Still Crazy After All These Years [Columbia, 1975]
I resented the patina of cheerfulness on There Goes Rhymin' Simon (1973) because I thought it sold out the terse, evocative candor of Paul Simon (1972). Now I miss its intimations of universality. I hope in 1977 I'm not moved to praise unduly the small, self-involved ironies that define this record at its best ("50 Ways to Leave Your Lover," "You're Kind") without alleviating its lugubriousness ("Night Game," "Silent Eyes"). P.S. As you probably know, Art Garfunkel is back for one number. As you may not have noticed, Simon takes this as a cue to revert to the sophomoricism of "Richard Cory" and "The Sound of Silence"--"a finger on the trigger of a gun" indeed. B
I resented the patina of cheerfulness on There Goes Rhymin' Simon (1973) because I thought it sold out the terse, evocative candor of Paul Simon (1972). Now I miss its intimations of universality. I hope in 1977 I'm not moved to praise unduly the small, self-involved ironies that define this record at its best ("50 Ways to Leave Your Lover," "You're Kind") without alleviating its lugubriousness ("Night Game," "Silent Eyes"). P.S. As you probably know, Art Garfunkel is back for one number. As you may not have noticed, Simon takes this as a cue to revert to the sophomoricism of "Richard Cory" and "The Sound of Silence"--"a finger on the trigger of a gun" indeed. B
