Search Results
7/13/2025, 11:06:03 AM
>>280508408
>The entire persona of Hayao Miyazaki that the West has created from fake statements, made-up assumptions, misunderstandings and blatant lies
>Everything that has to do with "budget" and the process of the animation/manga industry in general
>What lolicon even means and its history
>What moe even means and its history
>Miura stopped working because he became obsessed with Idolm@ster
>What seinen, shounen, shoujo etc etc even mean in the context of manga
>The Ghost Stories USA gag dub fiesta
>Manga/anime with a lot of American/European influences that is popular in the West was not liked in Japan because it wasn't Japanese enough
>That "studios" are a monolith and not (for the most part, rare exceptions notwithstanding) a financial/managerial entity and 80% of people that work in anime (animators, directors etc) are freelancers
>Manga/anime isn't political or has little references to the real life contemporary political and social discourse
>Mamoru Oshii was a Christian that lost his faith and thus made Tenshi No Tamago
>Almost everything that has to do with what otaku are, do and the history of such diverse micro-subculture
>every time something is called a deconstruction of an anime/manga genre
>Madoka killed the mahou shoujo
>Akira is animated at 24 FPS of full animation (instead of, you know, each cut having proper timing)
>Redline took 7 years to animate
>almost everything about mecha and its history
>Gunbuster was in black & white for lack of budget
>The entire persona of Hayao Miyazaki that the West has created from fake statements, made-up assumptions, misunderstandings and blatant lies
>Everything that has to do with "budget" and the process of the animation/manga industry in general
>What lolicon even means and its history
>What moe even means and its history
>Miura stopped working because he became obsessed with Idolm@ster
>What seinen, shounen, shoujo etc etc even mean in the context of manga
>The Ghost Stories USA gag dub fiesta
>Manga/anime with a lot of American/European influences that is popular in the West was not liked in Japan because it wasn't Japanese enough
>That "studios" are a monolith and not (for the most part, rare exceptions notwithstanding) a financial/managerial entity and 80% of people that work in anime (animators, directors etc) are freelancers
>Manga/anime isn't political or has little references to the real life contemporary political and social discourse
>Mamoru Oshii was a Christian that lost his faith and thus made Tenshi No Tamago
>Almost everything that has to do with what otaku are, do and the history of such diverse micro-subculture
>every time something is called a deconstruction of an anime/manga genre
>Madoka killed the mahou shoujo
>Akira is animated at 24 FPS of full animation (instead of, you know, each cut having proper timing)
>Redline took 7 years to animate
>almost everything about mecha and its history
>Gunbuster was in black & white for lack of budget
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