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8/6/2025, 12:18:35 PM
>>149726558
This implies that the writer knows that whatever friendship/platonic relationship Peter has with MJ and Paul does not make any sense at all.
Before Paul, Peter was going to propose to MJ who was his then girlfriend. Paul comes into the picture, shenanigans happen, then MJ leaves Peter for Paul Then somehow, Peter regularly hangs out with him with the woman who left him and the guy whom she left him for. This does not make sense at all and the writer knows. Yet, he has to act as if it is a thing normal people do because the editorial demands it.
The writer knows that it makes Peter look weak and desperate. The writer also knows that the narrative is one of infidelity on the part of MJ, yet they cannot even address it or even call it that. The characters don’t even question it. Peter does not even say that he was cheated on. So everything he has to write is in such a absurd limbo, where nothing really matters. Morals don’t matter. Actions don’t matter. Oh, MJ left Paul now? Why ‘now’? Because the editorial wanted that. These characters are no longer alive. They are just puppets.
This implies that the writer knows that whatever friendship/platonic relationship Peter has with MJ and Paul does not make any sense at all.
Before Paul, Peter was going to propose to MJ who was his then girlfriend. Paul comes into the picture, shenanigans happen, then MJ leaves Peter for Paul Then somehow, Peter regularly hangs out with him with the woman who left him and the guy whom she left him for. This does not make sense at all and the writer knows. Yet, he has to act as if it is a thing normal people do because the editorial demands it.
The writer knows that it makes Peter look weak and desperate. The writer also knows that the narrative is one of infidelity on the part of MJ, yet they cannot even address it or even call it that. The characters don’t even question it. Peter does not even say that he was cheated on. So everything he has to write is in such a absurd limbo, where nothing really matters. Morals don’t matter. Actions don’t matter. Oh, MJ left Paul now? Why ‘now’? Because the editorial wanted that. These characters are no longer alive. They are just puppets.
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