Search Results
7/11/2025, 8:52:40 PM
I'm still alive, bitch. And I'm too strong to be banned. I'd keep posting this because I can SMELL the fear and it's funny to give idiot weebs who knows nothing about the film industry a reality check.
>>280467884
Shut the hell up, Kagurabachifag! Nobody gives a shit about your great value "John Wick but in Japan."
>>280467959
Those 20 minutes are ABSOLUTELY killer in theatrical terms. You're not watching a movie at home. You're fitting it into a tight schedule of daily showtimes.
>Theaters need buffer time between screenings: cleanup, ads, seating, trailers, etc
>A 2h10m movie with trailers = ~2h35m total screen occupancy.
>A 2h35m movie with trailers = ~3h+ screen occupancy.
That's 1-2 fewer showings per day on average. Multiply that across hundreds of screens, and you've just slashed your earnings potential significantly. Money talks above all. A shorter runtime = more showings = more tickets sold per screen per day. Even 10 minutes can be the difference between 4 showings/day vs 5.
Superman's 2h10m is the golden zone, long enough to feel like a blockbuster, short enough to maximize rewatch efficiency. It can fit into after-work time slots, matinees, and has room for repeat viewings on weekdays.
Meanwhile Infinity Castle has a 2h35m runtime. That's exactly the kind of thing theaters HATE unless you’re guaranteeing Avatar or Endgame-level returns. For an anime movie with diminishing returns post-Mugen Train and isn't even a finale? That's a liability, not a flex.
So no, this isn't a "switch-up." It's just called understanding how theaters work, something you clearly don't. You're trying to treat theatrical box office like you're timing YouTube videos. Sit down, shut up, and stop embarrassing yourself with these baby-tier arguments.
>>280467884
Shut the hell up, Kagurabachifag! Nobody gives a shit about your great value "John Wick but in Japan."
>>280467959
Those 20 minutes are ABSOLUTELY killer in theatrical terms. You're not watching a movie at home. You're fitting it into a tight schedule of daily showtimes.
>Theaters need buffer time between screenings: cleanup, ads, seating, trailers, etc
>A 2h10m movie with trailers = ~2h35m total screen occupancy.
>A 2h35m movie with trailers = ~3h+ screen occupancy.
That's 1-2 fewer showings per day on average. Multiply that across hundreds of screens, and you've just slashed your earnings potential significantly. Money talks above all. A shorter runtime = more showings = more tickets sold per screen per day. Even 10 minutes can be the difference between 4 showings/day vs 5.
Superman's 2h10m is the golden zone, long enough to feel like a blockbuster, short enough to maximize rewatch efficiency. It can fit into after-work time slots, matinees, and has room for repeat viewings on weekdays.
Meanwhile Infinity Castle has a 2h35m runtime. That's exactly the kind of thing theaters HATE unless you’re guaranteeing Avatar or Endgame-level returns. For an anime movie with diminishing returns post-Mugen Train and isn't even a finale? That's a liability, not a flex.
So no, this isn't a "switch-up." It's just called understanding how theaters work, something you clearly don't. You're trying to treat theatrical box office like you're timing YouTube videos. Sit down, shut up, and stop embarrassing yourself with these baby-tier arguments.
7/11/2025, 7:20:30 PM
Don't worry, Clovercuck. I'll post again and again just to take the piss on you and because I can do whatever the fuck I want, faggot janitor.
>>280467884
Shut the hell up, Kagurabachifag. Nobody gives a shit about your great value "John Wick but in Japan."
>>280467959
Those 20 minutes are ABSOLUTELY killer in theatrical terms. You're not watching a movie at home. You're fitting it into a tight schedule of daily showtimes.
>Theaters need buffer time between screenings: cleanup, ads, seating, trailers, etc
>A 2h10m movie with trailers = ~2h35m total screen occupancy.
>A 2h35m movie with trailers = ~3h+ screen occupancy.
That's 1-2 fewer showings per day on average. Multiply that across hundreds of screens, and you've just slashed your earnings potential significantly. Money talks above all. A shorter runtime = more showings = more tickets sold per screen per day. Even 10 minutes can be the difference between 4 showings/day vs 5.
Superman's 2h10m is the golden zone, long enough to feel like a blockbuster, short enough to maximize rewatch efficiency. It can fit into after-work time slots, matinees, and has room for repeat viewings on weekdays.
Meanwhile Infinity Castle has a 2h35m runtime. That's exactly the kind of thing theaters HATE unless you’re guaranteeing Avatar or Endgame-level returns. For an anime movie with diminishing returns post-Mugen Train and isn't even a finale? That's a liability, not a flex.
So no, this isn't a "switch-up." It's just called understanding how theaters work, something you clearly don't. You're trying to treat theatrical box office like you're timing YouTube videos. Sit down, shut up, and stop embarrassing yourself with these baby-tier arguments.
>>280467884
Shut the hell up, Kagurabachifag. Nobody gives a shit about your great value "John Wick but in Japan."
>>280467959
Those 20 minutes are ABSOLUTELY killer in theatrical terms. You're not watching a movie at home. You're fitting it into a tight schedule of daily showtimes.
>Theaters need buffer time between screenings: cleanup, ads, seating, trailers, etc
>A 2h10m movie with trailers = ~2h35m total screen occupancy.
>A 2h35m movie with trailers = ~3h+ screen occupancy.
That's 1-2 fewer showings per day on average. Multiply that across hundreds of screens, and you've just slashed your earnings potential significantly. Money talks above all. A shorter runtime = more showings = more tickets sold per screen per day. Even 10 minutes can be the difference between 4 showings/day vs 5.
Superman's 2h10m is the golden zone, long enough to feel like a blockbuster, short enough to maximize rewatch efficiency. It can fit into after-work time slots, matinees, and has room for repeat viewings on weekdays.
Meanwhile Infinity Castle has a 2h35m runtime. That's exactly the kind of thing theaters HATE unless you’re guaranteeing Avatar or Endgame-level returns. For an anime movie with diminishing returns post-Mugen Train and isn't even a finale? That's a liability, not a flex.
So no, this isn't a "switch-up." It's just called understanding how theaters work, something you clearly don't. You're trying to treat theatrical box office like you're timing YouTube videos. Sit down, shut up, and stop embarrassing yourself with these baby-tier arguments.
7/11/2025, 5:30:05 PM
I'll post this again because I fucking and I am too strong to be banned. You can eat dick and die, faggot ass janitor. I'll still get the last laugh.
>>280467884
Shut the hell up, Kagurabachifag! Nobody gives a shit about your great value "John Wick but in Japan."
>>280467959
Those 20 minutes are ABSOLUTELY killer in theatrical terms. You're not watching a movie at home. You're fitting it into a tight schedule of daily showtimes.
>Theaters need buffer time between screenings: cleanup, ads, seating, trailers, etc
>A 2h10m movie with trailers = ~2h35m total screen occupancy.
>A 2h35m movie with trailers = ~3h+ screen occupancy.
That's 1-2 fewer showings per day on average. Multiply that across hundreds of screens, and you've just slashed your earnings potential significantly. Money talks above all. A shorter runtime = more showings = more tickets sold per screen per day. Even 10 minutes can be the difference between 4 showings/day vs 5.
Superman's 2h10m is the golden zone, long enough to feel like a blockbuster, short enough to maximize rewatch efficiency. It can fit into after-work time slots, matinees, and has room for repeat viewings on weekdays.
Meanwhile Infinity Castle has a 2h35m runtime. That's exactly the kind of thing theaters HATE unless you’re guaranteeing Avatar or Endgame-level returns. For an anime movie with diminishing returns post-Mugen Train and isn't even a finale? That's a liability, not a flex.
So no, this isn't a "switch-up." It's just called understanding how theaters work, something you clearly don't. You're trying to treat theatrical box office like you're timing YouTube videos. Sit down, shut up, and stop embarrassing yourself with these baby-tier arguments.
>>280467884
Shut the hell up, Kagurabachifag! Nobody gives a shit about your great value "John Wick but in Japan."
>>280467959
Those 20 minutes are ABSOLUTELY killer in theatrical terms. You're not watching a movie at home. You're fitting it into a tight schedule of daily showtimes.
>Theaters need buffer time between screenings: cleanup, ads, seating, trailers, etc
>A 2h10m movie with trailers = ~2h35m total screen occupancy.
>A 2h35m movie with trailers = ~3h+ screen occupancy.
That's 1-2 fewer showings per day on average. Multiply that across hundreds of screens, and you've just slashed your earnings potential significantly. Money talks above all. A shorter runtime = more showings = more tickets sold per screen per day. Even 10 minutes can be the difference between 4 showings/day vs 5.
Superman's 2h10m is the golden zone, long enough to feel like a blockbuster, short enough to maximize rewatch efficiency. It can fit into after-work time slots, matinees, and has room for repeat viewings on weekdays.
Meanwhile Infinity Castle has a 2h35m runtime. That's exactly the kind of thing theaters HATE unless you’re guaranteeing Avatar or Endgame-level returns. For an anime movie with diminishing returns post-Mugen Train and isn't even a finale? That's a liability, not a flex.
So no, this isn't a "switch-up." It's just called understanding how theaters work, something you clearly don't. You're trying to treat theatrical box office like you're timing YouTube videos. Sit down, shut up, and stop embarrassing yourself with these baby-tier arguments.
Page 1