>>7601658>It's not about the subject matter of the art being inherently more interesting or validYou're right about it being important as historical documents that allows us to glimpse into how the peasant were actually living - there was very little of such work until a certain point, when it became something of an artistic movement to capture the banal. We went from strictly religious work, or important figures and moments, to a broader scope and greater artistic freedom.
But again, my criticism was pointedly modern.
>It's fanfiction. Literally one of the most famous Fanficion...So the answer was no, they are not the same character. Trying to use the copyright holders as some sort of moral arbiters or proof of creativity was fucking stupid. Should we go to disney for advice as to how copyright laws should be morally written? Of course the IP owners want to get more money from their character, even if they don't really have a moral leg to stand on.
>This is an impasse because I suspect you have a much more limited definition of what creativity is.Look, I'm sure you'll agree that some things can be 'more creative' than other things - if you can grade work like that; then why can I not say I don't find khyleri's art particularly creative?
How can you argue that using some else's characters and property, to create single or two panel images where the jokes are as deep as "What if X character had sex?" is particularly creative?
More so, how can you defend it being someone's enter business model? He's a fucking leech.
If I had a successful property, I wouldn't be particularly pleased with some asshole making bank on drawing my characters fucking horses - draw your own equine dick obsessed characters!
>"Uh, but you just said with Lupin III..."And if Someones going to go down that route, stop typing, you're a retarded mouth breather if you think the two situations are similar.
Are you going to say James Pond, the video game character, is a copy of James Bond too?