Blue Velvet - /tv/ (#212298384) [Archived: 925 hours ago]

Anonymous
7/3/2025, 3:03:13 PM No.212298384
s-l1200
s-l1200
md5: a7b44d24ff49e37cd0c7234f49a133ff🔍
Thoughts? I liked it
Replies: >>212298403 >>212298513 >>212298536 >>212298618 >>212299001 >>212299144 >>212300056 >>212300136
Anonymous
7/3/2025, 3:04:20 PM No.212298403
>>212298384 (OP)
Masterpiece
Anonymous
7/3/2025, 3:04:23 PM No.212298406
i liked it too
Anonymous
7/3/2025, 3:05:10 PM No.212298420
lynchslop
Replies: >>212298457
Anonymous
7/3/2025, 3:06:06 PM No.212298437
Heineken? Fuck that shit! Pabst blue ribbon!
Anonymous
7/3/2025, 3:06:19 PM No.212298441
Absolute cinema. One of Lynch's best.
Anonymous
7/3/2025, 3:06:59 PM No.212298457
5bb2f53c4a8827e412566fa572d9b12f
5bb2f53c4a8827e412566fa572d9b12f
md5: 4de0d306c99000752adb39f8491e26c8🔍
>>212298420
Anonymous
7/3/2025, 3:07:41 PM No.212298472
An ear is one of those things you only find a few times in your life.
Anonymous
7/3/2025, 3:09:19 PM No.212298513
>>212298384 (OP)
closet scene is the only time a films given me true anxiety
Replies: >>212298562
Anonymous
7/3/2025, 3:10:30 PM No.212298536
>>212298384 (OP)
That opening frame of the flowers against the picket fence and the blue sky sold the entire movie for me.
Replies: >>212298579
Anonymous
7/3/2025, 3:11:26 PM No.212298562
>>212298513
I turned my speakers down quick but the neighbors may have heard "DADDY FUCK" or whatever a few times
Anonymous
7/3/2025, 3:12:17 PM No.212298579
>>212298536
Now invert the colors. Red background. Blue rose. Sounds familiar?
Replies: >>212298684 >>212298818 >>212299217 >>212299467
Anonymous
7/3/2025, 3:14:02 PM No.212298618
>>212298384 (OP)
Best Dennis Hopper performance by a country mile.
Anonymous
7/3/2025, 3:17:10 PM No.212298684
>>212298579
oh my god
Anonymous
7/3/2025, 3:23:27 PM No.212298818
>>212298579
I'VE BEEN LYNCHED
Anonymous
7/3/2025, 3:26:12 PM No.212298879
>The last real earthquake to hit cinema was David Lynch's BLUE VELVET—I'm sure directors throughout the film world felt the earth move beneath their feet and couldn't sleep the night of their first encounter with it back in 1986—and screens trembled again and again with diminishing aftershocks over the next decade as these picture makers attempted to mount their own exhilarating psychic cataclysms. But no one could quite match the traumatizing combination of horrific, comedic, aural, and subliminal effects Lynch rumbled out in this masterpiece—not even Lynch himself in the fun-filled years that followed before he recombined with himself to invent THE STRAIGHT STORY and MULHOLLAND DRIVE.
Based attestation.
Anonymous
7/3/2025, 3:26:44 PM No.212298892
>He put his disease in me
Anonymous
7/3/2025, 3:27:27 PM No.212298907
HOPPED
HOPPED
md5: 00163bcc5061d7882afd3eee2ef5b08a🔍
Anonymous
7/3/2025, 3:31:46 PM No.212299001
LET'S FUCK
LET'S FUCK
md5: 6042b93122f4207aa7b8f214d0014e8d🔍
>>212298384 (OP)
Not Lynch's best but my personal favourite
Anonymous
7/3/2025, 3:38:13 PM No.212299144
roger-ebert-1[1]
roger-ebert-1[1]
md5: 32ee339b30aaec378d306ca3835302af🔍
>>212298384 (OP)
Indeed, the movie is pulled so violently in opposite directions that it pulls itself apart. If the sexual scenes are real, then why do we need the sendup of the “Donna Reed Show”? What are we being told? That beneath the surface of Small Town, U.S.A., passions run dark and dangerous? Don’t stop the presses.

“Blue Velvet” is like the guy who drives you nuts by hinting at horrifying news and then saying, “Never mind.” There’s another thing. Rossellini is asked to do things in this film that require real nerve. In one scene, she’s publicly embarrassed by being dumped naked on the lawn of the police detective. In others, she is asked to portray emotions that I imagine most actresses would rather not touch. She is degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.

That’s what Bernardo Bertolucci delivered when he put Marlon Brando and Maria Schneider through the ordeal of “Last Tango in Paris.” In “Blue Velvet,” Rossellini goes the whole distance, but Lynch distances himself from her ordeal with his clever asides and witty little in-jokes. In a way, his behavior is more sadistic than the Hopper character.

What’s worse? Slapping somebody around, or standing back and finding the whole thing funny?
Replies: >>212299196 >>212299427 >>212300130
Anonymous
7/3/2025, 3:40:40 PM No.212299196
>>212299144
When he saw Blue Velvet his jaw dropped
Anonymous
7/3/2025, 3:41:44 PM No.212299217
>>212298579
i dont get it
Replies: >>212299304 >>212299607
Anonymous
7/3/2025, 3:44:19 PM No.212299277
>leeeeeeeet's fuuck!
>I'll fuck anything that moves!
>hahahaha
>*teleports behind you*
Based movie
Replies: >>212300130
Anonymous
7/3/2025, 3:45:40 PM No.212299304
>>212299217
Twin Peaks reference, if you don't understand it would be a spoiler anyway.
Anonymous
7/3/2025, 3:52:11 PM No.212299427
>>212299144
Even Rosaellini called him out Roger out and said she knew what she was getting into?
Anonymous
7/3/2025, 3:54:08 PM No.212299467
1666579441323623
1666579441323623
md5: e9ab97c3d7b0a0a9c86686b546a57cce🔍
>>212298579
Anonymous
7/3/2025, 4:01:55 PM No.212299607
>>212299217
inversion of image as inversion of ontology
Anonymous
7/3/2025, 4:22:57 PM No.212300056
IMG_6708
IMG_6708
md5: 55c253f5e279e255e5866a815d2ca54e🔍
>>212298384 (OP)
Anonymous
7/3/2025, 4:26:24 PM No.212300130
>>212299144
DON'T YOU FUCKING LOOK AT ME

>>212299277
BABY WANTS TO FUUUUUUUUCK
Anonymous
7/3/2025, 4:27:00 PM No.212300136
>>212298384 (OP)
It’s my favorite movie