The title cut, in which the lead singer is so decadent as to copulate with a woman, is almost as sexist as the rape fantasy on the cover of Roger Waters's The Pros and Cons of Hitchhiking, while "Dogs of War", i.d.ed with blues bottom, could just as easily be the tin soldiers of Waters's The Final Cut. In short, you'd never know the group's conceptmaster was gone, except that they put out noticeably fewer ideas. C