>Even the 2000 classic generation, which was considered weak, managed to save face by winning several G1s by Agnes Digital, Tap Dance City, Eagle Cafe, and Zenno El Cid, but the only G1 that the classic generation in 1989 raised was won by Osaichi George. There is only one Takarazuka Kinen . All the rest of the G1 was swept away by the 1988 Classic generation, one year older (even the Australian racehorse Better Loosen Up, who won the Japan Cup, was born in 1985). Thanks to this, the 2000 classic generation is at least evaluated as weak, and the 89 classic generation is not even mentioned.[3][4] This is a generation with a perfect zero presence.
>Since 1992, he has been a stallion and produced horses that are active mainly in local horse racing. However, it did not leave any particularly outstanding descendants and was changed in use in 1999, and its [Osaichi George's] whereabouts after that are said to be unknown. It is one of the examples of the darkness of the Japanese horse racing world. Even if it is a classic generation in 1989, no matter how there is no presence, even though it is a victory of the Takarazuka Kinen G1, there is no outstanding descendants. It is usually slaughtered if it is missing after changing its use in the horse racing world.
>Osaichi George's generation is the only generation from 1983 to 2004 in Uma Musume Pretty Derby that is not even mentioned, let alone the director. The Osaichi George generation is the only one that does not come up even though there are no such external problems.
>What can only be said as a given is that in the case of Osaichi George, it symbolizes the darkness of Japanese horse racing and, by extension, the entire horse racing world, such as animal abuse , so there are many evaluations that this is an area that Uma Musume, a licensed game that is difficult to expose, cannot touch.