>>213491659 (OP)6/10, the the glowing critical reception to this is odd. Usually, even when I disagree with the critical consensus of a film, there's a distinct element, zeitgeist-resonant aspect, or eccentricity to the direction that explains why it was so warmly received. This film is just run-of-the-mill. It truly could have been called the Black Phone 2 and no one would be the wiser. It's a very traditional King-esque paranormal mystery thriller set in a small town with a rattled community.
It does the set up decently enough, showing the disaffected lives of those surrounding the event in a structured manner by way of stratified character viewpoints that gradually leads into the revelation of the Witch. This in turn however makes the build up to the finale, character by character, take so long, that the violent pay-off between characters doesn't feel particularly impressive or emotionally profound.
The film's monster, a witch, is a malefic interloper, a timeless ancient parasite that stealthily invades communities and sustains itself on the lifeforce of the young. These are classic witch tropes, and maybe Cregger had designs on social commentary with the old vs the young etc.
The monster being a witch, and a human parasite, are both blatantly foreshadowed early on, as Garner's car is defaced with the word 'Witch' by Brolin's character, and we're shown clips of the now pop-culture relevant parasitical fungus that takes control of small organisms, feeding from them and commandeering their mental faculties. Obviously in the film, the Witch, Gladys, does the same, reducing her bewitched human thralls to thoughtless tools with single-minded relentless urge to hunt their targets. They've been weaponised, as Josh Brolin points out. Brolin also sees a giant weapon, an assault rifle, in the clouds of his dream, in what I'm certain was a subtle nod to the film's underlying themes.
Regardless, Cregger clearly never had any intention on surprising you with this film.