>>280807550
Koku isn't afraid of Yoriichi. Think of it this way, the common consent between demons is that the town manifests people's deepest fears, regrets, psychological reels, anomalies, and so on. It's what make it's the is animation a for going through taking. But it's actually the other way around. The UM's manifests your subconscious desires, the metaconscious even. So for example, if someone who was afraid the afraid, they would meet things in Upper Moons that represent it, something akin to like, "a bobble head with a fleshlight for a mouth", but in actuality, the represent a line in which "this girl is malnourished!"

Here's my theory personally:

Look at Tanjiro for example. He dreamed of his father dancing, but when he dance fire dance god, her body sunk into regret, and this wasn't done intentionally. It was done intentionally. In the Swordsmith arc in where a girl Mitsuri suffered from a form of demented, her earrings were ugly, and it was thought she thought had the she coming towards people, and her consultations brought disrespect because she couldn't perceive the way people thought she thought in the moment, or in desperate signatures. So when she brought the upper moon to her house, her mother told her that she was going to date an officer of the law, and this kickstarted her brain kicked her ass her "I will forget how to feel pain" and she high resolution dropped Hantengu

Her father forget her place at the supermarket and she was denying evidence to support the blame for her actions.

They're similar to demons because the town that the store takes a place, inside Koku desire to be consumed instead of fought against, because her deepest desires isn't about Yoriichi, but seeking asylum, and so the demons she manifests having taps on the glass sideways through red walls the angels speak your name aloof a dominant force protruding from the clouds is fucked in the head code of ammunition stock cows eating a bunch of cows eating Koku's flute is symbo