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!!dgzHFP7tdu4/a/280854446#280864596
7/24/2025, 8:22:22 AM
>>280857086
Here's that bit from that article.
"I am afraid I have brought a page with quite a few spoilers. I'm sorry if there are people who haven't read it yet (I don't think there are any by now...). This is a page from Kyokai no RINNE volume 21, chapter 4. The man on the left is called "Nasuo" in the story. As you can probably guess, he is a character who appears only in this chapter. His appearance is naturally a key point in the story.
In the meeting stage of our planning, we talked about how we could keep this appearance hidden from the reader until the end of the story. It was almost the middle of summer, Obon was approaching, and I had hung my straw hat on a hanger at her house. Sensei saw the hat and came up with the idea of having "Eggplant Man" wear the hat, which led me to the idea of hiding his distinctive contours.
I've heard that director Hayao Miyazaki "creates works in a world within a radius of 3 meters", and I've come to realize that this is something he has in common with Takahashi-sensei. Perhaps all geniuses are like this...
This may be a bit of a meander, but the title of this chapter is "Eggplant Romance". The title is a reference to the bath salts in which the gravure idol "Fumin" (ask your father if you don't know the name) appeared in commercials for in the '90's. [20] The power of the title is amazing, and it left a very strong impression on me.
Kyokai no RINNE 3rd editor - Masato Itaya (板谷真人)
Takahashi: I liked "Eggplant Romance" quite a bit too. Not just on this chapter, but Itaya-san is very good at expanding the storylines which really helped me."
Here's that bit from that article.
"I am afraid I have brought a page with quite a few spoilers. I'm sorry if there are people who haven't read it yet (I don't think there are any by now...). This is a page from Kyokai no RINNE volume 21, chapter 4. The man on the left is called "Nasuo" in the story. As you can probably guess, he is a character who appears only in this chapter. His appearance is naturally a key point in the story.
In the meeting stage of our planning, we talked about how we could keep this appearance hidden from the reader until the end of the story. It was almost the middle of summer, Obon was approaching, and I had hung my straw hat on a hanger at her house. Sensei saw the hat and came up with the idea of having "Eggplant Man" wear the hat, which led me to the idea of hiding his distinctive contours.
I've heard that director Hayao Miyazaki "creates works in a world within a radius of 3 meters", and I've come to realize that this is something he has in common with Takahashi-sensei. Perhaps all geniuses are like this...
This may be a bit of a meander, but the title of this chapter is "Eggplant Romance". The title is a reference to the bath salts in which the gravure idol "Fumin" (ask your father if you don't know the name) appeared in commercials for in the '90's. [20] The power of the title is amazing, and it left a very strong impression on me.
Kyokai no RINNE 3rd editor - Masato Itaya (板谷真人)
Takahashi: I liked "Eggplant Romance" quite a bit too. Not just on this chapter, but Itaya-san is very good at expanding the storylines which really helped me."
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