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7/15/2025, 2:38:27 PM
>>715524021
It's really just an "optimal" thing all things considered. There's a plot, there's a soundtrack, there's gameplay, all the parts are there, and they're all good within its niche. There are no scope issues, everything feels complete even if it's your only Hitman game. I respect World of Assassination but making throws be parabola only and auto-aiming is GAAAAAAAAAAAY, I think.
It's really just an "optimal" thing all things considered. There's a plot, there's a soundtrack, there's gameplay, all the parts are there, and they're all good within its niche. There are no scope issues, everything feels complete even if it's your only Hitman game. I respect World of Assassination but making throws be parabola only and auto-aiming is GAAAAAAAAAAAY, I think.
6/28/2025, 3:59:40 AM
6/27/2025, 8:37:35 AM
I tried playing the anniversary event for the first time and I've got to say it's complete ass as a solo q player. Getting stomped left and right by killers does not make for a fun experience. I'm not playing that shit unless they make it a 5x bp boost and normal queue is clogged up to hell for some reason. I only like the cakes. If any killers want to pub stomp, that's the ideal mode for them to play. Not me though. I'm not here to provide the killers with a "experience". There's not even a basekit unbreakable which was being demonized before the event even dropped..I'm staying in normal queue for now until the next event drops..
6/18/2025, 10:31:01 AM
>>149051807
Executives see a downward trend in ratings and theatre attendance. Rather than recognizing it’s a general shift in viewership habits from television to the Internet or acknowledging that streaming is a Pandora’s box that they decided to open and can’t close even if they want to, they blame the new programming and films for not being the golden goose miracle IP that’s supposed to turn the fortunes of their respective studios and networks around. Thus, rely on the power of pre existing IPs. Both because they have established reputation and have already been marketed, and maybe more cynically, as a desperate attempt to lure
older fans of those properties back in with nostalgia bait.
Executives see a downward trend in ratings and theatre attendance. Rather than recognizing it’s a general shift in viewership habits from television to the Internet or acknowledging that streaming is a Pandora’s box that they decided to open and can’t close even if they want to, they blame the new programming and films for not being the golden goose miracle IP that’s supposed to turn the fortunes of their respective studios and networks around. Thus, rely on the power of pre existing IPs. Both because they have established reputation and have already been marketed, and maybe more cynically, as a desperate attempt to lure
older fans of those properties back in with nostalgia bait.
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