>>151166940 (OP)
No it was just the shifting media landscape and western animation not being able to find ways around it. Broadcast weakened first which is why Saturday morning cartoons died. Then cable was a boon because all eyeballs were there on Disney, Nick and CN. Eventually that dried up too once everyone in America could access the internet/streaming. Even anime stopped playing on those channels when it became apparent no one was watching. The only reason anime took over broadcast was because it was cheaper to license and why pay to make original content when ratings are already on decline?
Now streaming is huge, but it's struggling because the big corpos aren't able to monetize content as well on it as on broadcast/cable. Plus, kids don't watch streaming as much unless it's for something they really like or can easily access such as Bluey and KPop Demon Hunters. Most kids watch YouTube which is why The Amazing Digital Circus and Murder Drones blew up.
If they want to revitalize animation, they need to put it where the eyeballs are. The industry also needs to appropriately consolidate because when there is YouTube, video games, TikTok, AI, whatever the fuck else, no one is gonna pay that much for like 10 ridiculously overpriced and barren of IP streaming services. It has to be on YouTube, TikTok, Prime Video, Netflix or Disney+, if it's not, your show isn't going anywhere. Simple as. Which means RIP most legacy cable and streaming companies. Too many options, not enough demand.