>>127396749
>you have no evidence for this...
Technically correct, but it's evidence of a highly collaborative (or derivative) production model. Modern pop with dozens of writers almost always involves multiple producers, lyricists, melody writers, and rights-holders from sampled material, i.e. many parties influencing the final product. That's a form of "committee".
>also, does this mean bands are bad?
False equivalence. Most bands have a smaller, fixed group of writers, maybe 2-10 people who collaborate over years, developing a unified sound. It's disingenuous to pretend this is even remotely the same.
>again, no evidence for this, but also these are not mutually exclusive. the people involved in these processes...
You're right that artistic and commercial goals aren't mutually exclusive. But you're wrong to imply that the criticism is invalid just because the creators "enjoy doing it". Enjoyment doesn't erase the structural reality that this is an industrial, committee-driven production designed for maximum reach.
>is she? post some of this material.
Yes. Homecoming and Life Is But a Dream frame her as the central creative force orchestrating huge productions, from staging to choreography to music.
She's repeatedly described in press (Vogue, Elle) as "meticulous" and "in control of every detail".
>evidence contradicting her directortial powers
The criticism isn't that she has no directorial powers, it's that the scale of credited collaborators challenges the purity of her narrative. Having 50-100 credited writers suggests that while she curates and directs, she's not creating in the same solitary or small-team way that the "singular visionary" image implies.
What's it like being a completely retarded, parasocial, celebrity-worshipping moron? Why do you worship the billionaire, anon? You should be extra critical towards the powerful (wealthy), yet here you are defending them like it's your mother. You're pathetic.