>>724758205
what the FUCK happened to japanese animation?
This kind of fluid and sharp movement was fucking everywhere decades ago, sometimes even in lower-budget highly rushed series stuff, yet nowadays i've yet to see a SINGLE modern picture that actually moves both as fluid, readable and sharp even when it avoids the "Flashbang the eyes" crutch and has a shitload of animation budget.
Even in "passionate", less rushed and extremely high budget projects led by industry vet animators i still dont see anything that comes close to movement like this. How the FUCK did this become lost technology?
And dont you fucking dare to pin it on cels and film again you piece of shit - those are just the medium and are not responsible for movement fluidity