>>213815976It’s obvious by the tension in the plot that they contrast two things. On one hand, it compares the harsh reality of a criminal underbelly with the stylised portrayal of violence in television. Secondly, it encodes and decodes American culture with schmaltz and surrealism. As Leo is shot, he watches a television screen flicker with a soap opera where a badass type character is in a shootout. David Lynch is commenting on how television does not necessarily create violence but creates false impressions of violence as heroism or as innately American. Leo’s shooting is gory, leads him into a coma, and is preceded by an insane ax attack against Bobby that is fruitless (the motivation of which centres around an affair between Bobby and Shelley—common to soap opera feuds). The sentimentality of a soap opera is gone; instead, we see the full force of American violence which is not stylised but horrifying. Leo is a violent rapist turned into a vegetable; Bobby finds Shelley in a hospital, suffering from the fires set by domestic abuse.