>>23333565>>23333699 (cont.)
The third scene is the parent-teacher meeting. Things start on the wrong foot with Machu's mom being late, but importatnly too me both character made the effort to come. There relationship isn't completly soured yet at that point.
And as we've already talked about this is where things culminate with Machu storming out to go straight to the Pomeranians hide-out, where she thinks she's found people who understand her and whom she thinks are on her side.
At this point, she's effectivelly ran away from home and we don't see her and her mom interact again.
(We see that her mom contacted by message when Machu gets her phone back but nothing more so far.)
I'm sorry but I completly disagree that this is a shallow relationship or a shallow portraillal of this relationship. Or that this is somehow lacking in chatacter.
I wouldn't even agree that any of this is particularly rushed.
There are plenty of things to criticize in GQuuuuuux: For example the lack of motivation given for having Machu cooperate with Challia in episode 11. Or the lack of agency on Amate's part in her escape from the brothel.
But I can't agree that this is a problem intrinsically linked with Machu's character, its an issue of pacing.
And at the risk of pissing of the people obscessed over Deux, I think the pacing is pretty much spot on until the plot leaves side-6.
(Assuming we replace the first few episodes with the movie, the way we go back and forth between the alternative history and side-6 in the TV version is understandable [you want to start the story with you main characters], but in my opinion worse.)