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7/12/2025, 7:04:25 AM
>>530905401
The writing is sloppy. Characters will have interesting thoughts and internal conflicts when they are in the spotlight, and then those same characters turn into one note moeblobs when they are in the periphery. There are plenty of kino moments, but they require you to slog through TOO MANY near identical scenes of Shitman dying and coming back to life.
Add on top of that the overarching metaplot between routes doesn't make sense (maybe I lost the plot because it's so fucking long), and you get a mediocre story that is hard carried by its art, its music, and a few really good character routes. Most notably Mira's two routes are both fantastic scifi adventures that play around with the worldbuilding concepts and deliver very satisfying conclusions both times. Mira is the fucking MVP of the Star Mine Girl team, and the two titty monsters are just backup dancers as far as I'm concerned.
The writing is sloppy. Characters will have interesting thoughts and internal conflicts when they are in the spotlight, and then those same characters turn into one note moeblobs when they are in the periphery. There are plenty of kino moments, but they require you to slog through TOO MANY near identical scenes of Shitman dying and coming back to life.
Add on top of that the overarching metaplot between routes doesn't make sense (maybe I lost the plot because it's so fucking long), and you get a mediocre story that is hard carried by its art, its music, and a few really good character routes. Most notably Mira's two routes are both fantastic scifi adventures that play around with the worldbuilding concepts and deliver very satisfying conclusions both times. Mira is the fucking MVP of the Star Mine Girl team, and the two titty monsters are just backup dancers as far as I'm concerned.
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