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7/5/2025, 11:27:07 AM
>>23367305
I wasn't going to reply to this thread yesterday.
Giving the soundtrack a score of 10 out of 10 weakens your overall case. I a bit surprised you didn't think to not resort to hyperbole.
The soundtrack doesn't sound distinct at all from several anime soundtracks (industry wide) post-Sawano. Terui might as well have subbed in some songs from a few other things he worked on - even more, he might as well have used other contemporary composers' music, seeing as how so many of them ape each other nowadays.
Before you start listing "major" tracks, a few standout tracks do not a good soundtrack make.
I despise the thought that exceptions make the rule. It's like you don't remember what critical thinking skills your formal education taught you.
I_006A is the only thing that will remain iconic 10+ years from now.
I_004 just sounds like Sawanoshit that could've been used in Unicorn, NT, Hathaway, etc. etc. etc.
There is no melodic or harmonic consistency.
Despite all being composed by Saegusa, Zeta sounds like Zeta, ZZ like ZZ, CCA like CCA, etc.
Kawai sounds like himself across all anime post-Innocence, but he still made 00 sound distinctly like itself through strong motifs and melodies.
Tanaka had the chance to work on two separate productions, but G doesn't sound like 08th MS Team, nor do they sound like Hyouka.
Sahashi used his signature trumpeter-friend and soprano-friend for SEED (ex. Ultraman Gaia, FMP, The Big O, etc.), but still colored its soundtrack in such a way that is simply unique to both him and the entire anime industry.
You intuitively understand why, even if you don't understand music theory.
People instantly recognized https://youtu.be/3a0ulHGyplQ?t=68
I'm not satisfied with what I wrote here because "to engage in music-posting is a fool's game" (I willingly acknowledge this),
but I cannot see that you gave GQuX's soundtrack a TEN OUT OF TEN,
against the storied music history of this great franchise that is Gundam, and say nothing.
I wasn't going to reply to this thread yesterday.
Giving the soundtrack a score of 10 out of 10 weakens your overall case. I a bit surprised you didn't think to not resort to hyperbole.
The soundtrack doesn't sound distinct at all from several anime soundtracks (industry wide) post-Sawano. Terui might as well have subbed in some songs from a few other things he worked on - even more, he might as well have used other contemporary composers' music, seeing as how so many of them ape each other nowadays.
Before you start listing "major" tracks, a few standout tracks do not a good soundtrack make.
I despise the thought that exceptions make the rule. It's like you don't remember what critical thinking skills your formal education taught you.
I_006A is the only thing that will remain iconic 10+ years from now.
I_004 just sounds like Sawanoshit that could've been used in Unicorn, NT, Hathaway, etc. etc. etc.
There is no melodic or harmonic consistency.
Despite all being composed by Saegusa, Zeta sounds like Zeta, ZZ like ZZ, CCA like CCA, etc.
Kawai sounds like himself across all anime post-Innocence, but he still made 00 sound distinctly like itself through strong motifs and melodies.
Tanaka had the chance to work on two separate productions, but G doesn't sound like 08th MS Team, nor do they sound like Hyouka.
Sahashi used his signature trumpeter-friend and soprano-friend for SEED (ex. Ultraman Gaia, FMP, The Big O, etc.), but still colored its soundtrack in such a way that is simply unique to both him and the entire anime industry.
You intuitively understand why, even if you don't understand music theory.
People instantly recognized https://youtu.be/3a0ulHGyplQ?t=68
I'm not satisfied with what I wrote here because "to engage in music-posting is a fool's game" (I willingly acknowledge this),
but I cannot see that you gave GQuX's soundtrack a TEN OUT OF TEN,
against the storied music history of this great franchise that is Gundam, and say nothing.
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