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7/13/2025, 10:02:54 PM
>>7644818
>He has the goal of "crying about not knowing how to pet the dog". That's his aspiration.
You presume this with no evidence.
>Invest more of her time into him, the guy she just met? She owes nothing to him.
She has in fact LOST through this interaction. Because she knows Howie mopes around, any time she sees him - which can be in that same park - she will have her mood tarnished and potentially lose access to that spot. Even if she never sees him again, that spot is forever fucked in her head as "the place where some retard threw a tantrum" - and maybe she might recognize her part in that interaction.
It has produced a worse result overall to simply REFUSE to modulate her teaching down to a level like the other anon explained, with extremely basic physical descriptions and motion.
>If he was serious and passionate about learning to pet dogs, her help would be a great boon and he would achieve the goal
No, the only way her "help" would have helped him would be if he KNEW HOW and simply was too AFRAID TO TRY. That is the problem. A lot of artists are simply afraid to try, and some advice like "just do it" works for them. You feel good for helping someone with minimal effort.
But others are quite literally missing ultra foundational, often PHYSICAL skills that severely impede their ability to do anything. They DO try, they just lack the groundwork to understand why their trying fails.
Pic somewhat related. Chris Chan has a LOT OF FUCKING PROBLEMS but one of the reasons his art specifically is terrible is because, quite simply, his drawing posture for his body and hand is all fucked up.
I tried that grip out of curiosity - you know what it does? It allows you to death grip the pencil without straining your wrist. That's why he does it. If you stumbled upon someone who (not as deranged) also holds an implement in a similar stupid fashion, then you would need to help figure out WHY they are trying to death grip the pencil and correct THAT. Deeper shit.
>He has the goal of "crying about not knowing how to pet the dog". That's his aspiration.
You presume this with no evidence.
>Invest more of her time into him, the guy she just met? She owes nothing to him.
She has in fact LOST through this interaction. Because she knows Howie mopes around, any time she sees him - which can be in that same park - she will have her mood tarnished and potentially lose access to that spot. Even if she never sees him again, that spot is forever fucked in her head as "the place where some retard threw a tantrum" - and maybe she might recognize her part in that interaction.
It has produced a worse result overall to simply REFUSE to modulate her teaching down to a level like the other anon explained, with extremely basic physical descriptions and motion.
>If he was serious and passionate about learning to pet dogs, her help would be a great boon and he would achieve the goal
No, the only way her "help" would have helped him would be if he KNEW HOW and simply was too AFRAID TO TRY. That is the problem. A lot of artists are simply afraid to try, and some advice like "just do it" works for them. You feel good for helping someone with minimal effort.
But others are quite literally missing ultra foundational, often PHYSICAL skills that severely impede their ability to do anything. They DO try, they just lack the groundwork to understand why their trying fails.
Pic somewhat related. Chris Chan has a LOT OF FUCKING PROBLEMS but one of the reasons his art specifically is terrible is because, quite simply, his drawing posture for his body and hand is all fucked up.
I tried that grip out of curiosity - you know what it does? It allows you to death grip the pencil without straining your wrist. That's why he does it. If you stumbled upon someone who (not as deranged) also holds an implement in a similar stupid fashion, then you would need to help figure out WHY they are trying to death grip the pencil and correct THAT. Deeper shit.
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