>>213770361>>213770696yeah
by the time you learn not to make errors working with film (which is expensive, not like digital which is free) you learn a lot of other stuff too and grow as a person
no wonder the slop avalanche: even if the script is good, the director has infinity takes (of which he will probably choose the most "low risk one), the director of photography doesn't bother because it can be fixed in post-production, the color grader has some presets/LUTs from the internet to solve the case quickly and can be back to smoking weed and sucking dicks etc