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7/12/2025, 7:38:21 AM
>>24542371
RR isn't nearly as big as the other two domains though. It might have to do with culture or simply the writers, but RR and webnovels in general don't occupy as expansive a role in the west as they do in the east.
The tagging system in RR is very lacking. Also, I think it lacks a definitive monetary system? Part of what makes Novelpia/Kakao and Qidian work are the site's inbuilt chapter paywall function and sophisticated algorithm. From what I've heard people are just soldering patreon onto their works for a paywall which isn't the same at all.
Thanks for the reccs. Especially the dragon novel one. Dragons are a refined taste.
Yeah chinese works are really bad in general. I never came down from the Lord in Mysteries high which is probably what keeps me warm on this cold and dark journey. They can be the most fun though - of the trio, chinese works are generally the most creative while being the most low quality at the same time. I've never really seen one nail an ending besides Lord of Mysteries.
What makes it worth the grind is stumbling across uniquely flavorful works like 異獸迷城 [Strange Beast City] or 我变成了女精灵 [I became an elf]
Of course, both of these suffer the same curse that ever chinese novel has despite their brilliance - the ending is unsatisfying or ambiguous.
Korean novels are strange. They're usually middling or just plain bad, but their average score is better than the other two. They took the japanese's method of mass production and refined it but at the same time lack the occasional bursts of genius that the other two have. They have the best slop and most interesting/appealing works but the lowest ceiling for quality, if that makes sense. They also suck at endings.
The japanese are going through a rough patch right now. I swear i've read the same story ten times despite having the different titles. They generally have the best endings though. They have the highest writing quality of the three but the lamest general works. Though this might just be a crutch, as they seem to follow a very strict formula and reference so that their chances of making mistakes are generally lessened thus leading to the illusion of better quality when its really just plagiarism. They have the best masters, though, if you count light novels. China is nothing without LoM but japan has Urasekai Picnic, Highserk Saga, Konosuba, etc etc.
RR isn't nearly as big as the other two domains though. It might have to do with culture or simply the writers, but RR and webnovels in general don't occupy as expansive a role in the west as they do in the east.
The tagging system in RR is very lacking. Also, I think it lacks a definitive monetary system? Part of what makes Novelpia/Kakao and Qidian work are the site's inbuilt chapter paywall function and sophisticated algorithm. From what I've heard people are just soldering patreon onto their works for a paywall which isn't the same at all.
Thanks for the reccs. Especially the dragon novel one. Dragons are a refined taste.
Yeah chinese works are really bad in general. I never came down from the Lord in Mysteries high which is probably what keeps me warm on this cold and dark journey. They can be the most fun though - of the trio, chinese works are generally the most creative while being the most low quality at the same time. I've never really seen one nail an ending besides Lord of Mysteries.
What makes it worth the grind is stumbling across uniquely flavorful works like 異獸迷城 [Strange Beast City] or 我变成了女精灵 [I became an elf]
Of course, both of these suffer the same curse that ever chinese novel has despite their brilliance - the ending is unsatisfying or ambiguous.
Korean novels are strange. They're usually middling or just plain bad, but their average score is better than the other two. They took the japanese's method of mass production and refined it but at the same time lack the occasional bursts of genius that the other two have. They have the best slop and most interesting/appealing works but the lowest ceiling for quality, if that makes sense. They also suck at endings.
The japanese are going through a rough patch right now. I swear i've read the same story ten times despite having the different titles. They generally have the best endings though. They have the highest writing quality of the three but the lamest general works. Though this might just be a crutch, as they seem to follow a very strict formula and reference so that their chances of making mistakes are generally lessened thus leading to the illusion of better quality when its really just plagiarism. They have the best masters, though, if you count light novels. China is nothing without LoM but japan has Urasekai Picnic, Highserk Saga, Konosuba, etc etc.
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