>>280893601
I often wonder why writers usually stay in the safe "teasing romance" plot segments and don't venture themselves more into the post-confession part: love declared, relationship setting and possible issues, living together, helping secondary romantic subplots, dealing with an outside context problem as a couple. You have a lot of situations to exploit as a writer, and if even a casual scrub lurker reader like me who hasn't write shit in his life can notice that, how can they not?
Is it really that hard, are the editors pressuring to mantain the tease to improve sales and hint at an anime adaptation, etc?
i don't want to mention Jitsu Wa Watashi Wa as an example again, but i can't remember many other romcoms that actually adressed these points as well