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7/3/2025, 2:59:04 AM
>>49659390
It’s blue beeswax, moulded almost entirely by hand with the handle of a small brush used for a few indentations. I dug the stuff up from some old storage. I’ve actually done a bit of pewter casting before and wanted to figure out how to sculpt stuff to make moulds and castings from. So far I’ve only used other people’s moulds, the results of which you can see on both of Patchouli’s sides. But they’re a /tg/ topic, not a /jp/ one, so I haven’t posted them here.
>>49646585
>What prompted you for such a change of working conditions?
Part of it was so that it would be easier to try new mediums. It’s a lot harder to do water colors on the floor than crayons.
>Was there a reason why Satono holds her stalk, while Mai not?
I was getting tired and it could be reasonably hidden by Okina’s chair and body.
>Also congratulations on the finished sketchbook!
thank you
Also, today I got some glass paints. I think I’ll use them to make a Clownpiece cup for Clownpiece day which is coming up.
It’s blue beeswax, moulded almost entirely by hand with the handle of a small brush used for a few indentations. I dug the stuff up from some old storage. I’ve actually done a bit of pewter casting before and wanted to figure out how to sculpt stuff to make moulds and castings from. So far I’ve only used other people’s moulds, the results of which you can see on both of Patchouli’s sides. But they’re a /tg/ topic, not a /jp/ one, so I haven’t posted them here.
>>49646585
>What prompted you for such a change of working conditions?
Part of it was so that it would be easier to try new mediums. It’s a lot harder to do water colors on the floor than crayons.
>Was there a reason why Satono holds her stalk, while Mai not?
I was getting tired and it could be reasonably hidden by Okina’s chair and body.
>Also congratulations on the finished sketchbook!
thank you
Also, today I got some glass paints. I think I’ll use them to make a Clownpiece cup for Clownpiece day which is coming up.
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