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It occurs to me now that Something and Omori both might be Sunny's 4th and 5th fears/phobias of what happened on recital morning and of being alone respectively. And also since that Omori being his younger self is literally him not being able to move on and understand what happened better than he did at 12 you could say he represents being trapped in immature, "black and white" thinking, if you would (lol. Lmao, even, im so funny). But yeah I think the fact we never see the friends' reactions or exactly what happened afterward might be an appropriate ending- he didn't get to know that either, only that he couldn't let them spend their lives accepting a lie he allowed them to suffer through. His childhood and days in Faraway had to end and whether or not they would forgive him this is how it'd happen. Like the ending of Sopranos, kind of. Spoilers for The Sopranos, old tv series about an old unrepentant jackass italian mob boss, but in the ending for it: The lead, Tony, is going to a diner to eat with his wife and kids, thinking he killed off and eluded all his enemies at long last, but gets an oddly drawn out scene waiting for his family to finish arriving, with focus on randos looking at him as people go in and out of the restaurant... Then as someone comes in and he looks up, it cuts to black. Dead silence. Music gone. Nothing, then credits. People point out hints he may have died then that were foreshadowed from earlier, but it was also pointed out that us not knowing was the point: Tony himself would never get to know how his death would happen, just paranoid that it could happen at any moment, and this was as good as it could get for him because of how he chose to live. Though I guess I'd hold out more hope for Sunny to change for the better than I would for old Tony Soprano.
Thank you for liveblogs anon
waka