>>213359446Man, Snyderverse had so much potential. Snyder aimed to craft a darker, more mature interpretation of the superhero genre in movies, much like what Frank Miller and Alan Moore accomplished in the 1980s with their seminal comic works. His vision was clear: a deconstruction of larger than life heroes, placing them in morally complex worlds that challenged traditional notions of good and evil.
In many ways, he succeeded in establishing the tone at least. Visually and atmospherically, his films captured a brooding, mythic quality that set them apart from more conventional superhero fare. There was a deliberate attempt to infuse weight and grandeur into every scene, echoing the operatic style of the classic dark graphic novels.
However, while the tone was compelling, the execution of substance fell short. The emotional and thematic depth that the visuals hinted at often lacked the necessary development to make a lasting impact. The storytelling felt dry at times, more concerned with appearing profound than actually being profound. The characters, despite being portrayed as gods among men, rarely felt fully fleshed out on a human level. Moments that should have carried emotional weight were often undercut by pacing issues or underdeveloped arcs.
In the end, he captured the "vibe" of dark, mature storytelling, but not always the "substance" that gave those stories their enduring power.