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7/16/2025, 10:09:21 AM
>[4] This is how Jonas Mekas (The Village Voice, October 31, 1974) salutes the publication of The Last of the Nuba: "Riefenstahl continues her celebration—or is it a search?—of the classical beauty of the human body, the search which she began in her films. She is interested in the ideal, in the monumental." Mekas in the same paper on November 7, 1974: "And here is my own final statement on Riefenstahl's films: If you are an idealist, you'll see idealism in her films; if you are a classicist, you'll see in her films an ode to classicism; if you are a Nazi, you'll see in her films Nazism."
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