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7/16/2025, 9:12:41 AM
>>510517595
Those statue examples are the most poignent examples, but to speak of actual architecture here are some examples
Just like the statues, the Nazi building resembles a fortress, it's designed with defense in mind, atleast subconsciously. It does not decorate itself with anything flimsy, for they may be easily destroyed. It closes itself off from the world, fearing everybody is its enemy
The renaissance building on the other hand is open and grand, the terminus fountain of an aquaduct, a public amenity. It's windows even have pseudo balconies, as if it's inviting people to walk out onto them and greet the people below. It is not concerned with war because its borders are so vast and distant from this building that it does not even consider the possibility of being attacked, and even if it did, it is from a culture that is so strong that it is confident it could easily rebuild it, decor and all.
Those statue examples are the most poignent examples, but to speak of actual architecture here are some examples
Just like the statues, the Nazi building resembles a fortress, it's designed with defense in mind, atleast subconsciously. It does not decorate itself with anything flimsy, for they may be easily destroyed. It closes itself off from the world, fearing everybody is its enemy
The renaissance building on the other hand is open and grand, the terminus fountain of an aquaduct, a public amenity. It's windows even have pseudo balconies, as if it's inviting people to walk out onto them and greet the people below. It is not concerned with war because its borders are so vast and distant from this building that it does not even consider the possibility of being attacked, and even if it did, it is from a culture that is so strong that it is confident it could easily rebuild it, decor and all.
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