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Thread 127496269

315 posts 154 images /mu/
Anonymous No.127496269 >>127499617 >>127500561 >>127507050 >>127525348
/classical/
Hofmann edition.
https://www.youtube.com/watch?v=AbXnlYkpib8

This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.

>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen

Previous: >>127489721
Anonymous No.127496406 >>127497410
Reminder Bach and after, before and not including Ives.
Anonymous No.127496465 >>127500606
Bach is overrated
Anonymous No.127496666 >>127496693 >>127497105
I think that its true that bach doesn't have melodies in his music because it doesn't fucking suck
Anonymous No.127496693 >>127496712
>>127496666
Bach is nothing but melodies
Anonymous No.127496712
>>127496693
Not like other melodies tho so might as well not be
Anonymous No.127496729 >>127497227
https://i.4cdn.org/wsg/1755930876654797.webm
Anonymous No.127496750 >>127497249
Hello, friends.
Anonymous No.127496852 >>127496950 >>127501772
Brahms

https://www.youtube.com/watch?v=Vvc4DTPRmAI&list=OLAK5uy_kUa4aItajjtjavVAB1MXJ8HipoxuUvNm0&index=6
Anonymous No.127496950
>>127496852
love the portamento here
Anonymous No.127497099
now playing

Tchaikovsky: Francesca da Rimini, Op. 32
https://www.youtube.com/watch?v=4IJ6hSnBEm8&list=OLAK5uy_kZ2pxEVibrE5ZmdML0XBepQPT6nNGTZc4&index=16

start of Tchaikovsky: Symphony No. 4 In F Minor, Op. 36, TH.27
https://www.youtube.com/watch?v=w4Q_SUUTiXk&list=OLAK5uy_kZ2pxEVibrE5ZmdML0XBepQPT6nNGTZc4&index=17

Tchaikovsky: Capriccio italien, Op. 45
https://www.youtube.com/watch?v=IuQeBzLv-HI&list=OLAK5uy_kZ2pxEVibrE5ZmdML0XBepQPT6nNGTZc4&index=21

Tchaikovsky: Ouverture Solennelle "1812", Op. 49
https://www.youtube.com/watch?v=1umkzjiqk10&list=OLAK5uy_kZ2pxEVibrE5ZmdML0XBepQPT6nNGTZc4&index=22

start of Tchaikovsky: Symphony No. 5 In E Minor, Op. 64, TH.29
https://www.youtube.com/watch?v=8pPlIW6-8L4&list=OLAK5uy_kZ2pxEVibrE5ZmdML0XBepQPT6nNGTZc4&index=23

https://www.youtube.com/playlist?list=OLAK5uy_kZ2pxEVibrE5ZmdML0XBepQPT6nNGTZc4
Anonymous No.127497105
>>127496666
check'd
Anonymous No.127497227
>>127496729
DanDaDan has been great this week.
Anonymous No.127497249
>>127496750
>friends.
Anonymous No.127497297
I want to like Rostropovich's Tchaikovsky cycle so bad because I like the idea of performing those symphonies with broad tempos -- not always, but having one go-to set like that -- but every time I actually try and listen to it, before I know it I'm turning it off and switching to something else before even the first movement is over lol. At first I made excuses like, "oh I'm just not in the mood" or "damn, attention span is shit today" but when it happens several times, when on other occasions I put on different recordings with more standard tempo recordings with forward momentum and I listen to them all the way through with no problem, well, I think it might be time to be honest with one's self.

Then again, maybe one more time couldn't hurt... no!
Anonymous No.127497385
>today I will remind them

BAB
A
B

>DAILY REMINDER
>DAILY REMINDER

IAA
A
A

https://www.youtube.com/watch?v=KyWOIKCtjiw&list=RDKyWOIKCtjiw&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=tLugJIWdpCM&list=RDtLugJIWdpCM&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=-utT-BD0obk&list=RD-utT-BD0obk&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=cxx7Stpx7bU&list=RDcxx7Stpx7bU&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=kCoOqsxLxSo&list=RDkCoOqsxLxSo&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=Sgjwiadze1w&list=RDSgjwiadze1w&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=OQ44z_ZqzXk&list=RDOQ44z_ZqzXk&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
https://www.youtube.com/watch?v=pGyBRbbHpno&list=RDpGyBRbbHpno&start_radio=1 [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed] [Embed]
Anonymous No.127497410
>>127496406
don't listen to this neurotic heathen, He's probably at the car horn or garbage can percussion section in a Mahler symphony
Anonymous No.127497461
>Mozart
Seriously, that's the best you neurotics can do?
Anonymous No.127497712
now playing

start of Beethoven: Piano Trio No. 7 in B Flat Major, Op. 97 "Archduke"
https://www.youtube.com/watch?v=8WKOz0zUy5I&list=OLAK5uy_kBXhQdhfRaZdqRzL-am05C4g6HBLZr0Ao&index=14

start of Beethoven: Piano Trio No. 5 in D Major, Op. 70 No. 1 "Geistertrio"
https://www.youtube.com/watch?v=rkZtv4hGXj8&list=OLAK5uy_kBXhQdhfRaZdqRzL-am05C4g6HBLZr0Ao&index=17

start of Beethoven: Piano Trio No. 6 in E Flat Major, Op. 70 No. 2
https://www.youtube.com/watch?v=b86TkYGcj5U&list=OLAK5uy_kBXhQdhfRaZdqRzL-am05C4g6HBLZr0Ao&index=21

https://www.youtube.com/playlist?list=OLAK5uy_kBXhQdhfRaZdqRzL-am05C4g6HBLZr0Ao
Anonymous No.127497718
>pssh, Niente di personale, ragazzo
Anonymous No.127497769 >>127497869
The shitshow called Music after Stravinsky, Bartok, Prokofiev, and Ives can be best summed in 3 composers who are actually listenable and recognizble on the first note.

Messiaen. Ligeti. Reich.
Anonymous No.127497786
Anyone here seen this piece of shit? Only noteworthy thing about it were the first 15 minutes where they depict the premiere of the Rite
Anonymous No.127497864
and I'm listening to Bach's WTC yet again
https://www.youtube.com/watch?v=1Hn6nYbHeGQ&list=OLAK5uy_nrlaSVUcYOA9UfNoUXJyOnbSDUFMGnIVk&index=23
Anonymous No.127497869 >>127497880
>>127497769
Ligeti looks like a literal shit
Anonymous No.127497880
>>127497869
That's just being Jewish
Anonymous No.127497953 >>127499611
How did he do it classicanons?
Anonymous No.127497962
Ligeti more like Spaghetti lmfaoo
Anonymous No.127498886 >>127499201
Beethoven

https://www.youtube.com/watch?v=nXrQsPdrTUk&list=OLAK5uy_lNUx5S2GzGBWYsBi3DqYYgGRUb03ehUBA&index=8
Anonymous No.127499201
>>127498886
Anonymous No.127499214
Anonymous No.127499228
Anonymous No.127499611
>>127497953
He was bursting with the romantic spirit.
Anonymous No.127499617
>>127496269 (OP)
https://vocaroo.com/1cdWDS0tNIGc

What do you guys think of my viola playing?
Anonymous No.127499701
Buxtehude
https://www.youtube.com/watch?v=qtr9_XHAEwo
Anonymous No.127499817 >>127499839 >>127500112
best Tchaikovsky cycle?
also best stand alone 5 & 6?
Anonymous No.127499839
>>127499817
1. Markevitch
2. Mravinsky
Anonymous No.127500112
>>127499817
>best Tchaikovsky cycle?
Muti, followed by Jansons or Karajan/BPO
Anonymous No.127500300 >>127500397
For me, it's Beethoven.
Anonymous No.127500397
>>127500300
thank you brother
https://www.youtube.com/watch?v=CfiiRZvTVeU
Anonymous No.127500499
Bach, Prelude and Fugue in E minor, BWV 548, “The Wedge”
https://music.youtube.com/watch?v=IQvJ6U8dlR4
https://music.youtube.com/watch?v=eMfS8kVfBF0
Anonymous No.127500540
it's funny 'cuz you go for a 'selected piano works' release and it doesn't contain enough of the pieces you want, so then you go for a 'complete works' and it contains too much of the mediocrity you don't want
Anonymous No.127500561 >>127500582 >>127501973
>>127496269 (OP)
How to get into Richard Strauss?

I've already heard Salome, Elektra, Also sprach Zarathustra, and An Alpine Symphony. I'm kind of lukewarm on all of them honestly (I mean this in a mostly positive way). Does he have any (other?) works with really truly transcendent appeal?
Anonymous No.127500582 >>127500635
>>127500561
>works with really truly transcendent appeal?
Ein Heldenleben
Death and Transfiguration
Metamorphosen

Then a couple of the other short stuff have their appeal, like Don Juan and Till Eulenspiegel and the Der Rosenkavalier suite, though if you're into opera you might want to check out the actual Der Rosenkavalier work

https://www.youtube.com/watch?v=6OkgIkDYV64
https://www.youtube.com/watch?v=ynzmmfeIsOw

so good
Anonymous No.127500606 >>127500635 >>127500666
>>127496465
Impossible. That’s like saying the Cosmos is overrated.
Anonymous No.127500609
takes a real sick fuck to only include just either one of Rachmaninoff's Op. 33 or Op. 39 Etudes on a release, and not both -- they should always, always be paired! same as splitting Chopin's Op. 10 and Op. 25 Etudes or Rach's Op. 23 and 32 Preludes, it's just silly and stupid and a cashgrab
Anonymous No.127500635 >>127500651 >>127500658
>>127500582
Karajan looks like he's going to kill Sarah Connor.

>>127500606
great TV series compared to all the slop around these days.
Anonymous No.127500651 >>127500677
>>127500635
I wasn’t referring to your reddit tv series.
Anonymous No.127500658
>>127500635
>Karajan looks like he's going to kill Sarah Connor.
he's here to kill the HIPsters with poor string sonority
Anonymous No.127500666
>>127500606
the Cosmos is dogshit
Anonymous No.127500677 >>127500970
>>127500651
begone, pleb. the soundtrack of Sagan's Cosmos is patrician tier.
Anonymous No.127500681
now playing

start of Faure: Nocturnes
https://www.youtube.com/watch?v=cFfXsAxixqA&list=OLAK5uy_k3vt7Vgy8ShjfAU3YRf_EvX4MwJy_4XuU&index=1

https://www.youtube.com/playlist?list=OLAK5uy_k3vt7Vgy8ShjfAU3YRf_EvX4MwJy_4XuU
Anonymous No.127500970 >>127501019 >>127504477
>>127500677
>tips fedora
Anonymous No.127500977
anyone familiar with this composer, uh, Henselt? Just saw some recordings of his piano works

https://www.youtube.com/watch?v=M3enu3BHZQI
Anonymous No.127500981
Petzold
https://www.youtube.com/watch?v=r_mJ1WjCMzM
Anonymous No.127501019 >>127504477
>>127500970
Graeco-Roman and Germanic Philosophy >>>>>> sand nigger garbage

simple as.
Anonymous No.127501167 >>127501210 >>127501793 >>127505154
Beethoven's late string quartets are formal perfection but I'm not quite sure what emotions they're supposed to elicit.
Anonymous No.127501210 >>127501226 >>127505154
>>127501167
do you need a dictionary of scales and their symbolic meanings? because that's what it sounds like you're asking for.
Anonymous No.127501226 >>127501243 >>127504470
>>127501210
I'm interested in others' views of the dramatic narrative and emotional content of the works.
Anonymous No.127501243 >>127501248 >>127504470
>>127501226
fuck off and ask someone else to spoon feed you.
Anonymous No.127501248
>>127501243
o-ok
Anonymous No.127501438
Did people really dance to Bach's cello suites back in the day?
Anonymous No.127501500
now playing

start of Brahms: Cello Sonata No. 1 in E Minor, Op. 38
https://www.youtube.com/watch?v=RDsQjKt7Pbk&list=OLAK5uy_meqJdC1vkPkEH-o8ZAqi3i_Y8pkQm9tzA&index=2

start of Reger: Cello Suite No. 2 in D Minor, Op. 131c/2
https://www.youtube.com/watch?v=-4aNfFWmuuc&list=OLAK5uy_meqJdC1vkPkEH-o8ZAqi3i_Y8pkQm9tzA&index=5

start of Schumann: Fantasiestücke, Op. 73
https://www.youtube.com/watch?v=RP5bw2EbYkQ&list=OLAK5uy_meqJdC1vkPkEH-o8ZAqi3i_Y8pkQm9tzA&index=8

https://www.youtube.com/playlist?list=OLAK5uy_meqJdC1vkPkEH-o8ZAqi3i_Y8pkQm9tzA

>2021 release. "A talent to reckon with: poised, committed, graceful and spirited," is how the Los Angeles Times has described the Russian-American cellist Nina Kotova. Her Warner Classics catalogue already includes an album of sonatas by Rachmaninov. It is now joined by a programme of German Romantic music which she recorded with the Brazilian-born pianist José Feghali, a laureate of the Van Cliburn Competition who died aged just 53 in 2014. Spanning 65 years of musical history, the recital comprises works by Schumann and Brahms, who were close friends, and by Max Reger. He drew inspiration for his Suite No. 2 for solo cello, composed in 1914, from Pablo Casals's advocacy of Bach's solo suites.

She also has a recording with Prokofiev's and Rachmaninoff's cello sonatas I wanna check out soon.
Anonymous No.127501772 >>127504520
>>127496852
video unavailable
Anonymous No.127501793
>>127501167
In order to elucidate from his innermost processes a typical day in the life of Beethoven I therefore choose the great C sharp minor Quartet: while this would be difficult to achieve by listening, because we should then immediately feel compelled to let go all certain comparisons and only perceive direct revelation from another world, we might manage this to some extent by recalling the piece from memory only. Even here I must, however, once again leave it to the reader’s imagination to bring to life the exact details of the picture, and for this reason I offer my help only with a very general outline.

I would like to describe the rather long introductory Adagio, surely the most melancholy ever to have been expressed in music, as the morning awakening of a day 'which in its long course will fulfil no wish, not one!’ Yet at the same time it is a prayer of repentance, a discourse with God on belief in the eternally good. The inward-looking eye alone sees there a comforting vision (Allegro 6/8) in which desire becomes a bitter-sweet game with itself: the innermost dream image awakes to a most lovely recollection. And it is now as if (in the short transitional Allegro Moderato) the Master, conscious of his art, settles himself to his magic work: he now exercises (Andante 2/4) with renewed vigour the power of this peculiar magic to capture a graceful form in order to delight tirelessly in it as the blessed testimony of innermost innocence, constantly changing through the breaking rays of the eternal light which he casts upon it.
Anonymous No.127501854 >>127501897 >>127501947
I was listening to Brahms again and it made me realize just how well he mixes romanticism with classical form. Most other conservative composers sound like their sound is stuck in the classical period. Are there any contemporaries of Brahms that did the same idea of expanding orchestral color while staying formally conservative still?
Anonymous No.127501897 >>127501909
>>127501854
Brahms didn't expand orchestral colour, he just took his romantic colouring from the programmatic works of Mendelssohn and Liszt et al. and slapped it into classical form. And he did it in a pretty unidiomatic and painful way for the performer. Just listen to Faure.
Anonymous No.127501909 >>127501921
>>127501897
>Just listen to Faure.
Why would I listen to a bad composer?
Anonymous No.127501921 >>127501923 >>127501941
>>127501909
He's better than Brahms I'll tell you what.
Anonymous No.127501923
>>127501921
Maybe if you're retarded, yeah.
Anonymous No.127501941
>>127501921
O_O

I'm going to bed.
Anonymous No.127501947 >>127501963
>>127501854
Dvorak?
Anonymous No.127501963 >>127501969 >>127502097
>>127501947
But I've already heard dvorak :<, is there any composer i might not have heard of at all?
Anonymous No.127501969
>>127501963
Faure
Anonymous No.127501973
>>127500561
i recommend listening to some of his more lyrical operas like rosenkavalier, ariadne, arabella or daphne. and of course there's his vier letzte lieder. if his works for soprano and orchestra don't resonate with you, then i don't know what to tell you, because they represent strauss at his apex.
Anonymous No.127501989
Proof that sometimes the most idiosyncratic, visionary performance of a work is the best.

https://www.youtube.com/watch?v=Kaugn0YeH30&list=OLAK5uy_nDXdK-hEvaxIYrZjKrrRLFHjIUdCPQZqk&index=1
Anonymous No.127502097
>>127501963
Reger. it's basically Brahms on crystal meth.

https://www.youtube.com/watch?v=XUIKZAWc0uM
Anonymous No.127502135 >>127502141
Dave hit 5000 videos on youtube and revealed his dirty secrets(not really):

https://www.youtube.com/watch?v=Hh--7ILwkx4#
Anonymous No.127502141
>>127502135
embarrassing
Anonymous No.127502427
now playing

start of Liszt: Harmonies poétiques et religieuses III, S. 173
https://www.youtube.com/watch?v=OhVArIaRytA&list=OLAK5uy_m4ZxNvbTYiVWP5Xj5SU1Ke-2bV8Oi9eqc&index=2

Liszt: Ballade No. 1 in D-Flat Major, S. 170 "The Crusader's Song"
https://www.youtube.com/watch?v=FUV3lbKMan8&list=OLAK5uy_m4ZxNvbTYiVWP5Xj5SU1Ke-2bV8Oi9eqc&index=12

Liszt: Ballade No. 2 in B Minor, S. 171
https://www.youtube.com/watch?v=7uyVvLNG5Js&list=OLAK5uy_m4ZxNvbTYiVWP5Xj5SU1Ke-2bV8Oi9eqc&index=12

https://www.youtube.com/playlist?list=OLAK5uy_m4ZxNvbTYiVWP5Xj5SU1Ke-2bV8Oi9eqc

Kinda feel like going through Aldo Ciccolini's discography. Dude's recorded a ton. He's got Schubert, Brahms, more Liszt, a complete Beethoven cycle, a complete Debussy cycle, Chopin, Grieg. Anyway I've heard his Liszt is among the best, so finally listening to this, and his rendition of the Annees de pelerinage will come soon.
Anonymous No.127503012 >>127503244
>To understand Nazism, one must first understand Wagner.

-Hitler
Anonymous No.127503244
>>127503012
TIL Hitler didn't understand Nazism.
Anonymous No.127504208
Baroque guitar is so good bros.
Anonymous No.127504470
>>127501226
>>127501243
No discussion allowed!
Anonymous No.127504477
>>127500970
>>127501019
Bach was an atheist. He would have been an avid redditor had that website existed
Anonymous No.127504520 >>127521306
>>127501772
https://www.youtube.com/watch?v=O_mr2BORWnE&list=OLAK5uy_njpDyKE8pHCF25LJV2GvxS5HxC4_Fyj48&index=6
https://www.youtube.com/watch?v=z4dZFu6r2Ko
Anonymous No.127504650
Chopin

https://www.youtube.com/watch?v=FqfKAymRmkY
Anonymous No.127505154 >>127505158 >>127505398 >>127505541
>>127501167
>>127501210
it's almost entirely subjective, even the notion that music has to be about emotions, it can be a sensory experience like eating a meal it doesn't have to make you emotional especially the fetishizing of the darkest ugliest emotions by a lot of artfags is some creepy shit like it's literally the premise of how the force works that the evil side is the one that channels their negative emotions
Anonymous No.127505158
>>127505154
*how the force works in star wars
Anonymous No.127505206
for example no straight man has any interest whatsoever in watching 50 shades of grey or reading the book unless a woman is making him do it, it's subjective as to what emotions you get out of consuming such a media
Anonymous No.127505250 >>127505297
Best Tchaikovsky 1?
Anonymous No.127505297 >>127505798
>>127505250
https://www.youtube.com/watch?v=5hqTUJd4Mfk
Anonymous No.127505391 >>127505400 >>127505541
What emotions are Bach’s cello suites meant to convey?
Anonymous No.127505398 >>127505656
>>127505154
learn to fucking write.
Anonymous No.127505400 >>127505635
>>127505391
https://arcana.fm/2022/02/13/isserlis-bach-cello-suites-companion

>Isserlis looks at the construction of each suite in great detail, marvelling at Bach’s consistent marriage of mathematical precision and emotional outpouring. He uses the scholarly texts but also leans heavily and most enjoyably on his perspective from the pure, musical instinct of a performer. This approach lifts the music from the page, frequently inspiring the reader to listen along.

>This instinct leads to a central, compelling case for a subtext for the suites, describing the life of Christ in a way that can be keenly experienced by the listener but which also makes a great deal of musical sense, with the caveat that the cellist’s conclusions are largely speculative.
Anonymous No.127505431 >>127505615 >>127509371
now playing, more Ciccolini

start of Brahms: 8 Piano Pieces, Op. 76
https://www.youtube.com/watch?v=HV_uvvwwMPs&list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8&index=2

start of Brahms: 7 Fantasias, Op. 116
https://www.youtube.com/watch?v=Mprw84Y9FJk&list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8&index=10

start of Brahms: 3 Intermezzi, Op. 117
https://www.youtube.com/watch?v=xC3Lk-1Ra9A&list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8&index=17

start of Brahms: 6 Piano Pieces, Op. 118
https://www.youtube.com/watch?v=2um_grMDL-Q&list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8&index=20

start of Brahms: 4 Piano Pieces, Op. 119
https://www.youtube.com/watch?v=BixcUaQfoIM&list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8&index=26

start of Brahms: 2 Rhapsodies, Op. 79
https://www.youtube.com/watch?v=R1A8hMk99NU&list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8&index=29

https://www.youtube.com/playlist?list=OLAK5uy_lwii254fg2tx2uXzZ-i1Tx5Y9p7t5S5h8
Anonymous No.127505541 >>127505662
>>127505391
>>127505154
I thought one of the biggest selling points of classical music is how it's dramatically and narratively progressive and fluid, in order to tell an emotional story as the piece goes on?
Anonymous No.127505615
>>127505431
I know I've posted dozens of recordings of these late Brahms piano pieces, all with varying degrees of plaudits, but this one is truly spectacular. wow. Highly recommended.
Anonymous No.127505635 >>127505637
>>127505400
>describing the life of Christ in a way that can be keenly experienced by the listener
They do feel pretty torturous yes
Anonymous No.127505637
>>127505635
the sacred AND the propane
Anonymous No.127505656
>>127505398
*tips fedora*
Anonymous No.127505662 >>127505732 >>127505763
>>127505541
it's pretentious nonsense in the same way as people jerk off to classical pantings but people in the real world don't give a fuck about paintings despite being indoctrinated with that shit since childhood, or they have their own subjective interpretations of what the paintings mean to them.
Anonymous No.127505675
>average BABIAA listener

We will disarm and subdue every 18th-19th century heretic that would put on a Mozart Piano concerto or Chopin Nocturne

We are the Mockers of Mozart
We put a chokehold on classicism

We are the Cuckolders of Chopin
We are the Rapists of Romantics

We are the murderers of Mahler
We strike fear in ever pretentious and Neurotic writer of 1 hour symphonies
Anonymous No.127505683
if the "experts" interpretations were valid then why can't they compose their own masterpieces, really makes you think. almost no one has any clue about how music works, even the great artists just kinda do their thing without thinking too much about it, or even just copy other artists and change a few notes.
Anonymous No.127505684
NO MOZART
NO CHOPIN
NO MAHLER
ALL ROMANTICS SCRAM!

ALL CLASSICISTS EAT SHIT AND DIE
THIS THREAD IS FOR MARIN MARAIS!

SONATA FORM SHOULD DIE
ONLY CONCERTO GROSSO FOR I!

HAYDN IS LIKE A ROTTEN WHEAT
WHAT I NEED IS A BACH CELLO SUITE


BACH AND BEFORE, IVES AND AFTER
Anonymous No.127505694 >>127505708
>when they listen to Mozart and Haydn concertos and completely neglect the Sun Kings court
>When they listen to vocal works by Verdi, Rossini or Puccini, but not Palestrina or the Franco-Flemish School
>When they don't listen to Marin Marais more frequently than Beethoven or Brahms
>No Perotin or Medieval Music
Anonymous No.127505699 >>127505716 >>127505738
2nd best Mahler 3?
Anonymous No.127505702
>Listening to Bach
>not listening to Mozart
>Listening to Marais
>Not listening to Haydn
>Listening to Ravel
>not listening to Mahler
>listening to Stravinsky
>not listening to Schoenberg or Shostakovich

Is there a better feeling in this world?
Anonymous No.127505708 >>127505737
>>127505694
The sun king was a prick
Anonymous No.127505716
>>127505699
3rd best Mahler 4th?
4th best Mahler 5th?
5th best Mahler 6th
Anonymous No.127505732 >>127505758
>>127505662
You don't know what you're talking about do you?
Anonymous No.127505737
>>127505708
>The sun king was a prick
Anonymous No.127505738
>>127505699
Chailly, because Haitink/RCO is the best one.
Anonymous No.127505758 >>127506365
>>127505732
why don't you have any sources of what mozart etc said their intent was with their music? you're pulling your interpretations out of your ass. music is well known to be subjective. you could ask 10 people and get 10 different answers.
Anonymous No.127505763 >>127505776
>>127505662
But isn't that what development -> climax is all about?
Anonymous No.127505776 >>127505800
>>127505763
it's a balance of being repetitive/familiar and changing things up enough to not be boring, it's very formulaic stuff that all the pop music does too
Anonymous No.127505798
>>127505297
Karajan is turtley enough for the turtleclub with a turtleneck like that
Anonymous No.127505800 >>127506100
>>127505776
So these pieces aren't ever actually 'about' anything emotionally, it's just about the formal musical themes and ideas?
Anonymous No.127505884 >>127505913 >>127506204
now that's my kind of Hammerklavier :)
https://www.youtube.com/watch?v=MtVyOv-dcGs&list=OLAK5uy_lkrgj4Vkaf9wHujlTSpfTcL2QkP3OOzV4&index=97
Anonymous No.127505913 >>127505939
>>127505884
How many times are you going to listen to this nonsense?
Anonymous No.127505939 >>127506101
>>127505913
Beethoven's piano sonatas? I said I was gonna take two months or so and focus intensely on listening to them! Maybe another cycle or two after the current set I'm listening to (and loving; Irina Mejoueva's) and then I'll take a break. But Beethoven, and his Hammerklavier, is eternal.

https://www.youtube.com/watch?v=7KVRNHH2JmI&list=OLAK5uy_nF9e-0tZgsPc_NlUKdacw0TFr7QyXCJR8&index=50

so good
Anonymous No.127506014
Mahlerian liminality
Anonymous No.127506087 >>127506123 >>127509371
now playing

start of Dvorak: String Quartet No. 4 in E minor, sine op. (B. 19)
https://www.youtube.com/watch?v=QFBN0EEk3Ik&list=OLAK5uy_kKssry2uD4kFt-cvohscAPEPHw69O8uks&index=15

start of Dvorak: String Quartet No. 5 in F minor, Op. 9 (B. 37)
https://www.youtube.com/watch?v=WHgWmPxR3o0&list=OLAK5uy_kKssry2uD4kFt-cvohscAPEPHw69O8uks&index=19

start of Dvorak: String Quartet in A minor No. 6, Op. 12 (B. 40, 1873)
https://www.youtube.com/watch?v=Mv6IOD_UDIE&list=OLAK5uy_kKssry2uD4kFt-cvohscAPEPHw69O8uks&index=21

https://www.youtube.com/playlist?list=OLAK5uy_kKssry2uD4kFt-cvohscAPEPHw69O8uks
Anonymous No.127506100
>>127505800
the meaning could be less ambiguous when there are lyrics or they're tied to a play or a movie scene and such, otherwise it's difficult to convey a precise meaning with just musical notes, people like mozart would show off their technical skill in playing the piano and not try to explain how a piece is about the grief and despair of losing a loved one or whatever the fuck
Anonymous No.127506101 >>127506124
>>127505939
No specifically the Hammerklavier
Anonymous No.127506123 >>127506145
>>127506087
I think you should just post the whole thing instead of posting these snippets as well
Anonymous No.127506124 >>127506559
>>127506101
Whenever it comes up in the current cycle I'm listening to. Why, you don't care for it? If you're talking specifically about those types of posts where I image-capture the runtime and make a post about it, I just do that to tease the fast-tempo for Beethoven anons here, and maybe, ideally, introduce them to a new way of thinking with regards to the work, and perhaps get someone new into the Hammerklavier.
Anonymous No.127506145 >>127506218
>>127506123
But if you go to the link to the uploaded piece on YouTube, you'll see it's part of a playlist which will autoplay the rest of the piece and recording! I wouldn't just tease like that and not provide the rest of the piece in someway -- my way, however, is it being part of a playlist, instead of linking each individual movement here.
Anonymous No.127506204 >>127506301
>>127505884
moderate and boring?
Anonymous No.127506218 >>127506270
>>127506145
I mean I think you should just post the playlist
Anonymous No.127506270
>>127506218
That's what the final link is! :p

I include an embedded link for ease of sampling, to give anons an easy and convenient way of quickly trying out the recording, ideally in hopes of getting them hooked, and then either they can follow that link to YouTube to continue listening on the playlist from whichever piece they started, or they can go outright to the playlist of the entire recording with the final link. Best of all worlds!
Anonymous No.127506301
>>127506204
well, thanks for giving it a try, that's all I can ask. One more though, if you'll indulge me, from the current cycle I'm going through and loving, a cycle with a unique, spacious, and poetic sound
https://www.youtube.com/watch?v=J4USOYAphMA&list=OLAK5uy_nF9e-0tZgsPc_NlUKdacw0TFr7QyXCJR8&index=91

If you like 'em fast you'll probably hate it but you never know
Anonymous No.127506329
I only listen to the Hammerklavier if it's played on a Harpsichord at 3000Bpm the way Beethoven intended
Anonymous No.127506365 >>127507003
>>127505758
You're such a retard lmao, this is so fun
Anonymous No.127506458 >>127509371
now playing, one final post of this morning classical binge before I read or go out

start of Beethoven: Piano Concerto No. 3 in C Minor, Op. 37
https://www.youtube.com/watch?v=nYZROU_AVrI&list=OLAK5uy_nxMX0xOvFj8GypR5fd1xYF7s2FgFhnGtk&index=8

start of Beethoven: Piano Concerto No. 4 in G Major, Op.58
https://www.youtube.com/watch?v=dSRalTo3wLk&list=OLAK5uy_nxMX0xOvFj8GypR5fd1xYF7s2FgFhnGtk&index=11

start of Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73
https://www.youtube.com/watch?v=1TcnFQ4Gjv0&list=OLAK5uy_nxMX0xOvFj8GypR5fd1xYF7s2FgFhnGtk&index=13

https://www.youtube.com/playlist?list=OLAK5uy_nxMX0xOvFj8GypR5fd1xYF7s2FgFhnGtk

There's such an enormous quantity of recordings of Beethoven's piano concertos, it's truly dizzying and daunting. I guess it's good because it means there's an ideal performance to suit everyone's individual tastes, but it can be difficult and time-consuming to find it!

That said, can't go wrong with Paul Lewis, whose cycle of the piano sonatas are fantastic as well as his recordings of Schubert, and Jiri Belohlavek, a pretty great and consistent conductor with some top-tier recordings of Czech music (eg Dvorak, Suk, Smetana), so paired together, it's a pretty safe bet of a quality cycle, and all of the popular and critical acclaim seems to borne this out.

Next time I'll probably opt for the Brendel/Levine or Zimerman/Bernstein cycles, and if anyone has any personal recommendations and favorites, I'm all ears. Also, anyone have any thoughts on the Bernstein/Gould cycle?
Anonymous No.127506559 >>127506660 >>127506789 >>127507056
>>127506124
I find it to be more admired than beloved
Anonymous No.127506660 >>127506789 >>127507056
>>127506559
That's how I also felt for the longest time, but in these recent months with my constant and intense listening of Beethoven's piano sonatas, obtaining a deeper understanding and appreciation of his compositions, further familiarity with his form and style, a stronger resonance with the musical poetry and emotional depth -- all relative to my previous self, of course, I am by no means an expert, I'm ultimately a casual listener -- I've started to come around on the Hammerklavier and begun to recognize its stunning brilliance, its architectural complexity, and its immense power.

But that's just me. On a similar note, I will say one piece I'll never come around on is the Diabelli Variations. Maybe you have to be a musician to appreciate and connect with that.
Anonymous No.127506789 >>127507056
>>127506559
>>127506660
What's funny is I simultaneously can't get enough of it and find it so dense and potent that I try not to listen to it too often, lol. I don't like it for casual or relaxing listening, most of his other piano sonatas are better for that. The Hammerklavier is for when I'm ready to give my full attention and focus, the entirety of my aesthetic perception and creative being. I treat it almost like a solemn, holy event, for the effects of listening to it are similarly sublime, ecstatic, and spiritually uplifting.
Anonymous No.127507003
>>127506365
not an argument, you have no objective evidence that most composers even intended this emotional storytelling mumbo jumbo, as if they can telepathically predict the emotional response in every listener in something as subjective as audio
Anonymous No.127507044 >>127507388
most people don't even like classical music, some people say they do because of the brainwashing about it being for intellectual high class sophisticated people but they don't listen to it on a regular basis, some people listen to it as background music with not really any emotional weight behind it, you're kidding yourself if people can listen for hours day in and day out and experience intense emotions for hours and hours with any consistency
Anonymous No.127507050 >>127507080 >>127507096 >>127507118
>>127496269 (OP)
Best Rachmaninoff - Vocalise? Rachmaninoff had some good ideas sometimes. My Top 3:

Jackie Evancho - surreally high sometimes https://www.youtube.com/watch?v=yX20-4QAA3w
Natalie Dessay - very sweet, airy, pleasant voice https://www.youtube.com/watch?v=0zrmCh8m3zY
Aida Garifullina - also very nice https://www.youtube.com/watch?v=vTFngQBB3uQ
Anonymous No.127507056 >>127507064 >>127507096
>>127506559
>>127506660
>>127506789
The opening bars, the very first motif, is more addictive to me than the opening of 5th symphony. Sometimes that motif is all I can think about all day, it's that addictive. LET ALONE, the fughetta in the first movement, based on that motif. The most pleasant and at the same time annoying earworm I've ever had. Then there's the beautiful slow movement that can make you cry or bored depending on moos. If you don't LOVE Hammerklavier, I reckon you're just a troll.
End of my blog.
Anonymous No.127507064
>>127507056
>moos
mood*, fuck.
Anonymous No.127507080 >>127508027
>>127507050
>Vocalise
https://www.youtube.com/watch?v=PGsB-X7o92k
No question. Cello my beloved.
Anonymous No.127507096 >>127508027
>>127507056
based

>>127507050
Thanks for the recs. I've always liked this one from Zinman's recording of the second symphony featuring Sylvia McNair
https://www.youtube.com/watch?v=BQ32vZjf-as&list=OLAK5uy_lNkvHSlI1P7Tr4DCIMQ8mtyt_8u2f4sfw&index=5
Anonymous No.127507118 >>127508027
>>127507050
Damn, those are some great ones you posted.

Try some Fleming but yours might top
https://www.youtube.com/watch?v=22It9TlhcS0&list=OLAK5uy_mDjj5seoz0aM3Z8UMqELMrqYe0bWno8tQ&index=10
Anonymous No.127507195 >>127509289
Suk's Bach
https://www.youtube.com/watch?v=kb2rbRuhJxs&list=OLAK5uy_mNZJd_Mkzfw-hkKuat_QQi_2uDB-weUr8&index=21

a 15:05 Chaconne!! gorgeously and sensitively played. in order to sustain one's spiritual health, one should be listening to Bach's Chaconne at least once a week. it cures anxiety and despair, affirms life and the wondrous splendor of kindred souls, increases one's capacity for love and sympathy, and gives one a glimpse of the divine and raises one closer to transcendence
Anonymous No.127507295 >>127507358
99% of people can't make music worth a damn even if they dedicate their lives to it, they end up as a washed up music teacher or play other people's music in some literally who orchestra instead of composing their own music, if your explanation about this emotional storytelling stuff is valid then why don't you make your own music and become a rich and famous composer, producer or artist
Anonymous No.127507358 >>127509507
>>127507295
O_o

are you okay
Anonymous No.127507388
>>127507044
Sometimes I'll casually read while listening to music, yeah, or pace around my room while daydreaming, though even in that activity, I'm daydreaming to the music, so it is active listening.
Anonymous No.127507393 >>127507459 >>127507702
Best Mahler 10 adagio?
Anonymous No.127507459 >>127509371
>>127507393
Just opt for whichever Mahler conductors you most enjoy and try theirs out, odds are the performance and interpretation will be up your alley. Otherwise, can't go wrong with Bernstein/Vienna
https://www.youtube.com/watch?v=eX6_TGG_waI

If you want sheer beauty without darkness, try Levi/Atlanta
https://www.youtube.com/watch?v=GVQ9Ir8T12o

Abbado/Vienna if you want it more played straight instead of Bernstein's heavily emotional and indulgent take
https://www.youtube.com/watch?v=1H8XcPs7Foc

Or if you like it slow and atmospheric, Sinopoli
https://www.youtube.com/watch?v=GVQ9Ir8T12o

I'd probably recommend them in that order. Enjoy!
Anonymous No.127507628
Fela Sowande: African Suite for Strings

https://www.youtube.com/watch?v=WVGbS21o8qg&list=RDWVGbS21o8qg&start_radio=1&ab_channel=OpenReel
Anonymous No.127507683 >>127507695
https://youtu.be/WlqGkVc29Gw?si=KFunl1r9ZbO_K_uO
Anonymous No.127507695 >>127507912
>>127507683
https://www.youtube.com/watch?v=ti9e7ccx7yE&list=RDti9e7ccx7yE&start_radio=1&ab_channel=NicolasR-ComposerPianist
Anonymous No.127507702
>>127507393
I like Abbado's Adagio and Daniel Harding for the whole thing.
https://youtu.be/MyAoOilWjyU?si=hd2I4We9t2wHz96l
https://youtu.be/KzyYeChwsk8?si=VhE1HqO7Q1SC9qfL
Anonymous No.127507912
>>127507695
not sure i'm a fan desu
Anonymous No.127507969
fuck this is good
Anonymous No.127508027 >>127508222
>>127507118
I love Renee Fleming voice but honestly she struggles in this piece sometimes. Def not the bandsaw here.

>>127507096
Nice!

>>127507080
Good arrangement but it needs a voice.
Anonymous No.127508222 >>127508537 >>127509272
>>127508027
>but it needs a voice.
Cello is so much better to my ears. It evokes strong emotions in me, whereas the singing makes me uncomfortable.
Anonymous No.127508537 >>127508563
>>127508222
gay
Anonymous No.127508558 >>127509371
now playing

Elgar: The Kingdom, Op. 51, Prelude
https://www.youtube.com/watch?v=9xu96aATMFM&list=OLAK5uy_liowO4gP1pH45Ucxg1CVW9oJG80m-nKMA&index=2

start of Elgar: Violin Concerto in B Minor, Op. 61
https://www.youtube.com/watch?v=cGygAK4lAcs&list=OLAK5uy_liowO4gP1pH45Ucxg1CVW9oJG80m-nKMA&index=3

Elgar: The Dream of Gerontius: Prelude and the Angel's Farewell
https://www.youtube.com/watch?v=fxS8yHxXtRI&list=OLAK5uy_liowO4gP1pH45Ucxg1CVW9oJG80m-nKMA&index=6

Elgar: The Dream of Gerontius: Prelude and the Angel's Farewell (Elgar's arrangement without choir - Word Premiere Recording)
https://www.youtube.com/watch?v=jhN3KQUFzZk&list=OLAK5uy_liowO4gP1pH45Ucxg1CVW9oJG80m-nKMA&index=6

https://www.youtube.com/playlist?list=OLAK5uy_liowO4gP1pH45Ucxg1CVW9oJG80m-nKMA

>With his probing musical intelligence and lithe, silvery sound, Thomas Zehetmair produces a version like no other. Avoiding any hint of cloying, Victorian sentimentality, he uses expressive portamentos to intensify Elgar’s ripely opulent melodies without sounding (as was Menuhin’s wont) as though he is virtually breathing his last with every phrase. If the majority of players tend (often suffocatingly) to place the concerto squarely in the Brahmsian tradition, Zehetmair points up the music’s Mendelssohnian whimsy and open-air freshness. This works wonders in the finale’s protracted cadenza, its fine-honed, sinewy, darting emotional reflexes a million miles away from the almost apocalyptic trajectory so often forced upon it.

>The Hallé and Mark Elder provide highly sympathetic and sensitive support, the engineering clarifies Elgar’s imposing textures magnificently, and the fillers are an absolute delight. ---- JULIAN HAYLOCK, The Strad
Anonymous No.127508563
>>127508537
K
Anonymous No.127508791
Bortkiewicz - Piano Concerto No. 1, Op. 16
https://www.youtube.com/watch?v=sbBrKano384&list=RDsbBrKano384&start_radio=1&ab_channel=SeigneurReefShark
Anonymous No.127509272 >>127509339 >>127510487 >>127513069
>>127508222
https://vocaroo.com/1kGKG2mS33z3
what emotions does this evoke?
Anonymous No.127509289
>>127507195
> one should be listening to Bach's Chaconne at least once a week. it cures anxiety and despair, affirms life and the wondrous splendor of kindred souls, increases one's capacity for love and sympathy, and gives one a glimpse of the divine and raises one closer to transcendence

Sounds like you got high off your own supply of farts
Anonymous No.127509310 >>127509386
STOP, YOU VIOLATED THE LAW
PAY THE COURT A FINE OR SERVE YOUR SENTENCE PLEB

OR LET US KNOW WHAT MUSICAL TRANSGRESSIONS YOU HAVE COMMITED AGAINST THE PATRICIAN FOLK OF /CLASSICAL/ AND THE OLD GUARDIANS CLT, TALLIS, AND CELEBES

Name them anons, what shameful classical pieces have you been listening to?

>Morton Feldman - The Viola in my Life
>Eric Whitacre - Water Night
>Ola gleijo - Sanctus
>Tchaikovsky - Symphony no. 2
Anonymous No.127509329
What are his best concertos? So far I'm liking the Cello Concertos, Viola da Gamba and the Mandolin/guitars stuff
Anonymous No.127509339 >>127509364
>>127509272
https://www.youtube.com/watch?v=I02BxxD2M0E
Anonymous No.127509364
>>127509339
BRAVO VINCE
Anonymous No.127509371 >>127509403
>>127508558
>>127507459
>>127506458
>>127506087
>>127505431
Anonymous No.127509386 >>127509421 >>127509435
>>127509310
A lot of Bach doesn't really click with me. I don't see why he's held so highly above other Baroque composers let alone all other composers
Anonymous No.127509403 >>127509499
>>127509371
You didn't read youtube links?
Anonymous No.127509421
>>127509386
200 gold, pay the fine and serve your sentence
Anonymous No.127509435
>>127509386
especially with the janky ass harpsichord lmao
Anonymous No.127509441
Mozart gives me the ick,

As does Brahms, Mahler, Handel, early-middle Beethoven, Dvorak, Bruckner, Chopin, Schumann, Strauss II, Hindemith, Schoenberg, Reger, Berg, Webern, Tchaikovsky, Boulez, Stockhausen, Haydn, Bruch, Salieri, Clementi, and Sibelius

That is all
Anonymous No.127509470
>Your Romanticism
>My Foot
>Your Classicism
>My Fist

I will crush the Mozart enjoyers, liberate the Chopin listeners and unshackle the Mahler Neurotics with Vivaldi, Josquin, and Perotin
Anonymous No.127509481
>If it ain't BAROQUE, don't fix it
>I dumped her because she BAROQUED my heart
>I had to go to the doctor because I BAROQUED my leg in a gondola accident
>I would go to the concerto with you, but I'm BAROQUE
>The Baroque BAROQUED the renaissance mold
Anonymous No.127509499
>>127509403
Clearly you didn’t read either
Anonymous No.127509502
Offenbach is very witty
Anonymous No.127509507
>>127507358
if people think they know how music works then surely they can go ahead and do their own emotional storytelling, most people would love to make millions of dollars off of music if they could
Anonymous No.127509514
>When they say they like Italian opera, German Romanticism, Austrian Classicism, or have read a Schenkerian Analysis

Your up next Marco, Hans and Leopold!
Anonymous No.127509519 >>127509551
Bach
https://www.youtube.com/watch?v=U82gPH5ia78
Anonymous No.127509533
Remember, not all Romantic composers are bad, but all bad composers do tend to be Romantic

Except Classical, every Classical composer is bad.
Below are acceptable Romantics

Liszt(late)
Any of the Russian Five
Grieg
Franck
Tarrega
Alkan
John Field
Chabrier
Anonymous No.127509551 >>127509782
>>127509519
They sound like such garbage that it's kind of endearing
Anonymous No.127509555
>2 days after the Monsieur's Birthday, still no Dbeussy general
Classibros, I don't feel so good
Anonymous No.127509782
>>127509551
Perfect for playing while you plot world domination
Anonymous No.127510487 >>127512441
>>127509272
comfy 2012
Anonymous No.127510811
Pezold
https://www.youtube.com/watch?v=J8KKT6Xq0Tk
Anonymous No.127510881
Weber

https://www.youtube.com/watch?v=sNR5n2NJbT4
Anonymous No.127510898
i love this stupid retard
it's been fun learning how to play it
Anonymous No.127512061 >>127512090 >>127512279 >>127513879
Never cared for Gardiner’s Bach
https://www.youtube.com/watch?v=C57n_kPG49Y
Anonymous No.127512090 >>127512154
>>127512061
Yep, he gives off major woke vibes.
Anonymous No.127512109
Sometimes I like imagining Vaughan William's 9 symphonies are one long symphony. I'll just put an entire set on and listen through, it's fun and works well because he's got a consistent sound, mood, and style.
Anonymous No.127512154 >>127512171 >>127512242
>>127512090
>woke
>despises male vocalists
Yep, checks out
Anonymous No.127512171
>>127512154
>>despises male vocalists
wtf I like Gardiner now!?
Anonymous No.127512242
>>127512154
Someone here told me that preferring male vocalists makes you gay. They seemed to be under the delusion that men love listening to women talk. KOEK.
Anonymous No.127512279 >>127512307 >>127513879
>>127512061
>That covrr
Gardiner is such a fucking spiceboy. I wager he loves a good curry on a Friday night.
Anonymous No.127512307 >>127513634 >>127513879
>>127512279
Yes sir, then he lets his wife peg him
Anonymous No.127512348
Here is a better version
https://music.youtube.com/watch?v=uRJ-rapdBGw
Anonymous No.127512381 >>127512448 >>127512497
The English should be banned from performing Bach due to cultural appropriation (with a notable exception for those of Anglo-Norman ancestry).
Anonymous No.127512441 >>127512469
>>127510487
feelings and moods aren't the same as emotions, people are being like illiterate wamen by saying that music is all about emotions
Anonymous No.127512448
>>127512381
Wait, scratch that, Gardiner is a Norman name.
Anonymous No.127512469 >>127513053
>>127512441
Edward Dutton approved classical music?
Anonymous No.127512497
>>127512381
Harnoncourt was Austrian, like that famous mustache man artist (painter). Just ban the English.
Anonymous No.127512522
now playing

start of Prokofiev: Piano Sonata No. 6 in A Major, Op. 82
https://www.youtube.com/watch?v=qJnnMgmIiJ0&list=OLAK5uy_kBpRr-2lmS5UHRq1HO9TqlK1HjuwFjmGY&index=2

start of Prokofiev: Piano Sonata No. 7 in B-Flat Major, Op. 83
https://www.youtube.com/watch?v=gOL329-uICg&list=OLAK5uy_kBpRr-2lmS5UHRq1HO9TqlK1HjuwFjmGY&index=6

start of Prokofiev: Piano Sonata No. 8 in B-Flat Major, Op. 84
https://www.youtube.com/watch?v=YmqWQBOUigk&list=OLAK5uy_kBpRr-2lmS5UHRq1HO9TqlK1HjuwFjmGY&index=8

https://www.youtube.com/playlist?list=OLAK5uy_kBpRr-2lmS5UHRq1HO9TqlK1HjuwFjmGY
Anonymous No.127512556
Strauss
https://www.youtube.com/watch?v=oPpGxrUHLO4
Anonymous No.127512949
now that the dust has settled, this is the best set of Mendelssohn's string quartets, ye?
https://www.youtube.com/watch?v=13f0c2C_Li8&list=OLAK5uy_l0YgvWoWe2z4xSGonv3wwWU-tCbWFn0kc&index=19
Anonymous No.127513025
Norrington was right -- vibrato is a drug, and boy, does it feel so good :)
Anonymous No.127513053
>>127512469
Grug's Fantasia for Solo Bone Flute - Opus 132
Anonymous No.127513069
>>127509272
Disgust.
Anonymous No.127513634 >>127513879 >>127514649
>>127512307
Well, considering that Gardiner created a fantasy scenario in which Bach was raped as a youth, this is quite possible.
Anonymous No.127513879 >>127520432
>>127512061
>>127512279
>>127512307
>>127513634
If only modern HIPsters made their personalities historically accurate

https://www.youtube.com/watch?v=fti-DIjxWNw
Anonymous No.127514135 >>127514322 >>127514631
>boost your brain with le mozart and baroque music
"Best of" and similar youtube playlists are some of the worst things that could ever happen to classical music. It got reduced to background music to many who were curious to explore it. Whoever keeps propagating it surely hates classical music. Or they are imbeciles. Both.
Anonymous No.127514322
>>127514135
fuck off and kill yourself you filthy shitskin. what part of "classical music must be gatekept." don't you fucking understand?
Anonymous No.127514631 >>127514757
>>127514135
i never understood music as background noise in general, shit even ambient music captures my attention too much to be used as background noise.
Anonymous No.127514649 >>127515046
>>127513634
what the fuck, is this real?
Anonymous No.127514710
>My problem with recordings of this timeless masterpiece is that my favourite is always the one I am currently listening to, but I am confident that this is one of the very finest. ---- Ralph Moore

i know the feel, ralph
Anonymous No.127514757 >>127515080 >>127516282
>>127514631
Me neither, background music is just unnecessary noise. If I'm doing something else, then I can't truly enjoy music as it's supposed to be enjoyed. I don't think anyone can. Classical music especially demands more attention. Sometimes just attention isn't enough and you have to look at the score, read an analysis or listen repeatedly. Music takes as much concentration and focus as proving a math theory or solving a hard differential equation problem, it is a mental exercise, and if you do not like that, you do not genuinely like classical music. Or you like it as much as pop listeners like their pop slop, a.k.a. you are a cattle.
Anonymous No.127514764
>tfw i just think classical sounds good and don't understand or really pay attention to the overarching structures and form at all
Anonymous No.127514771 >>127515317
feels like a Mahler 10 dawn at 4am
https://www.youtube.com/watch?v=CmPs8dCpwjQ&list=OLAK5uy_mdh-XZpLtEgWKb43P3BcwDrDJeVDKiPfY&index=1
Anonymous No.127515046
>>127514649
Yes, in an interview he says that we can presume Bach was beaten and raped because the area he grew up in had crime and delinquency with one case 20 years earlier including a rape.
Anonymous No.127515080 >>127515279 >>127515497
>>127514757
You are making classical music out to seem more complicated than it actually often is. Unless we are talking about genius composers who have genuinely complicated music like Schoenberg or some Bach and Beethoven works, it's usually just simplistic and perfectly suitable background music
Anonymous No.127515279
>>127515080
i just like listening to classical music, i don't analyze scores or anything, but i just can't see how it could be suitable as background noise, maybe it's just my autism but i always end up focusing on the music too much, maybe some ambient music could work, but i just don't like having music on while i'm doing something, i'd rather have a podcast on in the background or something i can easily ignore.
Anonymous No.127515317 >>127515363 >>127515588
>>127514771
I seriously can't listen to this without screaming ALMA YOU FUCKING BITCH, WHY DID YOU HURT GUSTAV SO MUCH
Anonymous No.127515332
Medtner
https://youtu.be/-m2FsRSloc4?si=z-voXeZ1snb7iWe-
Anonymous No.127515363
>>127515317
Without the suffering, we wouldn't have the art.
Anonymous No.127515403 >>127516225
i think we can all agree that Sibelius is the greatest composer of all time.
Anonymous No.127515497 >>127515708 >>127516838 >>127516920
>>127515080
>Schoenberg
>genius
Anyhow that's irrelevant.
Classical music is objectively the most sophisticated 'style' of music. It may bd harder to agree when you generalize classical music, but that's not the point. Arguing semantics is a waste of time when we both exactly what I'm talking about. Classical pieces can be the most intellectually stimulating and provide more rewarding experience in the long run. Anything that's initially difficult can become more rewarding over time. This phenomenon is linked to cognitive efforts and brain's reward system. If you have any doubts, there are studies which show that mental effort can enhabce reward value, since dopamine system is involved in effort-based decision-making and reward processing.

For context, if you disagree with me, you most likely haven't gotten into Beethoven's chamber music
https://www.youtube.com/watch?v=owzXO8b1ykk
Or you don't enjoy it as much as you could have, because you did not grasp its structure, you did not pay enough attention to it, and you missed details which could've provided more value to the piece. Since our nervous system has been shut down by modern society, it is not surprising I have to spoonfeed all this information to you.
Anonymous No.127515561
>Since our nervous system has been shut down by modern society
lmfao
Anonymous No.127515588
>>127515317
at one point she also made him happy, why not give her credit for that?
Anonymous No.127515708 >>127515721
>>127515497
you're just a consoomer like anyone else but being a pretentious jerk about it, especially if you haven't had formal training in the music theory and whatnot, and the music theory can't really explain anything useful anyway
Anonymous No.127515721 >>127515731 >>127515733
>>127515708
Predictable response. You're no different from pop listeners in any meaningful way kek
Anonymous No.127515731 >>127515743
>>127515721
>You're no different from pop listeners in any meaningful way kek
Does that matter? We enjoy what we enjoy, we're not here because we're trying to be superior.
Anonymous No.127515733 >>127516239
>>127515721
you're larping like you have some kind of mozart tier intellect and vast experience with playing the piano and composing music etc, more likely you're far below average intelligence and being dunning-kruger
Anonymous No.127515743 >>127515746
>>127515731
It doesn't matter, you're right. Nothing does. Enjoy your pop music.
Anonymous No.127515746 >>127515752
>>127515743
>Enjoy your pop music.
But I listen to classical.
Anonymous No.127515752 >>127515758
>>127515746
Zero difference, since you treat it like pop.
Anonymous No.127515758
>>127515752
If you say so.
Anonymous No.127515795
>Claudio Arrau played all Bach’s keyboard works, first giving them in a series of twelve recitals in 1935. And at the time of his death in 1991 he was considering recording them all. However, his actual recorded Bach legacy is comparatively small: some Inventions and Partitas, the Chromatic Fantasia and Fugue – and this set of the Goldbergs.

depressing. oh what could and should have been. let's see how this Goldbergs is

https://www.youtube.com/watch?v=QUvgjWGVzUs&list=OLAK5uy_lcgRaFmso8yR53Ff4gqqcnG1Cs062ZsVY&index=1

>It has a curious history, set out in the brief sleevenote for this issue, from which I am drawing. Arrau made the recording in 1942 for RCA, following a successful recital. However, he agreed to delay its release so as not to compete with Wanda Landowska’s new recording. It then sat in the vaults. Arrau transferred to CBS (and later to Philips), so it was not issued until 1988. Now it has been remastered by Andrew Rose for Pristine Classics.
Anonymous No.127515814 >>127515824 >>127516205
thoughts on Stenhammar?
Anonymous No.127515824 >>127516838
I've said it before but goddamn, Beethoven's Piano Sonata No. 16 is a legitimate stinker. I have yet to hear a recording of it I like, and I've heard plenty. It's just so clunky, awkward, and ultimately off-putting sonically.

>>127515814
Decent, worth checking out, his string quartets as well. But nothing special or particularly noteworthy. One of those "worth checking out because they're not standard repertoire and are decent" composers.
Anonymous No.127516133
now playing

start of R. Strauss: Macbeth, Op. 23, TrV 163
https://www.youtube.com/watch?v=ECcIZVNHdiI&list=OLAK5uy_mEjLlGm8aGFFr6v0aCDXbi7HWBVACbKww&index=66

start of R. Strauss: Tod und Verklärung, Op. 24, TrV 158
https://www.youtube.com/watch?v=8hiRLSjP5lg&list=OLAK5uy_mEjLlGm8aGFFr6v0aCDXbi7HWBVACbKww&index=69

start of R. Strauss: Ein Heldenleben, Op. 40, TrV 190
https://www.youtube.com/watch?v=Z1HNmlIW4Dw&list=OLAK5uy_mEjLlGm8aGFFr6v0aCDXbi7HWBVACbKww&index=72

https://www.youtube.com/playlist?list=OLAK5uy_mEjLlGm8aGFFr6v0aCDXbi7HWBVACbKww

A spirited and glorious way to start what will hopefully be a lively and glorious day.
Anonymous No.127516205 >>127516225
>>127515814
His second symphony is the best Nordic symphony ever composed.
Anonymous No.127516225 >>127516237
>>127516205
see >>127515403, also Nielsen? hell I might even prefer Alfven's symphonies to Stenhammar. and I'd be remiss if I didn't mention Allan Pettersson for the depressives here
Anonymous No.127516237
>>127516225
Nielsen is the only real competition.
Anonymous No.127516239
>>127515733
Mozart wasn’t an intellectual though. He was just very good at pressing keys in the (((correct))) order- he was a retard with everything else
Anonymous No.127516282
>>127514757
Rofl
Anonymous No.127516300 >>127525305
I'm jammin to this
https://youtu.be/Mrxs_jnRI1I?feature=shared
Anonymous No.127516325 >>127516410 >>127516450
Thoughts on Bach?
Anonymous No.127516410
>>127516325
underrated and obscure
Anonymous No.127516450
>>127516325
Bach and Rach are perfect.
Anonymous No.127516469 >>127516535
feel like going through an unfamiliar set of Tchaikovsky's symphonies, and decided on Temirkanov/RPO

start of Tchaikovsky: Symphony No. 1 in G Minor, Op. 13 "Winter Dreams"
https://www.youtube.com/watch?v=NmBo3wB0d_s&list=OLAK5uy_n5WRw6iD9CE_AW9aMaaPr_e3yeZh_V41w&index=2

start of Tchaikovsky: Swan Lake Suite, Op. 20
https://www.youtube.com/watch?v=WeJgVhrN1iA&list=OLAK5uy_n5WRw6iD9CE_AW9aMaaPr_e3yeZh_V41w&index=6

start of Tchaikovsky: Symphony No. 2 in C Minor, Op. 17 "Little Russian"
https://www.youtube.com/watch?v=ldqrbNvhzU4&list=OLAK5uy_n5WRw6iD9CE_AW9aMaaPr_e3yeZh_V41w&index=11

Tchaikovsky: Francesca da Rimini, Op. 32
https://www.youtube.com/watch?v=ZDkgxJI1C7g&list=OLAK5uy_n5WRw6iD9CE_AW9aMaaPr_e3yeZh_V41w&index=15

start of Tchaikovsky: Symphony No. 3 in D Major, Op. 29 "Polish"
https://www.youtube.com/watch?v=rNtcPi3onSg&list=OLAK5uy_n5WRw6iD9CE_AW9aMaaPr_e3yeZh_V41w&index=15

https://www.youtube.com/playlist?list=OLAK5uy_n5WRw6iD9CE_AW9aMaaPr_e3yeZh_V41w

This one never had much commercial success or popular acclaim. However, critics seem to hold it in high esteem, and I've enjoyed what other few Temirkanov recordings I've heard, so let's give it a shot. I also added Pletnev's cycle on DG with the Russian National Orchestra -- I usually avoid Pletnev's conducting but what the hell, can't hurt -- and plan to revisit Petrenko/Royal Liverpool.

Always fun to listen through different and new sets of Tchaikovsky's symphonies! It's interesting that there isn't much interpretive variance between various recordings, unlike, say, Mahler or Bruckner or Beethoven, yet the handful of performing decisions there are to make prove consequential and distinctive, and even for a layperson not too familiar with the works, can make-or-break the works entirely; eg. a 4th in the hands of one conductor can be dull and tedious, and another vigorous and powerful.
Anonymous No.127516535
>>127516469
adding to the list to listen to: Bichkov/Czech Philharmonic and Kitajenko/Gürzenich Orchestra Cologne

this Temirkanov 1st sounds great so far tho, definitely worth listening to for fans of Tchaikovsky, these symphonies, and Russian romanticism in general
Anonymous No.127516838
>>127515824
you're just not sophisticated enough to understand the emotional storytelling >>127515497
Anonymous No.127516920 >>127517001 >>127517320
>>127515497
I don't think anyone worth their salt will read your post if it starts with a refusal of Schoenberg's genius
Anonymous No.127517001 >>127517160
>>127516920
>Schoenberg
>genius
https://www.youtube.com/watch?v=4kUX_dhWoY0&list=OLAK5uy_lUnC3gsoxHPrx3TisoBp1-mB5mc73rlSg&index=1

Copypasting Brahms, Mozart and slapping inorganic atonality on it will never be "genius". His serial music is awful in every possible way imaginable. If you had paid attention, you'd know. Early Schoenberg is just 'fine'.
Anonymous No.127517160
>>127517001
Speak on that.
Anonymous No.127517204
I had this dream where Beethoven’s 23rd sonata first movement had multiple drum kits several vocaloid and talk box parts and sounded like Girl Don’t Tell Me. I was so disappointed it was just a dream
Anonymous No.127517320
>>127516920
>t if it starts with a refusal of Schoenberg's genius
Lol lmao even a rofl perhaps
Anonymous No.127517921 >>127518023
Speaking of geniuses, new video about Chopin sonata no.3

>Garrick Ohlsson Breaks Down "One Of The Greatest Pieces Ever Written"
https://www.youtube.com/watch?v=rPzAURF1-UM

:3
Anonymous No.127518023
>>127517921
Very cool, thanks.
Anonymous No.127518027 >>127518380 >>127519129 >>127519168
Best Haydn 1?
Anonymous No.127518380
>>127518027
You're not going to ask this 106 times now, are you?
Anonymous No.127518919 >>127518987
https://www.youtube.com/watch?v=_1ynC1RB3kY
Really digging this, does it count as classical or is it just orchestral?
Anonymous No.127518987
>>127518919
It's art music/classical, ye
Anonymous No.127519112 >>127519129 >>127519156 >>127519168
best Haydn 2?
Anonymous No.127519129 >>127519168
>>127518027
>>127519112
Dorati recorded the complete cycle. That's your answer for all.
Anonymous No.127519156
>>127519112
Fuck off.
Anonymous No.127519168
>>127519112
>>127518027
i agree with >>127519129
EXCEPT Pinnock for the Sturm und Drang symphonies, Karajan, Bernstein or Harnoncourt for the Paris Symphonies, and Jochum for the London Symphonies, Dorati for everything else.
Anonymous No.127519203 >>127519889 >>127520500 >>127520538
now playing

start of Dvorak: Symphony No. 7 in D Minor, Op. 70, B. 141
https://www.youtube.com/watch?v=wLJblWRkJuY&list=OLAK5uy_lRolaW51D8eJKin79ysKOr87D0SFKC6Hc&index=2

start of Dvorak: Symphony No. 8 in G Major, Op. 88, B. 163
https://www.youtube.com/watch?v=7s9W9QtKz54&list=OLAK5uy_lRolaW51D8eJKin79ysKOr87D0SFKC6Hc&index=6

start of Dvorak: Symphony No. 9 in E Minor, Op. 95, B. 178
https://www.youtube.com/watch?v=uQi_dChAffY&list=OLAK5uy_lRolaW51D8eJKin79ysKOr87D0SFKC6Hc&index=10

Nature, Life and Love: In Nature's Realm, Op. 91, B. 168
https://www.youtube.com/watch?v=uZRbSFojA0g&list=OLAK5uy_lRolaW51D8eJKin79ysKOr87D0SFKC6Hc&index=13

https://www.youtube.com/playlist?list=OLAK5uy_lRolaW51D8eJKin79ysKOr87D0SFKC6Hc

Some places gave these performances positive review. While searching the album cover, I saw Hurwitz's video review pop up among the results and the title called it "joyless and gluey," so guess we'll see what that means lol. Or it'll be good.
Anonymous No.127519889
>>127519203
I quite agree I found it both joyless and gluey
Anonymous No.127520394 >>127520664
best Sibelius Violin Concerto recording?
Anonymous No.127520432
>>127513879
>You have live by the mores of the 18th century if you like the sound of the harpsichord
Take your meds, sisterposter
Anonymous No.127520459 >>127520512 >>127520528 >>127520615 >>127521453
Best letter of the alphabet?
Best day of the week?
Best zodiac sign?
Best color?
Anonymous No.127520500 >>127520538
>>127519203
It’s Dvořák
Anonymous No.127520512
>>127520459
>Best letter of the alphabet?
C
>Best day of the week?
Wednesday
>Best zodiac sign?
Aries
>Best color?
Indigo
Anonymous No.127520528
>>127520459
Drop what you are doing and rank the cloud formations, right now
Anonymous No.127520538
>>127519203
yeah like >>127520500 said, it's "Dvořák" you REYTARD, get it right.
Anonymous No.127520551 >>127520609
Best Schübler Chorales?
Anonymous No.127520563 >>127520625
is Kanye West modern classical music?
Anonymous No.127520609
>>127520551
https://www.youtube.com/watch?v=LEQVlGzusWQ
Anonymous No.127520615 >>127520635 >>127522219
>>127520459
>Best letter of the alphabet?
D
>Best day of the week?
Saturday
>Best zodiac sign?
Sagitarrius followed by Aries, Taurus, and Capricorn
>Best color?
Green
Anonymous No.127520625
>>127520563
"Is mayonnaise an instrument" type of question
Anonymous No.127520635 >>127522115
>>127520615
green fucking sucks, it's fucking diarrhea color my choice of Indigo was better
Anonymous No.127520639 >>127520674 >>127520700 >>127523459 >>127525219
127520615
127520512
Zombies (NPC) love ranking things
Anonymous No.127520651 >>127523459
rank the rankings ITT
Anonymous No.127520664
>>127520394
anyone have any idea? what could the best (objective) recording be?
Anonymous No.127520674 >>127523459
>>127520639
i rank this post an F-tier
Anonymous No.127520700
>>127520639
They need to be told what to think.
Anonymous No.127521306
>>127504520
thanks
Anonymous No.127521453 >>127522195 >>127522219 >>127523459 >>127523702
>>127520459
H (for my name!)
Friday (weekend!)
Pisces (my sign!)
Green (nature yay!)
Anonymous No.127522115
>>127520635
never had green diarrhea in my life
Anonymous No.127522195
>>127521453
narcissist
Anonymous No.127522219 >>127522989 >>127523459
>>127520615
>>127521453
all these wage cucks picking weekends cause muh day off, i can't imagine working.
Anonymous No.127522989 >>127523459
>>127522219
very brave of you to talk up to humans
Anonymous No.127523459 >>127525209
>>127520639
>>127520651
>>127520674
>>127521453
>>127522219
>>127522989
>t. Mozart, Chopin, and Brahms listeners
No wonder you guys are so moody and depressed, remember

BABIAA

Nothing like Vivaldi, Josquin, Palestrina, Chabrier, and Ravel to help bring some joy to your lives.
Anonymous No.127523702
>>127521453
https://www.youtube.com/watch?v=dP887IpQL00
Anonymous No.127524952 >>127525152
Is Debussy getting his thread?
Anonymous No.127525132
Mozart/Seyfried

https://www.youtube.com/watch?v=UAvfzzSVfK0
Anonymous No.127525152 >>127525181
>>127524952
Always finish on the Bach, never Debussy
Anonymous No.127525165 >>127525180 >>127525193
NEW THREAD

>>127525163
>>127525163
>>127525163
Anonymous No.127525180
>>127525165
Mozart hating gigachad poster in shambles
Anonymous No.127525181
>>127525152
is that an innuendo
Anonymous No.127525193 >>127525197 >>127525204
>>127525165
Threads before 310 shouldn't be allowed. Respect /classical/ etiquette or fuck outta here.
Anonymous No.127525197
>>127525193
Because 8 posts have so much room for discussion
Anonymous No.127525204
>>127525193
This is just pure autism, under all accounts the thread is already on it's death knell. Doing it a few posts too early is not wrong at all
Anonymous No.127525209
>>127523459
Vivaldi was a thief
Anonymous No.127525219
>>127520639
Got a source for that chuddie?
Anonymous No.127525294
NEW THREAD

>>127525288
>>127525288
>>127525288
Anonymous No.127525295 >>127525308
Mahler

https://www.youtube.com/watch?v=JwkJzSuDjp4
Anonymous No.127525305
>>127516300
Not classical
Anonymous No.127525308 >>127525318
>>127525295
Not the best Mahler 2.
Anonymous No.127525318 >>127525325
>>127525308
What's wrong with Scherchen?
Anonymous No.127525325
>>127525318
He performed music by religiously Jewish composers (schoenberg). His performances are immoral. Mahler can be excused as he was just ethnically jewish
Anonymous No.127525348
>>127496269 (OP)
Hey its Elon Musk