>>213092653 (OP)The standard /tv/ apologist line here is to appeal to the Assembly Cut. But while the original theatrical descends into the simply incoherent when their explosive goo booby trap blows up in their faces (the editing is painfully botched most noticably in this area), the Assembly Cut ultimately fails to rescue what is an inherently bad movie. The reasons why have nothing to do with the killing off of everyone from the last movie (there's a respectable logic to this), but are more closely related to landing in the least sympathetic environment possible, with more people than ever before to not care about. Also, we're primed to have a certain amount of tech available, and if you want to change it up and strip that down to a leadworks with next to no light equipment, then you had better damn well have some interesting characters to carry the thing. It does not, and that's the central problem.
The basic costume design to have everybody bald is an incredibly poor visual/costume choice because it makes everyone fungible, indistinguishable. You insert the largest cast to date, make them all look as similar to each other as possible, and give us every reason not to care about any of them, except for one or two of them. In fact, the Assembly Cut makes at least one detail WORSE: it enhances Dillon's cynicism, and makes him, a murderer and a rapist of women, even less likable than he already was. Because it makes it clearer that he's just a cynical fuck who wants to hang on his little monastery for as long as possible, fuck everybody else. Not a totally unreasonable attitude in itself, but it doesn't quite square with christianity, or even traditional monasticism. It's a bastardized and silly thing, precisely because of how the story changed during development, from the monk thing over to the prison.
>hurr durr you want the characters to be "likable" that's not le pointYes. If I care about them then their deaths are more delicious. Otherwise it's meaningless.