
Anonymous No.127290897 >>127290914
>>127290872
late romantic
Anonymous No.127290914 >>127290924
>>127290897
source?
Anonymous No.127290924
>>127290914
me
Anonymous No.127290963 >>127291022
few things better than putting on a Debussy set and getting comfy in bed while it plays through
https://www.youtube.com/watch?v=MhrsmGZJV2c&list=OLAK5uy_m86_vuN78UsXdnJrzS_bhDUXRue8h9fEk&index=1
Anonymous No.127291022 >>127291031 >>127291045
>>127290963
Which piece is that?
Anonymous No.127291031 >>127291033
>>127291022
i thinjfk its
Anonymous No.127291033 >>127291036
>>127291031
??? What number?
Anonymous No.127291036
>>127291033
i think so
Anonymous No.127291039 >>127291478
>>127289899
For upmost transparency, I would have to give it to Janowski. It's one of the few recordings that gets the accented syncopations between the trombone and horns correct.
https://youtu.be/Zfmc3E01sv8?list=RDZfmc3E01sv8&t=945
Overall favorite for upmost rhythmic punctuation and is probably Beinum, though. It's also astonishingly transparent for a mono recording. A good stereo alternative would probably be Bohm's live Berlin recording on Testament.
Anonymous No.127291045 >>127291051
>>127291022
Anonymous No.127291051
>>127291045
Thank you. It really does seem like early Debussy is best.
Anonymous No.127291093
https://www.youtube.com/watch?v=xxzsl1UOyJ8
Damn, these tapes are something else
Anonymous No.127291158 >>127291287 >>127294185
>>127272800 (OP)
I've been listening to Rachmaninoff Symphonic dances and in the first movement around 9:49 (see timestamped youtube link) percussion instruments give three strong notes in quick succession (the sequence is repeated twice, followed by winds playing the same afterwards):

https://www.youtube.com/watch?v=hF9cmCgM8ew&t=588s

I'm 99% percent sure I heard some other classical piece with absolutely the same percussion, although it had a different development. But damn I can't remember where I heard it, maybe some kind anon recognizes this two-second fragment?
Anonymous No.127291170 >>127291172 >>127291223
does Wagner count as Renaissance or Baroque?
Anonymous No.127291172 >>127291199
>>127291170
Definitely Renaissance.
Anonymous No.127291199
>>127291172
based Schillinger reader.
Anonymous No.127291223
>>127291170
Neoclassicism in music.
Anonymous No.127291234 >>127291253
Meistersinger is Neo-Baroque
Anonymous No.127291253 >>127291296
>>127291234
the Meistersinger is Neo-Renaissance you tard.
Anonymous No.127291287 >>127292067 >>127299581
>>127291158
That's funny because I always think the same thing when I hear that same segment, and I always forget which piece it is that's similar. I'll keep your post in mind and if I remember or come across it, I'll let you know.

But yes, I know the feeling you're talking about. My immediate response is Dvorak's Slavonic Dances but I don't think that's quite right... Tchaikovsky maybe? hmm
Anonymous No.127291296 >>127291313
>>127291253
Is it true Wagner used real Renaissance Meistersinger melodies?
Anonymous No.127291313 >>127291405
>>127291296
yes. the opening theme was based on a 16th century cantus firmus.
Anonymous No.127291354 >>127291664 >>127300562
too fast for me but i'm sure some of y'all will love it
https://www.youtube.com/watch?v=8eHcqn4IKH0&list=OLAK5uy_mUHEoa-F3R1-TaG7EWiDhC587_kmVgnro&index=91
Anonymous No.127291405 >>127291412
>>127291313
Interesting. Is there anywhere I can hear the original?
Anonymous No.127291412
>>127291405
https://www.google.com/
Anonymous No.127291478 >>127291525 >>127291552
>>127291039
holy shit Beinum's adagio is so good. I'm sticking with that and Mravinsky
Anonymous No.127291525
>>127291478
Good choice. I like the Mravinsky one too.
Anonymous No.127291552 >>127291595
>>127291478
>I'm sticking with that and Mravinsky
O_o

you guys, uh, do you I guess
Anonymous No.127291585
anyone here try this cycle by Melodie Zhao?
https://www.youtube.com/watch?v=q30ybfNCjAM&list=OLAK5uy_mBS4ZUSnN3A_Uiu6XxTbwxtoJABHgRbJ4&index=86

I saw someone on another forum say her playing was "too beautiful for [them]" lol
Anonymous No.127291595 >>127291604
>>127291552
What's wrong with Mravinsky? He's a great conductor.
Anonymous No.127291604 >>127291631
>>127291595
It's 2025 and I'm not 55 years old

Nah I just wanted to bust ur balls, like whomever you want
Anonymous No.127291631 >>127291669
>>127291604
Wouldn't have this problem if contemporary conductors didn't insist on playing Bruckner like 85 year olds.
Anonymous No.127291664 >>127291675
>>127291354
you're right I do love it
thanks for sharing
Anonymous No.127291669
>>127291631
Anonymous No.127291675
>>127291664
Jed Distler has it as one of his reference cycles, probably worth checking out if you enjoyed that.
Anonymous No.127291708 >>127291786 >>127292477
Brahms

https://www.youtube.com/watch?v=kNR_ObmG8jg

he studied with clara schumann, very cool
Anonymous No.127291786 >>127291844
>>127291708
>he studied with clara schumann
Isn't that more of an embarrassing fact you'd want kept quiet?
Anonymous No.127291844
>>127291786
are you for real?
Anonymous No.127292067 >>127294185
>>127291287
Thank you! It's been driving me nuts because I always think it should continue differently but also don't fully remember how.

It's not Dvorak's Slavonic Dances - I just listened to them to check. Although a lot of similar passages (especially Dvořák: Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor. Furiant. Presto and Dvořák: Slavonic Dances, Op. 72, B. 147: No. 7 in C Major. Serbian Kolo. Presto), I certainly see the similarities.

https://www.youtube.com/watch?v=RkX35hkkGZg&list=PLyuqYwVVVx2dbl38uOt2AmRhYidjmcoWS&index=8
Anonymous No.127292394 >>127292415 >>127292539
Liszt Lucrezia Borgia, Huang
https://youtu.be/DwL_AP_3oOs?si=dSUnYtyEcfDq6Bi_
Not everyones cup of tea, but this guy has made some legendary recordings
Anonymous No.127292415 >>127292485
>>127292394
>asian
pass
Anonymous No.127292477 >>127298000
>>127291708
Check out Bruce Hungerford. One of his students, and extremely talented. Left some great Beethoven and Brahms.
Anonymous No.127292485
>>127292415
if you let race be the determining factor on what you listen to you will miss out on great recordings
Anonymous No.127292539
>>127292394
some more favorites
https://youtu.be/0NyHXCcJjC8?si=lvzLkE_KLD8JgEDe
https://youtu.be/FfnHPIL_oHc?si=QdcQ1N_8acdHKinR
https://youtu.be/b2SvOtu5WiI?si=a5Jx7JP7EAbEaZUB
https://youtu.be/_cuqIyn5Xeo?si=gGMIBpAs4OcOv2QE
https://youtu.be/7fpp0JKOlFM?si=NTDbQYTyKVFY4olU
Anonymous No.127293615 >>127293907
best Mozart sonata cycle?
Anonymous No.127293907
>>127293615
Prosseda is pretty good
Anonymous No.127294185 >>127299581
>>127292067
>>127291158
fuck I went to sleep and upon waking up, the theme has been stuck in my mind since

dodo DO dodo DO dodo DO
Anonymous No.127294242
https://www.youtube.com/watch?v=HHy6N5GdV4U&list=OLAK5uy_nH-Z6BzaBnBTksqwSMct-wHsWFWbSItko&index=7

damn Rachmaninoff sounds like THAT???
Anonymous No.127294703
>>127275536
Time for the Partitas, maybe English suites. Then maybe art of fugue if you can handle it.

Perahia is good
http://youtube.com/watch?v=oakfbyp0dRo

>>127272900
Martinů
https://www.youtube.com/watch?v=e1j_K752Wac
Anonymous No.127294739
now playing

start of Chopin: Nocturnes
https://www.youtube.com/watch?v=I3QTWn41W7Q&list=OLAK5uy_l56ekZ1o8S2X-c-DWhYV4xMNE0vVNzJdM&index=1

https://www.youtube.com/playlist?list=OLAK5uy_l56ekZ1o8S2X-c-DWhYV4xMNE0vVNzJdM

>Say presents 15 of the canonic 21 Nocturnes in startlingly unconventional readings that raise more questions than they answer. ---- Gramophone

guess we'll see what that means
Anonymous No.127294776 >>127294943
anyone else find it more difficult to listen through long piano cycles than symphonies? for example, an hour-to-hour-and-a-half of symphonic music is no problem, but piano works which last over an hour always considerably tax my attention -- for example, I don't think I've ever listened through the entirety of Bach's Goldberg Variations or Chopin's Nocturnes in one sitting before, at least not while paying attention the entire time, sad as that is to say.
Anonymous No.127294943 >>127294950 >>127294990 >>127295174
>>127294776
Both are daunting to listen to for 40+ minutes, my attention span does not last longer than that. But I find piano more engaging and easier to listen to and longer lengths, but that's just me.
Anonymous No.127294950
>>127294943
>and longer lengths,
at*
Anonymous No.127294990 >>127295174 >>127295286
>>127294943
Performances of Chopin's Nocturnes last anywhere from 100 minutes to 2 hours! Or listening to an entire book of Bach's WTC in one sitting, also crazy. Though I will say I feel the same about choral works too -- 160 minutes to three hours of Bach's St Matthew Passion in one sitting? phew, though I'd imagine in a live concert setting there's intermissions for that

I wonder if it's corruption of modern influences on my attention span or whether I just don't love listening to music as much as some people, those who can listen to music for hours and hours with total focus and doing nothing else; I can do it, but only if there's some browsing the internet or going for a walk involved as well.
Anonymous No.127294998
Debussy morning, about time I finally go through this popular Thioller set of the solo piano music
https://www.youtube.com/watch?v=oaQtCcAcnho&list=OLAK5uy_mVb6M2rTNHOUPjiAYH6RjZt7GfMvTHw6s&index=1
Anonymous No.127295024
Wolf
https://music.youtube.com/watch?v=pqVEvxDhDtg
Anonymous No.127295059 >>127295228 >>127295968
comparison of recordings of Chopin's immortal 24 Preludes, Op. 28

https://www.youtube.com/watch?v=O5C5CJwsGBk&list=OLAK5uy_nog_d0Hc2EK05CWlGWVwexjH-qCP_rHQU&index=15

gotta love Sokolov. this recording also contains the second piano sonata and Op. 25 Etudes, so give it a whirl
Anonymous No.127295174
>>127294943
>>127294990
For me it depends on a movement to movement basis. If all the movements are captivating the length of the work does not matter for me. But sometimes a certain movement (Usually a slow movement) can really kill the flow for me. Though that slow movements are really hard to captivate me also leads the ones that do to be some of my favorite movements in all of music, so it balances out.
Anonymous No.127295228
>>127295059
Sokolov looks like Boris Johnson
Anonymous No.127295259
Papageno scares me in how accurate he is, were incels always made fun of even in those times? ;-;
Anonymous No.127295286
>>127294990
>I wonder if it's corruption of modern influences on my attention span or whether I just don't love listening to music as much as some people
It's both. The cultural influence mainly, which stems from generally less attention span among all native populations (e.g. backward digit span, a heritable trait, measured from 1923-2008, appears to be declining)
Anonymous No.127295476 >>127296537
https://www.youtube.com/watch?v=h3VDGnxq8sk
kek
Anonymous No.127295742 >>127295748 >>127295780 >>127296423 >>127297701
i tried listening to Mahler's second symphony and i don't know, nothing really grabbed me, i was just kind of bored for an hour and twenty minutes, did i do it wrong?
Anonymous No.127295748 >>127295750 >>127297701
>>127295742
Listen to Klemperer's, it's probably the only good recording.
Anonymous No.127295750 >>127295757
>>127295748
that is the one i listened to
Anonymous No.127295757 >>127295761
>>127295750
Well, listen again, or try other recording some other day, all the advice I can give ya. I didn't like Mahler at first either, it comes with time, but it's highly rewarding. Do you like any other Mahler symphony?
Anonymous No.127295761 >>127295777 >>127296423
>>127295757
this is the first Mahler symphony i have listened to
Anonymous No.127295777
>>127295761
They're all quite different, but honestly nothing except maybe the 5th clicked immediately, you gotta give it a time. I would suggest you try 2nd a few more times, and/or pick any other symphony - especially 5, 6, maybe 4, 8
Anonymous No.127295780 >>127295802
>>127295742
you have to be impressionable, a bit of a man-child, in order to enjoy mahler. you have to believe that making lots of noise is being "expressive". you seem to really get mahler, for which i commend you, in that you recognize his music for what it is: a big nothing.
Anonymous No.127295802
>>127295780
>
Anonymous No.127295812 >>127295875 >>127295891 >>127295982 >>127295992 >>127296279
pieces that i have thoroughly enjoyed so far:
Wagner - Lohengrin Prelude, Faust, Rienzi Overture
Rachmaninov - PC 2, Paganini Rhapsody, Symphony 2
Dvořák - Symphony 9
Chopin - Nocturnes, Sonatas 2 & 3, Preludes, Ballades
Medtner - Forgotten Melodies
Tchaikovsky - Symphony 6, Swan Lake
Prokofiev - Classical Symphony
where do i go from here?
Anonymous No.127295875
>>127295812
there's this guy called beethoven.
Anonymous No.127295891 >>127295982 >>127296279
>>127295812
Brahms Symphony 4, Piano Quintet
And other works by those composers, like:
Wagner Tristan und Isolde (prelude and liebestod)
Rachmaninov PC3
Dvořák Cello Concerto
Chopin PC1
Medtner Sonata Night Wind
Tchaikovsky PC1
Prokofiev PC2
Anonymous No.127295911
Fauré
https://youtu.be/umryo_Znn24?si=_NCbmIuFnoUm9UOz
Anonymous No.127295968
>>127295059
dumg george, sokolov plays like a brute
it works but not in chopin's case
Anonymous No.127295982 >>127296015 >>127296032
>>127295812
>>127295891
>Lohengrin Prelude
>Tristan und Isolde (prelude and liebestod)
No one ever listens to entire Wagner operas anymore.
Anonymous No.127295992 >>127297740
>>127295812
The same path you're already going. Seems you're mostly into symphonies at the moment, so Beethoven, Mozart, Schumann, Mendelssohn, Brahms, Dvorak 7 and 8, Tchaikovsky 5 and 6, Shostakovich, maybe some more Russians like Borodin and Glazunov and Rimsky's Scheherazade. Then some violin concertos, like Beethoven, Brahms, Mendelssohn, Tchaikovsky, Dvorak, Schumann, Prokofiev, Shostakovich

also more piano music, like Beethoven's piano sonatas, Mozart's piano sonatas, Bach's Goldberg Variations and WTC, Brahms' solo piano work, Schubert's late piano sonatas, Schumann's solo piano work, etc etc
Anonymous No.127296015 >>127296313
>>127295982
i'm planing on listening to Lohengrin, the Kempe one seems to be the most highly rated one right?
Anonymous No.127296032
>>127295982
We're trying to get them to enjoy classical, not run away.
Anonymous No.127296106
What's the most epic classical film score and why is it Battle on the Ice by Prokofiev?

https://www.youtube.com/watch?v=xyDKezDLGTM
Anonymous No.127296223
https://www.youtube.com/watch?v=1QHarIKmNZU&list=OLAK5uy_kgokUrJTcET7aak3NR2HF0x54G5H_EMWU&index=2

holy shit, Liszt sounds like THAT??? :OOO
Anonymous No.127296279
>>127295891
>>127295812
listen to Mozart's string quintets, Arensky and Litolff's piano trios
Anonymous No.127296313
>>127296015
Yeah, that's the one.
Anonymous No.127296423 >>127297701
>>127295742
>>127295761
I generally like Mahler but never cared much for the 2nd. Try his 5th symphony.
Anonymous No.127296479
Bach
https://www.youtube.com/watch?v=X6BtDBu_PT4
Anonymous No.127296537 >>127300256
>>127295476
What is his issue with Boulez?
Anonymous No.127296636
Bach
https://www.youtube.com/watch?v=VsWsu7bOmjk
Anonymous No.127296930 >>127297084
I am convinced that Bruckner's 8th symphony is the best thing mankind has ever done
Anonymous No.127297084
>>127296930
It would be if it wasn't for the 9th symphony + Te Deum (The real 4th movement)
Anonymous No.127297228 >>127297284
Does Mahokun like Mahler as much as Bruckner
Anonymous No.127297284
>>127297228
Mahler is a bit symphony-to-symphony to me. Some bore me a little bit, some are REALLY good (Though every symphony by him has a standout movement). With Bruckner I love everything he composed. I think he his structure is ideal for long-form instrumental works.
Anonymous No.127297569
If Anton, then Webern.
Anonymous No.127297591
If Sergei, then Prokomaninoff.
Anonymous No.127297655
if Wolf, then Gangamadeusmozart
Anonymous No.127297679 >>127297710 >>127297732 >>127297744
Why is development often so emphasized by people when introducing people to classical music when most of the sonatas and symphonies by mozart and haydn use the development section more as a bridge than a emphasized part of the music
Anonymous No.127297701
>>127295742
>>127295748
>>127296423
i'll try it again another time, usually when i'm not "feeling" a piece it's just because i wasn't in the mood for what it was doing, i'm sure i'll return to it at some point and enjoy it.
Anonymous No.127297710
>>127297679
unironically jews
Anonymous No.127297732
>>127297679
It's not? At least not in my experience. Much more attention is usually given to the exposition and its contrast of themes/keys.
Anonymous No.127297740 >>127297787 >>127297915
>>127295992
Such boring recommendations
Anonymous No.127297744
>>127297679
>Why is development often so emphasized by people when introducing people to classical music
Development happens almost all the time in any Mozart and Haydn sonata form structures. You'll rarely hear the theme restated in exactly the same way except for exposition repeat or recap. The theme is constantly evolving and pushing boundries, in the exposition it happens in tonic and dominant key. The development section just takes it a step further with modulations and heightens drama.
I'm not sure if development is "emphasized" to new listeners, but they are pretty important, and often quite long in romantic music, and it's what sets is apart from pre-classical forms as well as pop music.
Anonymous No.127297769 >>127297777
Was there ever any evidence of Mozart's symphonies being played skipping the repeats?
Anonymous No.127297777
>>127297769
*In his time?
Anonymous No.127297787 >>127298610
>>127297740
I mean they're just starting out and those are the essential basics... I'm not gonna recommend them Britten's Cello Concerto or Berg's Violin Concerto or Per Nørgård's symphonies at this juncture, and then names like Elgar, Debussy, Ravel, Weinberg, Berlioz, and so on they can always get to later the next time they ask for a set of recommendations or once they learn to discovered music on their own.

And as always, you're free to make your own recommendations instead of criticizing other's.
Anonymous No.127297837
https://www.youtube.com/watch?v=LcNv0gpdL_I
https://www.youtube.com/watch?v=YXVTCrTnVP8
Anonymous No.127297915
>>127297740
i hope one day fate allows me to punch you in the face
Anonymous No.127297930
Reading mozart's scores made me realize that it's a waste of time writing for transposing instruments. Dude just wrote all the brass instruments as "in C" and continued writing like they're any other instruments
Anonymous No.127298000
>>127292477
https://www.youtube.com/watch?v=zSdPNy_T7B8
ok thanks, sounds good for what im hearing
Anonymous No.127298176
now playing

start of Prokofiev: Piano Sonata No. 6 in A Major, Op. 82
https://www.youtube.com/watch?v=pw3IeWXiw7c&list=OLAK5uy_mGv25MxSJ11k156eN6a6qaZkxK9jxXeZo&index=14

start of Prokofiev: Piano Sonata No. 7 in B-Flat Major, Op. 83
https://www.youtube.com/watch?v=1EHalh9IquQ&list=OLAK5uy_mGv25MxSJ11k156eN6a6qaZkxK9jxXeZo&index=18

start of Prokofiev: Piano Sonata No. 8 in B-Flat Major, Op. 84
https://www.youtube.com/watch?v=w4STo4EhnXA&list=OLAK5uy_mGv25MxSJ11k156eN6a6qaZkxK9jxXeZo&index=21

start of Prokofiev: Piano Sonata No. 9 in C Major, Op. 103
https://www.youtube.com/watch?v=Mjh3N5Q09bw&list=OLAK5uy_mGv25MxSJ11k156eN6a6qaZkxK9jxXeZo&index=23

https://www.youtube.com/playlist?list=OLAK5uy_mGv25MxSJ11k156eN6a6qaZkxK9jxXeZo
Anonymous No.127298331
putting on Rostropo's Tchaikovsky set, getting in bed, and letting it play through kinda afternoon
https://www.youtube.com/watch?v=PZNn7rpFFVc&list=OLAK5uy_kMEixP5emqmdqK0-QM7Z6F2tSGdvSpCew&index=9
Anonymous No.127298472 >>127298524 >>127298927
Best Mahler 4s? Bored of Szell's.
Anonymous No.127298524 >>127298538 >>127298850
>>127298472
Like the 9th, there's lots and lots of great ones, but also like the 9th, there's a clear standout for me: MTT/SF

https://www.youtube.com/watch?v=xK8nEOOQkuQ&list=OLAK5uy_k7ob6i_aXp628odbYPxHvg0s2VGlsbkq0&index=1

Incredible.

With my main backups these days being Karajan/BPO, Maazel/Vienna (when I want a real slow tempo), and and Levine/Chicago.
Anonymous No.127298537
>>127272800 (OP)
J. Haydn Sonata n°53 in E minor Hob XVI/34
Anonymous No.127298538
>>127298524
Yikes
Anonymous No.127298610
>>127297787
My recommendations are Bach, Beethoven, Brahms, Mozart, Schubert, Schumann etc etc
Anonymous No.127298713 >>127298849
i'd like to recommend heinrich isaac, pierre de la rue, jan pieterszoon sweelinck, adam krieger, johann heinrich schmelzer, carl heinrich graun, johann adolf hasse, arthur honegger
Anonymous No.127298743
If I had been a composer in a past life, surely I would have been Elgar
https://www.youtube.com/watch?v=Wubg436pziY
Anonymous No.127298849 >>127299091
>>127298713
post some pieces by them, then
Anonymous No.127298850
>>127298524
lmfao
Anonymous No.127298876
>overture to the Rosenkavalier is literally describing sex
I never noticed that before lol.
Anonymous No.127298904
now playing

start of Fauré: Impromptu
https://www.youtube.com/watch?v=A-nmgNPPlME&list=OLAK5uy_kJj-xBcXIvcUvFFKkL_mQOXPeoSv1sh94&index=2

start of Fauré: Valse-caprice
https://www.youtube.com/watch?v=9D_Ch4wKyb8&list=OLAK5uy_kJj-xBcXIvcUvFFKkL_mQOXPeoSv1sh94&index=23

start of Fauré: Barcarolle
https://www.youtube.com/watch?v=RaNT9gDmAeQ&list=OLAK5uy_kJj-xBcXIvcUvFFKkL_mQOXPeoSv1sh94&index=27

Fauré: Ballade in F-Sharp Major, Op. 19
https://www.youtube.com/watch?v=XZlMrZZHZQo&list=OLAK5uy_kJj-xBcXIvcUvFFKkL_mQOXPeoSv1sh94&index=40

start of Fauré: Nocturne
https://www.youtube.com/watch?v=owtEEVxClKo&list=OLAK5uy_kJj-xBcXIvcUvFFKkL_mQOXPeoSv1sh94&index=40

https://www.youtube.com/playlist?list=OLAK5uy_kJj-xBcXIvcUvFFKkL_mQOXPeoSv1sh94

One of the essential, if not the essential, Faure solo piano sets to own.
Anonymous No.127298927
>>127298472
mengelberg
https://www.youtube.com/watch?v=sc2hxQoxFiY
Anonymous No.127299001 >>127299053 >>127299175
Can't stand the sound of a piano. But no one asked. Excuse me for the outburst.
Anonymous No.127299053 >>127299175
>>127299001
It has it's issues no one would deny that. It does get fairly grating. The top two notes just sound bad and should be removed
Anonymous No.127299091 >>127299173
>>127298849
>isaac
https://youtu.be/rI712ZGflAQ?si=I_NlDm7aXSI-H9Cq

>de la rue
https://youtu.be/RXk09sRIQuo?si=iumemqANYiRSpgkB

>sweelinck
https://youtu.be/q71qsH_g8b0?si=Kf7T6SZETudrIFCa

>krieger
https://youtu.be/gsnCf33_jyY?si=5aS__MffPxOmfRIj

>schmelzer
https://youtu.be/DmKxSepVWf4?si=HBbClmr6TjXiX2eA

>graun
https://youtu.be/ixvCooitBxk?si=FD0NCLQPoUy3m9eW

>hasse
https://youtu.be/Gwjgf3N4RsY?si=Ug1Wk1cVMgFHLDXX

>honegger
https://youtu.be/n7YGD_NOFJA?si=rme59DeOoHftAg4O
Anonymous No.127299173
>>127299091
based 'bach n b4, ives n after' anon
Anonymous No.127299175 >>127299188
>>127299001
>>127299053
It's the most perfect instrument for me. I can listen to solo piano all day and not get bored at all. Orchestra kinda has a fatigue point though, and so does non-piano chamber music. I don't know why but piano just makes anything "non-fatigueable", piano quintets, trios, piano concertos are all my favorite genres.
Anonymous No.127299188 >>127299231
>>127299175
indefatigable too :p
Anonymous No.127299210 >>127299250 >>127299258 >>127299633 >>127300291
the piano is the instrument of the Western mind, the violin its soul, and cello its heart
Anonymous No.127299227 >>127299250 >>127299297 >>127300291
the penis is the instrument of the Western mind, the vagina its soul, and boypussy its heart
Anonymous No.127299231
>>127299188
kek
Anonymous No.127299250 >>127299297
>>127299210
meaningless

>>127299227
inspirational
Anonymous No.127299258
>>127299210
Piano is OK but gets tiresome
Violin can sound really bad solo and in groups
Cello is unlistenable solo
Anonymous No.127299297 >>127299313 >>127299452
>>127299227
>>127299250
samefag non-classical listening shitposter
Anonymous No.127299313
>>127299297
Presumably stoned same shitter
Anonymous No.127299333
I mean you get solo violin played by supposedly the best players ever and it makes a sound like Huh HUueeeeeeeeee and that's good, thats what they're going for, that's the sound of the violin being played correctly
Anonymous No.127299452
>>127299297
meaningless
Anonymous No.127299482
I like to listen to Roussel's symphonies and pretend they were composed by Debussy :3
https://www.youtube.com/watch?v=rGNStVYcc8Y
Anonymous No.127299581
>>127294185
>>127291287
William Tell Overture

https://www.youtube.com/watch?v=awFoZIO0g1Q
Anonymous No.127299588
When I first got into Prokofiev, I remember finding his string quartets what enjoyable. When I tried them again a couple months ago, they were some of the worst string quartets I'd ever heard. What do you guys think about them?
Anonymous No.127299633
>>127299210
I think you mean the horn not the cello
Anonymous No.127299961 >>127300503
Haffner is such a charming little symphony. Find myself coming back to it all the time

https://www.youtube.com/watch?v=up4_6UKrcxE
Anonymous No.127300256
>>127296537
Boulez must have been a bigot, an antisemite who refused to gorge on African Land Fish. KOEK.
Anonymous No.127300291
>>127299227
>>127299210
?
Anonymous No.127300385 >>127300397 >>127300423
Bach was an atheist
That's why his music is so soulless
Anonymous No.127300397
>>127300385
Kys
Anonymous No.127300400 >>127300485 >>127300548
Bach
https://www.youtube.com/watch?v=wHYithGyz1M
Anonymous No.127300423
>>127300385
t. illiterate moron who can’t understand German
Anonymous No.127300485 >>127300676
>>127300400
Was that kid in front edited in?
Anonymous No.127300503 >>127300678
>>127299961
Yeah it's easily the one of his late symphonies I listen to most these days, mainly because it still has some freshness for me, 40 and 41 are too familiar, silly as that may sound.
Anonymous No.127300548 >>127300605
>>127300400
>Schame dich
Anonymous No.127300551 >>127300578 >>127300592 >>127300604 >>127300627
If Bach were alive in the 1930s/40s, he would have been a card-carrying member of the NSDAP. Bach was an antisemite, like all Christians of the time. If you asked Bach who killed Christ, he would have told you it was the Jews.
Anonymous No.127300562 >>127300615
>>127291354
I even saw the lights on the Goodyear Blimp
And it read, "Ice Cube's a PIMP"

https://www.youtube.com/watch?v=b8nLAi3jiTk&list=OLAK5uy_mUHEoa-F3R1-TaG7EWiDhC587_kmVgnro&index=97
Anonymous No.127300578 >>127300615
>>127300551
Who. Gives. A. Shit.
Anonymous No.127300592 >>127300615 >>127300652
>>127300551
Being a drone in a police state dictatorship is not something to be proud of
Anonymous No.127300604
>>127300551
Anonymous No.127300605
>>127300548
> Do not be ashamed, o soul, to acknowledge your Savior
Anonymous No.127300615
>>127300562
>>127300578
>>127300592
Shalom
Anonymous No.127300627
I asked poster >>127300551 if he gave fellatio, the first thing out of his mouth was a jew.
Anonymous No.127300651
Desu The Joi of Trans Desire
Anonymous No.127300652 >>127300672
>>127300592
But enough about the UK…
Anonymous No.127300672 >>127300681
>>127300652
What a moronic response
Anonymous No.127300676
>>127300485
That is one of the Pharisees’ boypussies
Anonymous No.127300678
>>127300503
I get what you mean, I tend to have that with Prague. I still think it's a great work but I over-listened to it. Though Jupiter I'll probably never get tired of
Anonymous No.127300681
>>127300672
Ignorant imbecile.
Anonymous No.127300790
I apologize again for my outburst. I didn't mean "all pianos". Acknowledge your replies. Lots to learn.
Anonymous No.127300839
New
>>127300837
>>127300837
>>127300837