>As a Bach pianist, Maria Tipo’s tempo fluctuations, tapered phrases, bottomless palette of tone colors, voluminous pedal effects, and restless pursuit of inner voices (real, implied, and imaginary) will send purists begging for mercy. Even in hyphenated Bach (Busoni’s Chaconne and the mighty St. Anne’s Prelude and Fugue, or Myra Hess’ “Jesu, Joy of Man’s Desiring”), Tipo makes dyed-in-the-wool Romantic Bach players like Edwin Fischer or Samuel Feinberg sound like Helmut Walcha.

kek based

https://www.youtube.com/watch?v=bvBkhUDy7Po&list=OLAK5uy_kgIDgCo9-Y3Ge_qzbkY8rpRQ42556UyYU&index=36