>>7653028
looks great anon
good character acting
very nice

>>7653344
The blue hind leg should reach past the brown one on contact
its angled in such a way that the blue hind leg's contact merges into the blue fornt leg's left

>>7653425
>https://litter.catbox.moe/np7r97tgy93hh4s4.mp4
link died i missed this : (

>>7657652
let me share a secret with you
the pass pose is actually the true highest pose and the contact is the true lowest frme
RIchard William's keys are for characters that are carrying significant weight
hence it feels off when applied to armless figures

>>7657683
>>7657734
well done anon
at this point why aren't you investing into a PC already?
i think the tablet's gonna bottleneck you from getting too crazy with tweening

>>7657775
the secret with deciding the number of drawings is understanding what speed your character is moving at
slow is expensive and fast is cheap
the brain can fill in the gaps from one drastic pose to another as incredibly fast motion
but the anticipation/follow through/secondary action that eats up the frame count budget
watch FLCL if you wanna see the masters at work at a super tight frame budget it's glorious

>>7658547
hey hey now you don't need to put down one thing to elevate another that's a flawed thought process
2-d animation being a feat of expertise is true statement completely independant of whether tweening is easy or not (it ain't you're not giving it enough credit)
the peak of tweening i'd put would be minus8 and i cannot for the life of me imagine anyone achieving that output and art style 2d traditional animation