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6/17/2025, 7:40:33 PM
>>279749052
You really haven't made any point either. I don't see how Onimai relates to the conversation other than avatarfagging.
But you know what, let's see this a bit more in-depth since you refuse to give an opinion besides "new good, old bad" like a fucking retard.
>>279748987 has a pretty solid panelling composition with that diagonal setup that gets slapped down from top left to bottom left. This is probably the highlight. There is also the way the ball drives the reader's eye towards that point that helps a lot with it. That circular effect on panel 2 also conveys a good sense of speed.
That's kind of about it. The last 2 big panels (the ball being smashed) aren't very clear, the sense of perspective is weird, the actual technical execution of these isolated panels isn't particularly great. They remain clear because of decent color composition (lots of empty space and good balance of blacks vs whites). The speed of the ball in that panel is also not well depicted and it just feels kinda slow.
So all in all, decent panel for me, but more than that, I don't really see how it would be easily compared to fight choreography posted in this thread, these are pretty different tasks and one spread is a pretty shitty way to assess that in the first place. You could at least have posted an entire scene to give some more insight about what works and what doesn't.
You really haven't made any point either. I don't see how Onimai relates to the conversation other than avatarfagging.
But you know what, let's see this a bit more in-depth since you refuse to give an opinion besides "new good, old bad" like a fucking retard.
>>279748987 has a pretty solid panelling composition with that diagonal setup that gets slapped down from top left to bottom left. This is probably the highlight. There is also the way the ball drives the reader's eye towards that point that helps a lot with it. That circular effect on panel 2 also conveys a good sense of speed.
That's kind of about it. The last 2 big panels (the ball being smashed) aren't very clear, the sense of perspective is weird, the actual technical execution of these isolated panels isn't particularly great. They remain clear because of decent color composition (lots of empty space and good balance of blacks vs whites). The speed of the ball in that panel is also not well depicted and it just feels kinda slow.
So all in all, decent panel for me, but more than that, I don't really see how it would be easily compared to fight choreography posted in this thread, these are pretty different tasks and one spread is a pretty shitty way to assess that in the first place. You could at least have posted an entire scene to give some more insight about what works and what doesn't.
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