>>213365452Thank you for your thoughtful reply, although I correctly reject your conclusions. All the plot and character basics you've mentioned are well understood by all, and easily explain why they're upset, going crazy etc. The acting is just awful, all the way through, and the apocalyptic setting does nothing to redeem the film. This isn't the case for the first two (Night, Day), which have good performances.
Of course, no rational viewer agrees that any of the portrayals are "endearing" in any meaningful way. Dawn does a much better job of that (they have more time to think about their lives, is this life worth living at all. The black guy briefly entertains suicide and then decides fuck it, let's go for the chopper). Again, you could chalk this up to stress per plot basics, but when confronted with the performances in Day which convey that stress, there isn't anything endearing. The woman is (understandably) shrill, the army guys are assholes, etc. They don't have any time to do, dream or think anything to make themselves endearing, except for the getaway in the cave.
For obvious reasons, there isn't anything "enjoyable" about any of these people, another useful word to think about it. They're a bunch of assholes going crazy together, and they manage to go crazy together in such a way that no right-thinking viewer cares about any of them, or sustains any serious interest in any of them, even taking their situation (and terrible, terrible acting) into account. That's the point. Rightly understood, the enormity of the apocalypse itself overwhelms the little drama that plays out immediately before, and invalidates it, just as it invalidates /tv/'s affinity for this stupid film. The only valid reason why any of you people like it at all is because it has slightly better full-color gore than Dawn.