Search Results
7/3/2025, 9:05:39 AM
1. Existential Clarity / Acceptance of Chaos
Tony may be realizing that life is meaningless, chaotic, and random, and the only rational response is to embrace it, or at least stop resisting. This is consistent with his earlier existential musings (like "Is all this shit for nothing?"). The peyote opens him to the possibility that there is no grand meaning, and he's okay with that.
2. Freedom Through Amorality
He may have realized that killing Christopher was a good thing for him, and he's at peace with it. The guilt is gone. He "gets" that detachment and self-interest — not moral struggle — is the way to survive. In other words, "I get it: kill or be killed, and don’t feel bad about it."
3. A Spiritual Awakening (Twisted)
Some interpret it as a kind of spiritual moment, like a sick version of enlightenment. Tony feels transcendent joy because he thinks he’s finally above it all, beyond guilt, beyond consequences. It's his "Buddha under the Bodhi tree" moment, but with mob violence instead of meditation.
4. Pure Irony
It’s possible David Chase included it as ironic. Tony thinks he’s had a profound realization, but he hasn’t changed at all. The show then leads toward his downfall. So “I get it!” could be just another delusion: his version of enlightenment is just selfish, empty, and doomed.
Tony may be realizing that life is meaningless, chaotic, and random, and the only rational response is to embrace it, or at least stop resisting. This is consistent with his earlier existential musings (like "Is all this shit for nothing?"). The peyote opens him to the possibility that there is no grand meaning, and he's okay with that.
2. Freedom Through Amorality
He may have realized that killing Christopher was a good thing for him, and he's at peace with it. The guilt is gone. He "gets" that detachment and self-interest — not moral struggle — is the way to survive. In other words, "I get it: kill or be killed, and don’t feel bad about it."
3. A Spiritual Awakening (Twisted)
Some interpret it as a kind of spiritual moment, like a sick version of enlightenment. Tony feels transcendent joy because he thinks he’s finally above it all, beyond guilt, beyond consequences. It's his "Buddha under the Bodhi tree" moment, but with mob violence instead of meditation.
4. Pure Irony
It’s possible David Chase included it as ironic. Tony thinks he’s had a profound realization, but he hasn’t changed at all. The show then leads toward his downfall. So “I get it!” could be just another delusion: his version of enlightenment is just selfish, empty, and doomed.
7/1/2025, 6:45:35 AM
Norm MacDonald was a hack and Normfags can’t handle the truth: the guy was a charisma black hole on screen, couldn’t act his way out of a paper bag, and his standup was mostly mumbly non-sequiturs with zero structure. But "b-but he bombed on purpose!" Yeah, that’s what every failed comic says.
The guy was basically the proto-Nick Mullen, another chud idol. Can’t act, can’t do standup without hiding behind irony, but gets worshipped by terminally online ironybros who think being a bitter alcoholic = being deep. Replace Letterman appearances with a few funny Cum Town riffs and it’s the same story. Even Cum Town got stale after a couple years when everyone realized it was the same three jokes about Adam being gay and Nick being racist.
Yes, Norm was hilarious on Conan and Letterman. No one’s denying that. Just like Mullen had his moments before checking out and hiding behind leftist pseudophilosophy and ketamine addiction. But let’s not pretend either of these guys were actually prolific or well-rounded performers. They both got carried by cults of personality and resentment-driven irony.
Norm never grew past Weekend Update and Mullen never got past being the smart guy in a room full retards like Adam and Stav, and even that stopped being funny once people started agreeing with him.
Both are cautionary tales of what happens when bitter addicts get handed microphones and a fanbase of terminally online dudes desperate for a father figure who hates the world as much as they do.
The guy was basically the proto-Nick Mullen, another chud idol. Can’t act, can’t do standup without hiding behind irony, but gets worshipped by terminally online ironybros who think being a bitter alcoholic = being deep. Replace Letterman appearances with a few funny Cum Town riffs and it’s the same story. Even Cum Town got stale after a couple years when everyone realized it was the same three jokes about Adam being gay and Nick being racist.
Yes, Norm was hilarious on Conan and Letterman. No one’s denying that. Just like Mullen had his moments before checking out and hiding behind leftist pseudophilosophy and ketamine addiction. But let’s not pretend either of these guys were actually prolific or well-rounded performers. They both got carried by cults of personality and resentment-driven irony.
Norm never grew past Weekend Update and Mullen never got past being the smart guy in a room full retards like Adam and Stav, and even that stopped being funny once people started agreeing with him.
Both are cautionary tales of what happens when bitter addicts get handed microphones and a fanbase of terminally online dudes desperate for a father figure who hates the world as much as they do.
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