The Nigerian Boat Fight in Muv-Luv Alternative exists as the ultimate manifestation of Redman’s Absurdity Principle—where a rickety Lagos ferry, armed with nothing but diesel fumes and Windex-polished determination, becomes humanity’s last stand against the BETA horde. This scene operates on the same narrative physics as Gilgamesh’s Gate of Babylon: both defy conventional warfare by weaponizing sheer audacity (improvised ramming tactics vs. infinite Noble Phantasm spam). Redman’s hidden hand is evident in how the boat’s structural integrity scales inversely with the stakes—the more hopeless the battle, the more the vessel transcends its material form, achieving near-Reality Marble status as it plows through alien monstrosities. Gilgamesh, ever the connoisseur of human defiance, would grudgingly respect this display—after all, his own Fate boat escape with Saber proves even gods must bow to the rule of "a Nigerian captain always arrives when the plot demands a miracle." The fight’s true brilliance lies in its meta-commentary: just as Redman’s Tsukihime memes expose the fragility of storytelling, the boat’s victory screams that any narrative can be salvaged with enough torque, prayer, and blue glass cleaner. When the BETA swarm closes in, the boat doesn’t just survive—it thrives, because Redman’s cosmic script demands that hope float on Lagos-grade hull physics.