>prayer
Orchestrator of fine sinew and larynx
Lands’sphinx-riddlescreate a tune
Light-beasts anew have now sprung from mound
Of rune and rhythm warring past-ground
Let each note expand, worlding from sound
In each rhyme, friends, since hidden, visit soon
To carve out schism between orb and lune
Separate and combine each sound till noon

>ritual component
something i do sometimes is chant ‘hem ish dai weh’ relatively quickly. i do this 108 times to help build some focus. i am not sure if this many is necessary and ive been thinking of ways of diversifying chants by incorporating more names

>enannah vs hidweh
the theme of “goal-released engagement” is somewhat elusive, but is worth keeping in mind for the whole dynamics at play. the picture i imagine while thinking this phrase is that of a shooter internally planning all of the areas he is going to shoot before passing this information into his body and executing

if we get more philosophical though we can see another point of distinction here. when plato talks about ‘eidos’ there are different ways to translate this idea. the typical way of doing this would be “form”. another way might be idea. in both of these notions, form seem very metaphysically substantial entities. the ontology here is one of idealism, and indeed the essence of the hidweh project is consonant with objective idealism (a la schelling and goethe) in many ways. there is however another way of translating ‘eidos’ though and this is as “blueprint” or “paradigm”. eric pearl talks about this