I don't know why I find it so strange, because they're obviously very different works, but I find it odd no one, aside from Nikolayeva, whom it was written for, who has recorded Shostakovich's 24 Preludes and Fugues has also recorded Bach's Well-Tempered Clavier. You would think there's a natural symmetry and connection there.

Anyway, came across this new (came out three months ago) recording of Shostakovich's Op. 87 that's really good, so, y'know, give it a try if interested,
https://www.youtube.com/watch?v=DF_xsNFctJc&list=OLAK5uy_m_4n-q8buY0UqpUfNZE6QCIKjtAMMN4wY&index=40

It's truly the ultimate nighttime listening.