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6/15/2025, 11:32:22 AM
>>23321633
(2/2)
>So I get the storyline from our liaison lady for the Turn X, and she said “this is crazy! This thing all comes apart and then goes back together again. The arms come off as fighter ships, and the legs come off; the thing that remains is the control center at the head and upper thorax.” I thought “well that’s really weird.” I was trying to think how do you lock and unlock the arm? I came up with a six-pronged thing, with three on each to lock together. So I fly over to Tokyo and I’m in the Akasaka Prince in my suite, and in about 10 days or so I did about 110 sketches of this Turn X and how it locked together and how it was supposed to look in scale to people and all that. So that goes into production, and when it was all over we had a wrap party in the suite. And then we went down to Izu, about 10 of us, on a celebration trip at a mountain inn. We had a kaiseki dinner, tables from here to that glass window, about 6-7 meters long. We had course after course after course and a big bottle of sake. It was a fantastic time. Then all the guys had a soaking hot water bath and went to bed. I woke up the next morning and I’m still thinking about the final details of this Turn X… I throw open the windows in my room and the whole mountainside was pink — it was sakura time. So I took a piece of paper and sketched all the final details of the Turn X. The finished details were really done under the inspiration of this pink mountainside of cherry blossoms.
(2/2)
>So I get the storyline from our liaison lady for the Turn X, and she said “this is crazy! This thing all comes apart and then goes back together again. The arms come off as fighter ships, and the legs come off; the thing that remains is the control center at the head and upper thorax.” I thought “well that’s really weird.” I was trying to think how do you lock and unlock the arm? I came up with a six-pronged thing, with three on each to lock together. So I fly over to Tokyo and I’m in the Akasaka Prince in my suite, and in about 10 days or so I did about 110 sketches of this Turn X and how it locked together and how it was supposed to look in scale to people and all that. So that goes into production, and when it was all over we had a wrap party in the suite. And then we went down to Izu, about 10 of us, on a celebration trip at a mountain inn. We had a kaiseki dinner, tables from here to that glass window, about 6-7 meters long. We had course after course after course and a big bottle of sake. It was a fantastic time. Then all the guys had a soaking hot water bath and went to bed. I woke up the next morning and I’m still thinking about the final details of this Turn X… I throw open the windows in my room and the whole mountainside was pink — it was sakura time. So I took a piece of paper and sketched all the final details of the Turn X. The finished details were really done under the inspiration of this pink mountainside of cherry blossoms.
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