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8/5/2025, 11:45:04 AM
>>213495631
Churchill was a retard. Harris was a hero. He didn't cause us to fight Germany, but he caused us to fight Germany properly.
>The Nazis entered this war under the rather childish delusion that they were going to bomb everyone else, and nobody was going to bomb them. At Rotterdam, London, Warsaw, and half a hundred other places, they put their rather naive theory into operation. They sowed the wind, and now they are going to reap the whirlwind.
Churchill was a retard. Harris was a hero. He didn't cause us to fight Germany, but he caused us to fight Germany properly.
>The Nazis entered this war under the rather childish delusion that they were going to bomb everyone else, and nobody was going to bomb them. At Rotterdam, London, Warsaw, and half a hundred other places, they put their rather naive theory into operation. They sowed the wind, and now they are going to reap the whirlwind.
7/6/2025, 4:29:57 PM
>>212408645
I have been holding off on the Brexit interpretation but unfortunately a pretty decent analysis of the film is the rediscovery of Britain post-Brexit (represented by the virus and subsequent excommunication of Britain from the world). You have all the historical origins of the British people making their appearance in the movie, you have the historical footage, you have the village yokels happy to continue a meaningless primitive existence in total isolation forever who stand in contrast to the starry eyed protagonist who goes on a journey to save Britain (his Mom Isla, as in the British Isles) from post-Brexit annihilation. He fails to save old Britain, but saves a miracle baby and names it Isla, the new Britain, and delivers it as a symbol to the village of what could be if they desired a real future for the nation instead of stagnation on a rock.
That is what the movie is really about but it is so distasteful of a narrative I have held off on saying it thus far. Unfortunately I can't deny it any longer, it's a fucking Brexit movie.
I have been holding off on the Brexit interpretation but unfortunately a pretty decent analysis of the film is the rediscovery of Britain post-Brexit (represented by the virus and subsequent excommunication of Britain from the world). You have all the historical origins of the British people making their appearance in the movie, you have the historical footage, you have the village yokels happy to continue a meaningless primitive existence in total isolation forever who stand in contrast to the starry eyed protagonist who goes on a journey to save Britain (his Mom Isla, as in the British Isles) from post-Brexit annihilation. He fails to save old Britain, but saves a miracle baby and names it Isla, the new Britain, and delivers it as a symbol to the village of what could be if they desired a real future for the nation instead of stagnation on a rock.
That is what the movie is really about but it is so distasteful of a narrative I have held off on saying it thus far. Unfortunately I can't deny it any longer, it's a fucking Brexit movie.
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