>>280089110
This leads to the main character's behavior becoming so illogical it's comical. For example:
For the entire first night after arriving, the protagonist shows no surprise, there's no internal monologue to explain his identity, and he doesn't carefully observe his new surroundings. Instead, he spends the whole night reading the original Klein's notes but gains zero useful information.
【The audience is seeing everything from the protagonist's perspective at this point, so the amount of information the audience gets is also zero.】
Then, dawn breaks, his sister appears, and the protagonist finally opens his eyes to look around, notices bloodstains and a pistol in the room, and starts covering up the evidence.
So, as a newcomer, how does the protagonist face his new sister? The answer is, he acts completely familiar with her, with no nervousness or anxiety. He suddenly pulls out a 【pocket watch with no previously established context】 for his sister to fix, accompanied by some sis-con-esque inner monologue complaints.
【The protagonist's perspective suddenly becomes omniscient, while the audience is left completely baffled. How did you know the watch was broken? How did you know your sister could fix watches?】
The protagonist's 【over-familiarity】 and 【omniscient perspective】 are even more pronounced in the next scene.
After brushing her teeth, the sister leaves, telling the protagonist to buy bread so she can cook when she gets back.
After she leaves, the protagonist's internal monologue goes: "Sorry, I can't wait for you to come back," "Every second I stay in this god-forsaken place is dangerous," "I need to get back to my own world as soon as possible, hope I can have dinner at home tonight."
You think he's about to do something big, right?
Haha, the very next second, the scene cuts to a bakery, and the protagonist starts buying bread. Hahahaha (it's only explained later that he needs the bread for his transmigration ritual).