>>3853990
>No, because I'm not a reductive retard like you.
I mean you are free to your own opinion, but just remember I didn't start this. You came at me and failed to make a single valid argument assailing what I said and then had the gall to claim you get to dictate the arena and what counts as "valid criticism."
>OK Anita.
Lmao, I've said multiple times that Chapter 2 was cool. I've said multiple times that I would've preferred a story that followed saving Ovelia. None of this is a Sarkeesian argument against damsels in distress.
You are a pigeon on my chessboard, anon.
>You're wrong on all three counts.
No I'm not.
Because Ramza isn't that involved with the intrigue on offer and because every other key on the piano was broken at Squaresoft evidently, the note they played, the single big trick in their bag, to inject some life in this plot, put a little gas in the engine, is to put a girl in need of rescue in front of Ramza.
>Each objective serves a distinctly different purpose as does each of the relationships.
I didn't say they were all exactly the same. I said they were -tedious- because they're playing the same key on the keyboard.
>None of these plots are 1 note, unless you're clinically retarded and incapable of processing any details about the story.
Do you not think Dragon Ball, as an alternative example, doesn't get tedious?
"Oh we killed a good guy, gotta go get the dragon balls for the zillionth time!"
"Oh, it's a bad guy! Oh wait now he's Goku's friend!"
"Oh, even bigger bad guy! Need a brand new transformation!"
"Oh, it's not the dragon balls! It's the Namekian dragon balls! So different! Oh wait wait, it's not the dragon balls, it's the demon world dragon balls! Completely different! Totally new guize!"
"Oh wait, we have super saiyan 1, 2, 3.... blue... pink... so completely different!"
Fuck. Me. Dude.
I'm not saying you can't have a writing convention or a trope. But is it really so much to ask to have some different flavors?
(cont.)