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4/14/2025, 8:48:31 PM
>>8556609
Is it just me that prefers there *not* to be some kind of superpower or item as the basis for BISHOP protagonists? From what I remember a superpower or item being in play in a BISHOP title means no helper heroine at all, since that requires *past* subjugation that would have taken place without the superpower or item, and that undermines the narrative angle BISHOP would advertise with the game’s premise. I feel that BISHOP’s whole subjugation schtick is better served if the protagonist is using practical means, manipulation, blackmail, cunning, or the occasional brute force attack coupled with extreme depravity to capture, rape, and break the heroines. Or at the very least, the power should play a supplemental role, not the only and primary reason the protagonist is able to get away with it undetected. This might not be the best descriptor, but that feels more tense and “earned effort” for the protagonist.
But I will also say that I feel like it’s more in-character for the standard BISHOP protagonist to use their superpower or item on someone other than the helper, because if the helper was subjugated through regular means they’d want to try it on a blank canvas as a trial run, not an already finished painting.
I’m totally with you for more helper heroine scenes though. Ideally solo scenes where she has her own tract of development, but I also think it’d be interesting if she would play an active role in some of the sex scenes of more than one heroine, with bonus points for if they’re a good actor in pretending like they’re being raped to speed up the despair of the heroine. Takatsu Narumi’s big role in the route of Amagi Hatsune in Sansha Mendan and her presence in the initial sex scenes comes to mind - that basic concept can be expanded greatly.
Is it just me that prefers there *not* to be some kind of superpower or item as the basis for BISHOP protagonists? From what I remember a superpower or item being in play in a BISHOP title means no helper heroine at all, since that requires *past* subjugation that would have taken place without the superpower or item, and that undermines the narrative angle BISHOP would advertise with the game’s premise. I feel that BISHOP’s whole subjugation schtick is better served if the protagonist is using practical means, manipulation, blackmail, cunning, or the occasional brute force attack coupled with extreme depravity to capture, rape, and break the heroines. Or at the very least, the power should play a supplemental role, not the only and primary reason the protagonist is able to get away with it undetected. This might not be the best descriptor, but that feels more tense and “earned effort” for the protagonist.
But I will also say that I feel like it’s more in-character for the standard BISHOP protagonist to use their superpower or item on someone other than the helper, because if the helper was subjugated through regular means they’d want to try it on a blank canvas as a trial run, not an already finished painting.
I’m totally with you for more helper heroine scenes though. Ideally solo scenes where she has her own tract of development, but I also think it’d be interesting if she would play an active role in some of the sex scenes of more than one heroine, with bonus points for if they’re a good actor in pretending like they’re being raped to speed up the despair of the heroine. Takatsu Narumi’s big role in the route of Amagi Hatsune in Sansha Mendan and her presence in the initial sex scenes comes to mind - that basic concept can be expanded greatly.
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