>>211466937Semantics, I have no argument against what you're saying, but I also don't agree entirely either.
Kind of two sides of the same coin?
I don't want all action taken out, it's just we have become so oversaturated with goyslop marvel movies they have to keep zoomers entertained by making everything bright and crazy 24/7.
That is the antithesis to tension.
If I can provide some citations musically.
Tension
>Playing a Bass E3 note while playing a Treble Gb5 note Humans can hear harmony, but also know the harmony is wrong. Providing tension.
>Speeding up or slowing down purposefully while the melody or rhythm stays the sameProvides tension, human can feel the sense we are rushing and/or dragging.
>Abrasive disharmonic noises during a beautiful written piano partProvides tension, the listener wonders why this chaos was introduced.
Now imagine a song where the entire song is just that over and over. That is what you're describing. Every fight scene is just 120% all the time.
That's the opposite of tension, since the tension has now become the norm. Meaning it is harmonic again.
Tension must have musically what's called relief to not become the norm of the song.
So in movies action cannot be going on 24/7, there is no relief from the action. there is no downtime.
Therefore zombies cannot be scary.
Any action, any tension must have an equally large amount of relief to provide a return to basis.
The antithesis to this equation in the OPPOSITE direction would be
>Tombs of The Blind Dead (night of the seagulls)Which is such a slow burn snozzfest it's basically not horror because the movie is too much tension.