Saw a post on /lit/ asking why the Western canon is so homoerotic, and whether there's a relationship between making good art and appreciating the beauty of the male form. Maybe there is. It would also explain why the late Baroque was the highest peak of music. Even if not all composers were gay, their looks and music certainly were, in both the new and old senses of the word. Men wore wigs, tights, heels, and the music was as pleasing to the ear as it was sensual and whimsical, yet also structurally, technically, and aesthetically complex, like infinite folds weaving through compressed time and space. The perfect fusion of pleasure and intellect.
Enjoy this piece by Telemann
https://www.youtube.com/watch?v=bbxyTa4gfbk